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Women in violence essay
Women in violence essay
Women in violence essay
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Storytelling in Eavan Boland's In a Time of Violence
In her 1994 collection of poems, In a Time of Violence, Eavan Boland presents her readers with a very focused set of controlling ideas. These ideas, centered around the concepts of family, history, legends, and storytelling, fluidly intermingle and build upon one another as the work progresses until one notion, above all others, is clear: that the telling and retelling of stories and legends is not only a great power, but a great responsibility. In this collection of poems, the poet consciously accepts this responsibility as a reteller of stories, thereby appropriating to herself the power to strengthen familial bonds, question conventional histories, and create new legends for women of the future.
The single poem that best represents the controlling ideas of In a Time of Violence is a short poem entitled Legends. This poem is concerned primarily with the relationship of stories and legends to familial bonds among women; in this case, the bond between a mother and her child. The poem begins by, in effect, telling the story of storytelling: “…they [storytellers] begin the world again, / making the mountain ridges blue / and the rivers clear and the hero fearless…” (Boland, 50). It is clear that Boland is assigning large amounts of power to storytellers within the context of the speaker-listener relationship; in the eyes of the listener, they have the God-like power to “begin the world again”, and to remake and purify elements of the storyworld as they see fit.
The third stanza of the poem both examines this power further and creates a common link between all tellers of stories—“and the outcome always undecided / so the next teller can say begin an...
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...continue, no matter how difficult. At the heart of In a Time of Violence is the need and responsibility to re-imagine and retell old stories that no longer work; to bring women closer together by doing away with the repressive female images—the beautiful heroine, the unseen seamstress— that saturate the current and past stories of our culture. By creating and retelling these stories, Boland explores what she has termed “the meeting place between womanhood and history”, and creates a communal discourse between all women who care to listen to her.
Works Cited and Consulted
Boland, Eavan. In a Time of Violence. New York: Norton, 1994.
Weekes, Ann Owens. "'An Origin like Water': The Poetry of Eavan Boland and Modernist Critiques of Irish Literature," Irishness and (Post)Modernism, ed. John S. Rickard. Cranbury, New Jersey: Associated University Presses, 1994.
As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear.
The grandmother and The Misfit of Flannery O'Connor's 'A Good Man is Hard to Find' are backward, opposite images of each other. However, the grandmother does have similarities with the character, Ruby Turpin in O'Connor's short story, 'Revelation'.
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
“A Good Man Is Hard To Find” and “Good Country People” are two short stories written by Flannery O’Connor during her short lived writing career. Despite the literary achievements of O’Connor’s works, she is often criticized for the grotesqueness of her characters and endings of her short stories and novels. Her writings have been described as “understated, orderly, unexperimental fiction, with a Southern backdrop and a Roman Catholic vision, in defiance, it would seem, of those restless innovators who preceded her and who came into prominence after her death”(Friedman 4). “A Good Man Is Hard To Find” and “Good Country People” are both set in the South, and O’Connor explores the tension between the old and new South. The stories are tow ironically twisted tales of different families whos lives are altered after trusting a stranger, only to be mislead. Each story explores the themes of Christian theology, new verses the old South, and fallen human nature.
Regretfully, though readers can see how Mama has had a difficult time in being a single mother and raising two daughters, Dee, the oldest daughter, refuses to acknowledge this. For she instead hold the misconception that heritage is simply material or rather artificial and does not lie in ones heart. However, from Mama’s narrations, readers are aware that this cultural tradition does lie within ones heart, especially those of Mama’s and Maggie’s, and that it is the pure foundation over any external definition.
Having been raised in the south has allowed her to believe that she must be catered to as a woman no matter how old she gets. The grandmother constantly refers to herself as a lady and has made herself a priority in her sons life and has a difficult time being considerate of other peoples feelings. At the beginning of the story she tries to convince her son Bailey to change the destination of their planned vacation to where she would like to go. In order for grandma to go see her old house in Tennessee she must convince Bailey that his family may be in danger after a
Flannery O’Connor is regarded as one of the greatest supporters of Roman Catholic writings in the twentieth century. O’Connor was born in Savannah on March 25th, 1925 and her parents were very devout Catholics. She was raised to always live the Catholic lifestyle. O’Connor was educated at a local parochial school, and after moving to Milledgeville, she continued her education at Peabody Laboratory School. Devastation struck when she lost her father to Lupus Erythematosus. She was only fifteen years old, and little did she know, this disease would end up killing her several years later. After the loss of her father, O’Connor decided to go to Georgia State College for Women and take an accelerated three-year program (Gordon 1).
This creates a despair, of hopelessness and of downheartedness. The woman, on multiple occasions, wrote down, “And what can one do?” This lets the reader know that women as a whole were very oppressed in ...
The story begins by Bailey’s grandmother trying to persuade him and his spouse to take their family for a tour in Tennessee rather than Florida. Her argument for the piece of advice is based on a story she locates in an article (O’Connor 73). According to the story, an old lag who had run away from the prison is also headed for a vocation in Florida, and he is worried about the safety of Bailey’s family if they choose to go to Florida for the tour. On the day of the trip, the grandmother dresses like a young lady and joins the family. The family later makes a stop at a restaurant whose owner, Red Sammy, complains of how untrustworthy people can sometimes be (O’Connor 73). Red Sammy’s wife also interjects the discussion between her husband and Bailey’s grandmother and says that she does not believe in any person, including her own husband, R...
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
Ronsley, Joseph, ed., Myth and Reality in Irish Literature, Wilfrid Laurier University Press, Canada, 1977
...autiful creatures and deserve everything life has to offer. When gathered together, nothing can destroy the strength of a woman. Guidance from parents, at a very young age, can help mold the minds of the young children in today’s society. This world has become overpopulated with greed and hate. The only way to get past the hatred and violence is to love thy neighbor, and protect our young from the unnecessary violence that can be eliminated with love for one another.
Storytelling has been a common pastime for centuries. Over the years it has evolved into different styles containing different themes. Kate Chopin, a well-known author of the 20th century, wrote stories about the secrets in women’s lives that no one dared to speak of. Her work was not always appreciated and even considered scandalous, but it opened up a world that others were too afraid to touch. In Chopin’s story “The Storm,” a woman has an affair that causes an unlikely effect. The story’s two themes are portrayed greatly through an abundance of imagery and symbolism, along with the two main characters themselves.
Foster, R.F.,ed. The Oxford Illustrated History of Ireland. Oxford University Press: Oxford, New York, 1989.
Doris Lessing, the Noble Prize winner, is known for having been a beacon of inspiration to a generation of feminists. Her The Golden Note Book hailed as the most important work that has left its mark upon the ideas of a whole generation of women. Her novels, short stories and essays have focused on a wide range of twentieth century issues and concerns, from the politics of race that she confronted in her early novels, to the politics of gender which lead to her adoption by the feminist movement. Lessing’s works are viewed by many as auto-biographical since they are closely related to her own life. Violence on women not only be physical but also emotional. The present article deals with the portrayal or picturisation of emotional violence. Emotional violence is a violence perpetrated by finding with emotions of the individuals. Deeply rooted in the socio-political milieu of her time, Lessing was nevertheless well ahead of her generation in many respects. The Golden Note Book thus contains two strains. Politically