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William Shakespeare analysis
William Shakespeare the playwright
Characteristics of a tragic hero
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A tale of duplicity and impetuosity, William Shakespeare’s play Othello brings to life a cast of complex characters. The leading character, Othello, whose undoing the piece recounts, proves to be the quintessential tragic hero by fulfilling all required elements necessary to be labeled as such. Aristotle defines a tragic hero as one of a noble stature who experiences misfortune and commits a culpable act as a result of his own free will; however, the misfortune is neither entirely deserved nor does it result in an absolute loss, as the hero experiences an awakening to the disagreeable facts while accepting defeat (Arp and Johnson). Othello, a vanguard of his day, is beguiled by a confidant and ensnared by the lies that ensue. This causes Othello great mental anguish. He is plagued with the question: Is his love unfaithful, or does she remain true? Eventually, unable to discern fact from fiction, Othello repudiates his bride and their recent marriage. Misplaced trust and a jealous heart soon cause Othello to lose his composure, his dignity, his most loyal counterpart, and ultimately his life.
In the fourth century B.C., Aristotle’s composed Poetics, a work of dramatic theory. In this text, he suggests that a tragic hero must be easily identified as a character of noble stature and greatness; however, an audience of common status should be able to identify with the character on certain levels. He believed, therefore, that the hero must be mortal and imperfect in order for the audience to relate (Stevenson). Shakespeare’s character, Othello, meets Aristotle’s basic criteria. In early Venetian history, it was required that the one given charge of Venice’s military forces be a foreigner. This was done in order to preve...
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...veral individuals have lost their lives. Othello chooses to accept his fate, admit defeat, and surrender his life.
Works Cited
Arp, Thomas R., and Greg Johnson. Perrine's Literature Structure, Sound, and Sense. 11th ed. Boston: Wadsworth, 2012. Print.
"The Complete Works of William Shakespeare." Shakespeare-literature.com. 2003. Web. 12 Dec. 2011.
Crawford, Alexander W. Hamlet, An Ideal Prince: And Other Essays in Shakespearean Interpretation Hamlet; Merchant of Venice; Othello; King Lear. Boston: Gorham, 1916. Print.
Cummings, Michael J. "Shakespeare and Medicine." Cummings Study Guides (2011): 1. Web. 12 Dec. 2011. .
Maurice, Keen. "Brothers In Arms." History (2007): 1. Print.
Stevenson, Daniel C. "The Internet Classics Archives." 2009. Web. 29 Nov. 2011. .
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Crawford, Alexander W. Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear. Boston R.G. Badger, 1916. Shakespeare Online. 20 Aug. 2009. (April 30 2014) < http://www.shakespeare-online.com/plays/othello/othelloessay2.html >.
Boklund, Gunnar. "Hamlet." Essays on Shakespeare. Ed. Gerald Chapman. Princeton, NJ: Princeton University Press, 1965.
Shakespeare, William. “Hamlet.” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1709-1804. Print.
Shakespeare, William, Marilyn Eisenstat, and Ken Roy. Hamlet. 2nd ed. Toronto: Harcourt Canada, 2003. Print.
Goldman, Michael. "Hamlet and Our Problems." Critical Essays on Shakespeare's Hamlet. Ed. David Scott Kaston. New York City: Prentice Hall International. 1995. 43-55
Hamlet. Romeo. Othello. These men not only star in some of Shakespeare’s finest plays, but they are all classic examples of tragic heroes. A tragic hero is one who is courageous and admired but who has a tragic flaw that leads to his downfall. Othello was one of the greatest military men of the time. He was highly respected among his superiors for both his military prowess and level headed nature. This was a man who could be in the heat of a battle and would remain collected. Though this great hero also had great shortcomings. Othello was naive, jealous, and concerned with public appearance. Othello is truly a dynamic character. As the play continues and his jealous increases, Othello gradually changes from a flawless military general into
Aristotle continued to express a tragedy arouses both pity and fear, pity for the doomed hero and fear for all humans who are subject to the same forces and weakness. It would not be difficult to discover that Othello demonstrate weakness and fear in the play, and Shak...
....ii.360). Then Othello commits suicide with a hidden sword on his person. The whole chaotic ending scene further supports Othello’s madness and inner rage leaving him in the end, a man completely opposite from who he was in the beginning, turning his peace to violence, and his calm personality into a ferocious revenge seeking demon.
Othello had a public perception of being a military man, and a courageous leader. “Valiant
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full support to the inevitable and unavoidable fall.
There are many heroes in this world, whether it’s a fireman or a doctor. A hero is defined based on their courage, nobility and strength. In contrast, there are tragic heroes. According to philosopher, Aristotle, the definition of a tragic hero is one that is of greatness and dignity but, despite their greatness, makes an error, otherwise known as the hero’s “tragic flaw” or “hamartia” which leads to his downfall. In William Shakespeare’s tragedy, Macbeth, the main protagonist and round character, Macbeth starts as a man of greatness and dignity. His assumed loyalty to the country and king earns him respect from a variety of men and the title “Thane of Cawdor.” But, unfortunately because of his tragic flaw he is corrupted by his overwhelming ambition and destroys himself and the natural order of man. Macbeth transitions from the savior of his country, “Bellona’s bridegroom”, a “brave” and unbeatable man to a man of endless brutality. Macbeth is the epitome of a tragic hero.
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
The tragic hero is defined by Aristotle as "a great man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake” (Aristotle n. pag.). There are a few principles that Aristotle believes to form a tragic hero: the protagonist should be a person of power and nobility, who makes a major error in judgment and eventually comes to realization of his or her actions (Aristotle n. pag.). In Arthur Millers’ play, Death of a Salesman, he has twisted Aristotle’s belief of a tragic hero, and has created his own. Although Miller has twisted Aristotle’s belief, Sophocles’ play, Oedipus Rex, has a tragic hero (Oedipus) that follows the flaws, dignity, and acknowledgment of the truth that Aristotle believes in to make a tragic hero. It is essential for them to recognize their position and role in the play. Due to the fact that Willy Loman and Oedipus experience tragic flaws throughout their respected plays, they both have nobility, and they both realize the fact (anagnorisis) that they made an error in their life (hamartia). Through their fatal mis-steps, their pride and ego, predominately affect their familial lives, which in turn causes them to realize the truth that they are tragic heroes.
...World of Hamlet.” Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.