Stephen Crane and Horatio Alger are both authors who discuss issues that deal with New York City in the 1800's. They are different in one major way. Crane is known as more of a realist, whereas Alger is known as mythic. Two examples that distinguish these authors' styles are Maggie, A Girl Of The Streets, by Crane and Ragged Dick Or, Street Life in New York with the Boot Blacks, by Alger. Both stories illustrate attempts to rise to the upper classes of society or become "respectable."
Crane's story is about a girl named Maggie who grew up in a life that would cause any person with feelings to have the utmost sympathy for her. To explain briefly; her brother was a roughneck in the community, her mother and father were alcoholics, a younger brother died at a young age, and they lived in a tenement building. Crane is described as a "realistic" author because of the way he describes the social environment and the stress of everyday life.
In this story we see a classic example of a poverty-stricken family to its fullest extent. The brother Jimmie gets into numerous fights because of the bad influences in the community. Both parents looked out only for themselves and decided that if they could forget the conditions they were living in and let life pass by, hoping for the best, it would come. Crane describes the parents: "In the middle of the floor lay his mother asleep. In one corner of the room his father's limp body hung across the seat of a chair...Her [mother's] face was inflamed and swollen from drinking" (Crane, p.13). We can really see how this example illustrates how real Crane's writing is. As we see later on in the story Maggie leaves for a couple of weeks to live with Pete, her "boyfriend" because being with him giv...
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...merous examples throughout his story that emphasize that "the appearance of a person doesn't always predict their true intention." We can clearly see that Alger has a fantasy of what the world should be or how we should perceive the world. Crane, on the other hand, clearly illustrates the reality of life in discussing and presenting examples of accurate situations that plague our society, as well as the usual outcome of the situation. For instance, to further back up Crane's philosophy we can look at Maggie, in the sense of her starting with nothing, gaining something, then ending up lower than she began.
To close, it is represented in my essay that Crane is clearly out to give the "realistic" perspective on a society plagued with many problems, whereas Alger gives representation to the "mythic" aspect of life which is commonly phrased as "dreams come true."
The Bragg family grew up with virtually nothing. The father left the family a number of times, offering no financial assistance and stealing whatever he could before he left. When he was there, he was usually drunk and physically abusive to the mother. He rarely went after the children, but when he did the mother was always there to offer protection. Mr. Bragg's mother's life consisted of working herself to exhaustion and using whatever money she had on the children.
However, the most traditionally "romantic" facets of his artifice are most fully manifested in a series of private correspondence between himself and a certain society maiden by the name of Nellie Crouse. It is these letters that serve to illustrate Crane's writing prowess as it transcends traditional Romantic genrefication. Through these letters, which serve as an informed testament to Crane's marked skill as a writer, we begin to examine Crane in the context of his own existence, devoid of the fictional trappings of his most acclaimed accomplishments.
In the novella Maggie: A Girl of the Streets and Other Short Fiction by Stephen Crane, Crane tells a story about Maggie, a girl who lives in the slums of New York City in the 1800s with her family and friends. In novella it is portrayed that Maggie desperately tries to escape the slums, however, because of Maggie’s environment and social forces, it ultimately led to her downfall and demise within society.
One of Horatio Alger’s books was called Ragged Dick or Street Life in New York, this book featured a young boot black named Dick Hunter and his friend Henry Fosdick. Dick in the beginning is living on the street and is never sure where he will sleep from one night to the next. He is fairly happy but wishes to be respectable. One day he offers Mr. Whitney, a businessman, to show his nephew, Frank, around New York City because Mr. Whitney is too busy to do it himself. After this day Dick’s life begins to change from a boot black with an uncertain life to a clerk who rents a room and earns ten dollars a week.
Schroeder, John W. "Stephen Crane Embattled," University of Kansas City Review, XVII (Winter 1950), 119 Rpt. in
They loved them so much even though the parents didn’t deserve it most of the time. That is unconditional love. They grew up very poor and were often forgotten about. There dad was an alcoholic who disappeared for days at a time, and bouncing from job to job. When he was home and drinking he “turned into an angry-eyed stranger who threw around furniture and threatened to beat up [their] mom or anyone who got in his way”(23). Most of her memories of her dad are him being drunk, which turns him abusive and rude. They don’t have much money so she looks at is as good opportunity for her father to stop drinking. Jeannette never only sees her dad as an alcoholic like she should, she still cherishes his love. Along with her father’s drinking problem, her mother’s lack of rules and parental skills are out of the norm. She believes "people worry.... “people worry too much about their children. Suffering when they are young is good for them”(28). Her mother believes that they can learn on their own, showing that she does not care about the hardships her children are constantly dealing with in their environment. With this negligence the children are often forgotten about as well. Jeannette was put in many situations where she thought her parents “might not come back for her or they might not notice she was missing”(30). That is not how a child is suppose to feel about her parents yet she constantly
Alger, Horatio. Ragged Dick, Or, Street Life in New York with the Bootblacks. Boston: Loring, 1868. Print.
But it didn’t last, this happiness of Helga Crane’s. Little by little the signs of spring appeared, but strangely the enchantment of the season, so enthusiastically, so lavishly greeted by the gay dwellers of Harlem, filled her only with restlessness. Somewhere, within her, in a deep recess, crouched discontent. She began to lose confidence in the fullness of her life, the glow began to fade from her conception of it. As the days multiplied, her need of someth...
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
Both authors use very different methods to achieve the same effect on their readers. The amalgamation of the diverse techniques Crane and Proulx utilize creates a solemn atmosphere in both stories. “Job History” and “The Open Boat” portrays characters that are void of personality. This absence of personality prevents the reader from true empathy or understanding of the characters.
Crane also discloses his view of the American society in a realistic light because he exhibits realism by unveiling America’s true monstrous face, and its white privilege- he same white privilege that causes blacks to conform to the standards of a white American society. In doing so, Crane compliments Emerson’s main idea of “Self-Reliance” that people should “believe [their] own thought, to believe that what is true for [themselves] in [their] private heart is true for all men.’’ Emerson’s belief that people should take heed to their own thoughts because society persuades people to conform, summarizes the idea of individuality Crane express in his story “The
(Crane, 30). In this passage one can see Henry beginning to falsely view himself as a
Stephen Crane was a realistic author who often times wrote about the difference in ideal life versus reality. He is seen as one of the most groundbreaking writers of his time. Crane’s poetry was unique during his time period because most of his poems told a story; they were narratives. In Crane’s poem “In the Desert” he shows that a person who can overcome their mistakes and not let the negative aspects of life overwhelm the positive is a person who is human.
Maggie lives with a poor and dysfunctional family and a hopeless future with only the small possibility of change. The environment and setting she grows up in do not support anything more than a dull, dreary and pathetic future for her. An old woman asks Maggie's brother Jimmy: "Eh, Gawd, child, what is it this time? Is yer fader beatin yer mudder, or yer mudder beatin yer fader? (Maggie, 10)" while he runs to Maggie's apartment one night. The lack of love and support of her family hinders Maggie's ability to live a happy and fulfilling life. Without knowing that someone loves her no matter what she does or how she acts Maggie may feel desperate enough to change her situation by any means she can, and without any useful guidance. Even without any positive influences Maggie grows up different from the low-life's living with and around her. Crane explains Maggie's uniqueness in the passage "None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it" (Maggie 16). Maggie's uniqueness gives her the chance to improve her life, but only a slim chance. Even though Maggie differs from the people around her they remain sleazy, making it harder for her to change her life because she must go outside of her community for help.
If it was not for Stephen Crane and his visionary work than American Realism would not have taken hold of the United States during the eighteen hundreds. During the years following the Civil War America was a melting pot of many different writing styles. Many scholars argue that at this time there was still no definite American author or technique. Up to this point authors in the Americas simply copied techniques that were popular in regions of Europe. Stephen Crane came onto the scene with a very different approach to many of his contemporaries. He was a realist, and being such he described actions in a true, unadorned way that portrayed situations in the manner that they actually occurred (Kaplan). He had numerous admired pieces but his most famous work was the Red Badge of Courage (Bentley 103). In this novel he illustrates the accounts of a Union soldier named Henry Fleming. At first the writing was considered too graphic and many people did not buy the book. Eventually the American people changed their opinions and began to gravitate towards Crane’s work. The readers were fascinated by the realistic environment he creates even though he himself had never fought in a war (Bentley 103). By spreading the influence of realistic writing Crane has come to be known as the first American Realist.