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How does environment shape the character of a child
Stephen crane maggie: a girl of the streets analysis
Social environmental influences on children
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Maggie A Girl Of The Streets Maggie and Jimmie are two siblings being raised within the slums of New York City in the Stephen Crane novel; Maggie: A Girl of the Streets. The parents of these two are constantly fighting as broken furniture and fistfights are an everyday occurance in the decrepid family apartment. The mother and father fight while their children hide frightened as "There was a clash against the door and something broke into clattering fragments .... (Jimmie) heard howls and curses, groans and shrieks, confusingly in chorus as if a battle were raging" (11). Crane exxagerates the furniture destruction as every night when the two parents battle, seemingly all the furniture in the apartment is destroyed. Obviously, this poor family couldn't afford to fix and/or buy new furniture everyday. This then is the environment that Maggie and Jimmie struggle with throughout the novel, but both respond to in opposite ways. Maggie dreams of a better life than of her roots while Jimmie excepts his roots and becomes nihilistic. However, the hope of Maggie sadly goes unfulfilled. Maggie is introduced into the storyline quite subtle and quickly becomes the main focus of attention by the other three main characters. From the beginning, Maggie is a harsh contrast to the slum environment she has to endure. She "blossomed in a mud puddle ... a most rare and wonderful production of a tenement district, a pretty girl" (16) that not only had the physical beauty that her family seemed to lack, but also the hope that she could be better than what was around in her environment. Therefore, the slum environment that surrounds her contrasts her character greatly. "None of the dirt of Rum Alley was in her veins" (16) as she became the talk of numerous males in the neighborhood. Pete; an acquaintance of Jimmie, became Maggie's infatuation. They meet when Pete is called to the Johnson apartment by Jimmie after Pete promised to attend a boxing match with him. Although only a bartender, Maggie finds Pete as a man of "personal superiority" (17) that is capable of providing her with any dream she desires. She views the contrast between Pete and her environment when: The broken furniture, grimy walls, and general disorder and dirt of her home all of a sudden appeared before her and began to take a potential aspect. Pete's aristocratic person looked as if it might soil.
The narrator has two daughters, Dee and Maggie. Dee was this cute girl who was super intelligent and sophisticated. She often saw herself as being above her mother and sister and would often make them feel stupid and bad about themselves. "She used to read to us without pity, forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice". She shows that Dee enjoyed making her mother and younger sister feel dumb about themselves because it made her feel superior. Her whole life Dee detested her family and where she came from and couldn’t wait to get away. But, still her mother worked her booty off to provide her with high education and a good life. Dee goes away to college and when she returns she is a completely different person, suddenly interested in her family; photographing them upon arrival. With her guest, new "Wangero Leewanika Kemanjo", invades her mothers house taking everything in like it’s a cute display for her. Finally, when Wangero (Dee) demands that her mother give her some quilts, her mum can not take anymore. She tells Dee that Maggie, not her, will be receiving the quilts and she snaps. "I did something I never had done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands, and dumped them into Maggie's lap. Maggie just sat
Maggie, although not the main focus of Recitatif, plays an extremely important role in the sense that she represents the idea that there is more to a person’s identity as well as oppression than just their race.
Have you ever seen the Disney movie Cinderella? Cinderella was always jealous of her step sisters always being up lifted, while she was always degraded by her step mother however, at the end everything changed for Cinderella just as it did for Maggie. There are a numerous of themes throughout the story “Everyday Use”. Race is showed when Dee leaves home and comes back embracing her African American cultural. Family also plays a major role in “Everyday Use”. In “Everyday Use” Maggie’s characterization presents her as ignorant; however, a closer look reveals Maggie ignorance is not a representative of her potential but, rather her mother’s bias.
In this story we see a classic example of a poverty-stricken family to its fullest extent. The brother Jimmie gets into numerous fights because of the bad influences in the community. Both parents looked out only for themselves and decided that if they could forget the conditions they were living in and let life pass by, hoping for the best, it would come. Crane describes the parents: "In the middle of the floor lay his mother asleep. In one corner of the room his father's limp body hung across the seat of a chair...Her [mother's] face was inflamed and swollen from drinking" (Crane, p.13). We can really see how this example illustrates how real Crane's writing is. As we see later on in the story Maggie leaves for a couple of weeks to live with Pete, her "boyfriend" because being with him giv...
When two children are brought up by the same parent in the same environment, one might logically conclude that these children will be very similar, or at least have comparable qualities. In Alice Walker's "Everyday Use," however, this is not the case. The only thing Maggie and Dee share in common is the fact that they were both raised by the same woman in the same home. They differ in appearance, personality, and ideas that concern the family artifacts.
In this story, Maggie is a lot like her mother. They both are uneducated, loving, caring, and allow Dee to run over them. Maggie has been through more things than her mother has though, because of the incident that happened. Maggie has scars like Emily, except Maggie’s scars are from a house fire (319). The house fire has impacted Maggie’s life tremendously, since she is very self-conscious and shy. Walker stated that Maggie is “ashamed of the burn scars down her arms and legs (318). The mother is protective of Maggie and will be there for her whenever she needs her too. Even though her mother knows all her struggles, she still supports her and pushes her to be better. I think that is one reason she pushes her to marry John Thomas, because she wants her to become her own person and to be strong (319). The mother of “Everyday Use” is opposite from the mother in “I Stand Here Ironing”, because she is there for her children no matter what their financial status
Walker's use of language when describing Maggie creates a picture of a physically scarred and unintelligent woman. Maggie's physical scarring is pointed out to the reader early in the story to lay a foundation for sympathy. Walker accomplishes this when she states that Maggie has, "burn scars down her arms and legs" (383). The matter of fact choice of vocabulary by Walker creates an image of a deformed person that would not be aesthetically pleasing by any stretch of the word. Walker fortifies her effort to create a sympathetic Maggie with her vocabulary when Mama states, "Sometimes I can still hear the flames and feel Maggie's arms sticking to me, her hair smoking and her dress falling off her in little black papery flakes" (384). The words "arms sticking" and "hair smoking" generates a grisly image in the reader's mind of a grotesquely injured little girl that is quite worthy of sympathy (Walker 384). It is not only the physical scars that were left by the fire that create sympathy about Maggie's physical appearance. Dee is described...
To start with, Maggie’s greatest enemy inside her is bashfulness. Her shyness has her hold down as a prisoner. Walker describes Maggie as a person who, “attempts to make a dash for the house, in her shuffling way, but I stay her with my hand. "Come back here, " I say. And she stops and tries to dig a well in the sand with her toe.” Her shyness makes her want to be in a corner all by herself instead of meeting people. She is nervous to see her sister Dee. Maggie has never liked to look at people but rather look down at her feet. Shyness causes us to isolate our self from society. A person rather is silent like a cold windy night. Everyone is different
Maggie lives with a poor and dysfunctional family and a hopeless future with only the small possibility of change. The environment and setting she grows up in do not support anything more than a dull, dreary and pathetic future for her. An old woman asks Maggie's brother Jimmy: "Eh, Gawd, child, what is it this time? Is yer fader beatin yer mudder, or yer mudder beatin yer fader? (Maggie, 10)" while he runs to Maggie's apartment one night. The lack of love and support of her family hinders Maggie's ability to live a happy and fulfilling life. Without knowing that someone loves her no matter what she does or how she acts Maggie may feel desperate enough to change her situation by any means she can, and without any useful guidance. Even without any positive influences Maggie grows up different from the low-life's living with and around her. Crane explains Maggie's uniqueness in the passage "None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it" (Maggie 16). Maggie's uniqueness gives her the chance to improve her life, but only a slim chance. Even though Maggie differs from the people around her they remain sleazy, making it harder for her to change her life because she must go outside of her community for help.
Maggie from the story Recitatif and Mu Ying from In Broad Daylight are both static characters. Static characters that do not change in any way from the beginning of the novel to the end. Usually these characters are minor simply because the main characters often times learn a lesson seeing as they are the focus of the story. Maggie is a minor character. She is not focused on directly very often. Twyla does take time to consider a situation in which Maggie was a part of, but Maggie’s thoughts, feelings, or personality is ever truly examined. In the beginning of the story Maggie is described to be and old woman who works in the home. By the end of the story, Maggie is remains simply an old lady who once worked in the home. The reader never gets
Maggie Johnson is a fictional character in Alice Walker’s short story, “Everyday Use.” Many of Walker’s stories have a reoccurring theme of struggles and conflicts in African-American culture. In this story, several conflicts, including poverty, health, social status, and racism are present. Maggie and her mom are living in poverty in a house in a pasture, while Dee is exploring and enjoying the life she lives. This story takes place when Dee returns home to visit with her mother and sister. Upon returning home, Dee feels she is entitled to the heirloom quilts that were hand-stitched by her grandmother. The problem is the quilts were already promised to Maggie for when she gets married. Dee argues that she will preserve the quilts and family heritage while saying Maggie will ruin them. The mother is in the midst of an internal struggle to decide who is worthy of such a precious prize. Dee is ultimately upset and leaves empty-handed, but before she leaves Maggie shows a true smile of happiness. Maggie is characterized as shy, jealous, and unaware of her true potential.
In Maggie A Girl of the Streets, Crane describes the Slums of New York through the perception and surroundings of a young girl named Maggie. The book immediately begins with a clash between two young children defending their honor of the Rum Alley. Even though seeing children violently harm each other would startle most “humans”, it does not faze anyone living in the slums. “From a window of an apartment house that up reared its form from amid squat, ignorant stables, there leaned a curious woman. Some laborers, unloading a scow at a dock
The theme of isolation in John Steinbeck's Of Mice and Men and Stephen Crane's Maggie, A Girl of the Streets greatly portrays the social and economic setting of the late 1800s and the early 1900s. In the novel Of Mice and Men by John Steinbeck, George and Lennie, the two main characters, try to ignore the harsh environment of ranch life by having aspirations of owning a ranch, and one of the challenges in the way of their dreams is a fight with isolation. In the novel Maggie, A Girl of the Streets, Maggie, blossomed from a mud puddle despite abuse and the lack of wealth, tries to trudge through the cruelty of life only to find herself alone in the world. Although John Steinbeck's Of Mice and Men and Stephen Crane's Maggie, A Girl of the Streets
While Maggie is brown-skinned and dark-haired, Lucy, her cousin, is her contrary: "It was like the contrast between a rough, dark, overgrown puppy and a white kitten" (58). And the appearance influences the character: everybody is satisfied with Lucy and that is why Lucy is satisfied with herself. Maggie on the contrary is viewed as almost an idiot in her effort to be admired and loved.
After he has perhaps taken advantage of her, Pete is interrogated by Maggie in regard to whether or not he loves her, to which he replies “Oh, hell, yes” (968). Despite the fact that this does not seem to be a sincere proclamation of his love for her, she is nonetheless convinced. Because of this, she has faith in him to take care of her, even going as far as living with him after her mother has banned her from coming home due to her now living in sin (967). Maggie is foolish and naïve to presume that Pete is faithful to her, however, especially after he encounters a former mistress and is seduced by her (978-979). Ultimately, Maggie’s presumption that Pete actually cares for her or is truly loyal to her brings about her own demise after she is still banned from returning home and is forced to live out the remainder of her short life by going into prostitution. Maggie’s flawed logic in regard to Pete’s true feelings causes implications so great that they literally aid her in the destruction of her entire