The impact of an author’s life on their writing is vast. Many people do not see the large influence of an author’s childhood on their writings, but it plays a major role. The life of Flannery O’Connor is no exception to this. The great Catholic lifestyle of her parents helped persuade her writing of, “A Good Man is Hard to Find.”
Flannery O’Connor is regarded as one of the greatest supporters of Roman Catholic writings in the twentieth century. O’Connor was born in Savannah on March 25th, 1925 and her parents were very devout Catholics. She was raised to always live the Catholic lifestyle. O’Connor was educated at a local parochial school, and after moving to Milledgeville, she continued her education at Peabody Laboratory School. Devastation struck when she lost her father to Lupus Erythematosus. She was only fifteen years old, and little did she know, this disease would end up killing her several years later. After the loss of her father, O’Connor decided to go to Georgia State College for Women and take an accelerated three-year program (Gordon 1).
While attending Georgia State College, O’Connor was editor of the college’s magazine, as well as the campus cartoonist. She drew cartoons for many campus events, like the campus newspaper, yearbook, the walls in the student lounge, and the campus magazine. She showed her love for satire and comedy by writing fiction, essays, and poems for the campus magazine, the Corinthian. She is most remembered by her classmates at Georgia State College for her shyness and humor (Gordon 1).
In 1945, Flannery O’Connor transferred to the University of Iowa after receiving a scholarship for journalism. After a few months, she realized journalism was not her dream. She talked t...
... middle of paper ...
...ng is evident in her writings. Just like it is clearly shown in “A Good Man is Hard to Find,” the religious events and symbols can be seen in many of her works. O’Connor liked to write for the joys of others, but she also liked to include religious events.
Works Cited
1. Gordon, Sarah. “Flannery O’Connor (1925-1964).” The New Georgia Encyclopedia. March 3, 2009. March 19, 2012. .
2. “Flannery O’Connor’s ‘A Good Man is Hard to Find’: Who’s the Real Misfit?” Edsitement. March 19, 2012. < http://edsitement.neh.gov/lesson-plan/flannery-oconnors-good-man-hard-find-whos-real-misfit#sect-thelesson>.
3. Wiley, John and sons. “O’Connor’s Short Stories.” Cliffnotes. 2001. March 20, 2012. .
Petit, Susan. "Finding Flannery O'Connor's "Good Man" In Marilynne Robinson's "Gilead" And "Home.." Christianity & Literature 59.2 (2010): 301-318. Academic Search Complete. Web. 31 Oct. 2013.
O'Connor, Flannery. ?Good Country People.? A Good Man is Hard to Find and Other Stories. Comp. Flannery O'Connor. San Diego: Harcourt Brace & Company, [2006?].
Douglas, Ellen. "O'Connor's 'A Good Man is Hard to Find.'" Contemporary Literature Criticism. Eds. Carolyn Riley and Phyllis Carmel Mendelson. Detroit, MI: Gale, 1976. Vol. 6. 381.
Flannery O’Connor's perception of human nature is imprinted throughout her various works. This view is especially evident in the short stories, “A Good Man Is Hard to Find” and “Revelation.” She conveys a timeless message through the scope of two ignorant, southern, upper class women. In “A Good Man is Hard to Find,” O’Connor presents readers to a family who is going on a road trip with their selfish grandmother. She is a religious woman who does not follow the set standards that she preaches. Similar characteristics are exposed in “Revelation.” As the self centered Mrs. Turpin sits in the waiting room, she contemplates on her own status with God. Nevertheless, she still commits the sin of judging others. In both of O’Connor’s short stories, these controversial protagonists initially put up a facade in order to alienate themselves from their prospective societies. Although the grandmother and Mrs. Turpin both believe in God, O’Connor utilizes theme to expose that they also convince themselves that they can take on His role by placing judgement on people who, at the most fundamental level, are in the same category as them.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
Scott, Nathan A., Jr. "Flannery O'Connor's Testimony." The Added Dimension: The Art and Mind of Flannery O'Connor. Ed. Melvin J. Friedman and Lewis A. Lawson. New York: Fordham UP, 1966. 138-56.
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
Although Flannery O’Connor didn’t even live to see her 40th birthday, her fiction endures to this day. In “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” O’Connor effectively deals with the two huge themes (topics) of religion and racism. These two themes are crucial to understanding much of O’Connor’s great works and are relevant to all readers of O’Connor throughout all ages.
“There she stands, to me, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restore to honor to the word”, this is how Sally Fitzgerald described her dear friend Mary Flannery O’Connor. (xii) Not to long ago, I read my first Mary Flannery O’Connor story and I came to view Mary Flannery O’Connor as an artist whose key subject was grace, but what are these stories, these works of art truly about, what is Flannery O’ Connor trying to tell the readers. In order to interpret a story though the eyes of an author like Flannery O’Connor you must first look through the eyes of the author. You must see what he/she sees. It would be arrogant to believe that a person can truly understand another by studying them, but I have learned a great deal in trying to do so. Mary Flannery O’Connor wrote about grace and salvation, and has taught me about finding truth; I attribute the lessons she has taught me to, the way she viewed herself, the way others viewed her, her writings, and many other effects.
To conclude, Flannery O’Connor’s “A Good Man Is Hard To Find” is filled with irony and it is what makes the story so interesting. Without the use of these ironies the story would have been very different for the readers. Flannery O’Connor uses irony to enhance her writing and to push the readers to want to read further. She also uses this irony to explain some of her own concerns about the human condition. Verbal, dramatic, and cosmic ironies are all present in Flannery O’Connor’s “A Good Man Is Hard To Find” and are used skillfully by the author to enhance the reader’s experience.
Flannery O'Connor once said “All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.” But to many readers this may sound very ironic. This perspective may be easily picked up by readers seeing how she is very unsympathic towards the characters; she made all her characters who eventually are led to their own down fall very proud people; but yet places them in a very physiologically vulnerable position and claiming that they are ungrateful for the grace around them. Her stories also surrounds strongly around a shredding of falsehood in a form of accepting, and embracing defeat, or humility; but she also gives no chance of a redemption for the by ending most of the stories with the characters cornered into a state of complete breakdown. The stories also contain a many heavily enforced Christian ideology and morals, and with the brutality she enforces these moralise it no surprise that reader may see her as a twisted and aggressive bible basher.
Flannery O’Connor was born into a Catholic family in Savannah, Georgia. O’Connor is now sometimes considered a Christian writer because she incorporates her religion into a lot of her stories.“A Good Man Is Hard to Find” is set in the year 1955, it was an era where tradition was fading away, and the children were becoming more rebellious towards traditional morals (Bouchard). The children in this story reflect this idea. The ideal family is on a vacation. On the way to their destination the grandmother convinces her son to visit a house from her past. The family has a car accident on the way to the house, but right before the accident the grandmother realizes that the house she is thinking of is in another state. The first people to stop and
Web. . Margaret, Whitt. Understanding Flannery O’Connor . Ebook.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.
Whitt, Margaret. Understanding Flannery O’Connor. Columbia: University of South Carolina Press, 1995. 47-48, 78. Print.