Maggie from the story Recitatif and Mu Ying from In Broad Daylight are both static characters. Static characters that do not change in any way from the beginning of the novel to the end. Usually these characters are minor simply because the main characters often times learn a lesson seeing as they are the focus of the story. Maggie is a minor character. She is not focused on directly very often. Twyla does take time to consider a situation in which Maggie was a part of, but Maggie’s thoughts, feelings, or personality is ever truly examined. In the beginning of the story Maggie is described to be and old woman who works in the home. By the end of the story, Maggie is remains simply an old lady who once worked in the home. The reader never gets
Henry is written as a dynamic character because he changed drastically throughout the story. Henry went from being an innocent young man; to experiencing the chaos and disaster that war will do to a person. Lyman is written as a static character because he didn’t change at all through the story. Lyman was still the same young innocent boy, much like his brother was before he went to war. Dee from “Everyday Use” is written as a dynamic character; she changed to be more in touch with her African roots and even went as far to change her name to “Wangero”. Dee is still just as snobbish as before, though, when she tells her mother that Maggie doesn’t deserve the family quilt because she’ll wear it down to nothing from putting it to “everyday use” (174) Maggie is written as a static character because she didn’t change during the story, although her feelings toward her sister changed, “Maggie smiled; maybe at the sunglasses Dee was wearing. But a real smile, not
In most books minor characters have an important role; whether they change the mood of the story, setting, or the dynamic. In the instance of the book Fahrenheit 451 Clarisse McClellan changes the theme drastically. Montag was an ignorant fireman until he met Clarisse McClellan; a girl who opened his eyes, giving his a new perspective on books.
Maggie, although not the main focus of Recitatif, plays an extremely important role in the sense that she represents the idea that there is more to a person’s identity as well as oppression than just their race.
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
A discussion at first, Dee`s recreation of herself when she gets back from school. Her ways have changed dramatically from going from an ordinary girl to a walking billboard for African American appreciation. By doing this Dee had gone overboard; she never understood the story behind things, she just supported anything without any background or education on the specific outlook of her own background and heritage. By deconstructing Dee`s character we find how unreal and fake she is toward her family, all she cares about are others thoughts to her. The transformation Dee goes though is not a respectable one, she becomes disrespectful to her family because everything she wants, she doesn’t understand the rightful meaning of those pieces she wants in her house. Maggie realized that she really is going to be strong and optimistic for the future, she knows that she is treasured by Mama and forms a bond with her after Dee`s visit. Mama opens her eyes to reality with Dee she knows who is the real daughter now because of how much negativity Dee brought to the family Maggie was the pleasant
Anthony Doerr’s novel All the Light We Cannot See shows the reader how children would deal with war and how it shaped who they are today. Doerr’s purpose for writing this novel is to highlight how mentally taxing the war was and that there was no permanent escape from the war. Both Marie-Laure and Werner believed they could escape the war both physically and mentally, yet their involvement in it makes it more difficult. Marie-Laure’s fear of her father going to jail shows how she becomes involved in the war. Werner struggled with trying to escape the war through his fascination with radios when it just brought him further into the war. After understanding the effect on certain individuals; the story zooms out showing how the majority
Maggie lives with a poor and dysfunctional family and a hopeless future with only the small possibility of change. The environment and setting she grows up in do not support anything more than a dull, dreary and pathetic future for her. An old woman asks Maggie's brother Jimmy: "Eh, Gawd, child, what is it this time? Is yer fader beatin yer mudder, or yer mudder beatin yer fader? (Maggie, 10)" while he runs to Maggie's apartment one night. The lack of love and support of her family hinders Maggie's ability to live a happy and fulfilling life. Without knowing that someone loves her no matter what she does or how she acts Maggie may feel desperate enough to change her situation by any means she can, and without any useful guidance. Even without any positive influences Maggie grows up different from the low-life's living with and around her. Crane explains Maggie's uniqueness in the passage "None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it" (Maggie 16). Maggie's uniqueness gives her the chance to improve her life, but only a slim chance. Even though Maggie differs from the people around her they remain sleazy, making it harder for her to change her life because she must go outside of her community for help.
They may argue Maggie could of escape from the slum life and she didn’t have to let it take a hold of her. They may also say that Maggie was her own downfall and demise by letting a boy drag her down to the mud and damage her good name. However, because of her upbringing, it was hard for her not to be affected by her environment and social factors.
Have you ever seen the Disney movie Cinderella? Cinderella was always jealous of her step sisters always being up lifted, while she was always degraded by her step mother however, at the end everything changed for Cinderella just as it did for Maggie. There are a numerous of themes throughout the story “Everyday Use”. Race is showed when Dee leaves home and comes back embracing her African American cultural. Family also plays a major role in “Everyday Use”. In “Everyday Use” Maggie’s characterization presents her as ignorant; however, a closer look reveals Maggie ignorance is not a representative of her potential but, rather her mother’s bias.
While it may seem that society’s restrictions continually halt the way one progresses in life, the ability to defy the odds and overcome them truly defines a person’s courage. This fact is evident in the novel, All the Light We Cannot See, by Anthony Doerr, where an orphan named Werner is continuously forced to participate in cruel Nazi practices because his enrollment in the Hitler Youth is the only way he is able to get the proper education to become an engineer. Similarly, in Keeping the Faith, directed by Edward Norton, a local rabbi named Jake is restricted from publically dating his childhood best friend, Anna because of the fact that she is not Jewish. First off, characters originally alter their views and behaviour due to their circumstances,
Maggie relationship with Dee is full of jealousy and envy. Maggie thinks that her sister is better, prettier, and smarter than she will ever be. Because of that, Maggie is shy and intimidated when her sister and her boyfriend come home to visit for the first time in years. Dee on the other hand does not make it any better, because of her jealousy and judgmental ways make Maggie feel unloved and unappreciated. When Maggie is burn in the house fire Dee shows no concern if her sister lives or die. Even their mother knows that their relationship is nonexistent. Dee’s mother said “I used to think she hated Maggie” (Walker 154). Even as adults Dee and Maggie love for one another is arm distance away. Dee feels that her mother and sister are not claiming their heritage and are close minded country
Walker's use of language when describing Maggie creates a picture of a physically scarred and unintelligent woman. Maggie's physical scarring is pointed out to the reader early in the story to lay a foundation for sympathy. Walker accomplishes this when she states that Maggie has, "burn scars down her arms and legs" (383). The matter of fact choice of vocabulary by Walker creates an image of a deformed person that would not be aesthetically pleasing by any stretch of the word. Walker fortifies her effort to create a sympathetic Maggie with her vocabulary when Mama states, "Sometimes I can still hear the flames and feel Maggie's arms sticking to me, her hair smoking and her dress falling off her in little black papery flakes" (384). The words "arms sticking" and "hair smoking" generates a grisly image in the reader's mind of a grotesquely injured little girl that is quite worthy of sympathy (Walker 384). It is not only the physical scars that were left by the fire that create sympathy about Maggie's physical appearance. Dee is described...
Maggie is introduced into the storyline quite subtle and quickly becomes the main focus of attention by the other three main characters. From the beginning, Maggie is a harsh contrast to the slum environment she has to endure. She "blossomed in a mud puddle ... a most rare and wonderful production of a tenement district, a pretty girl" (16) that not only had the physical beauty that her family seemed to lack, but also the hope that she could be better than what was around in her environment. Therefore, the slum environment that surrounds her contrasts her character greatly. "None of the dirt of Rum Alley was in her veins" (16) as she became the talk of numerous males in the neighborhood.
While Maggie is brown-skinned and dark-haired, Lucy, her cousin, is her contrary: "It was like the contrast between a rough, dark, overgrown puppy and a white kitten" (58). And the appearance influences the character: everybody is satisfied with Lucy and that is why Lucy is satisfied with herself. Maggie on the contrary is viewed as almost an idiot in her effort to be admired and loved.
Every possible type of character is displayed in this short story. Dee starts out the story as a stereotypical light-skinned black person. Feeling as though she was better than everyone else was because her: waist was small, skin was light, a nice grade of hair, and she was somewhat educated. Dee was in a hurry to get out of the country and never come back. She wrote to her mother saying "no matter where we choose to live, she will manage to come see us. But she will never bring her friends" (Walker 63), letting everyone know that she thought she was too good to continue to take part in her heritage. Maggie was portrayed as a flat character. The reader is not told much about her, and she never changes throughout the whole story. The mother would be the static character. She is seen as an older women set in her ways from life experiences, and from what she had been taught growing up black in the south. She made up her mind that the two family quilts would go to Maggie and she did not give it a second thought. Dee is also the dynamic character round. She is dynamic when she returns home to the country. She had previously said she would not bring any of her friends home, but when she gets there she is accompanied by a gentleman. Other aspects of her dynamics are displayed when she changes her name to "Wangero Leewanika Kemanjo". She went from dyeing and hating her upbringing to wanting to take a piece of it with her back to the city. To show off where and what she comes from. Dee is truly a round character. Walker did an excellent job with these characters especially Dee.