Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sociological perspective of religion study
Sociological perspective of religion study
Sociological perspective of religion study
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sociological perspective of religion study
According to religious studies scholar Jonathan Z. Smith, religion “is an anthropological not a theological category” and “is a category imposed from the outside on some aspect of native culture.” Smith believes that this was the work of scholars that wanted to categorize these facets of culture for academic purposes. There was never a consensus reached for a universal definition of religion. As a result, the definition of religion is incredibly ambiguous.
In addition to Smith, philosopher Ludwig Wittgenstein provided further explanations in definitions and the use of language. He believed that “In order to discern the meaning of words, therefore, it is best to see how they are actually used, rather than trying arbitrarily and theoretically
…show more content…
to come up with a definition.” It appears that from Wittgenstein’s perspective that definitions and the act of defining is merely a linguistic construct. This opens the door for authors to be able to define and classify words as they see fit. This provides an explanation as to why many scholars giving their own interpretation of what constitutes religion, as well as what actions would be considered religious. The conventional point of view is associated with the transcendent. However, various interpretations of religion would eventually make their way back into the realm of secular culture, specifically popular culture. There seems to be little doubt among academia that popular culture has the ability to influence the thoughts and actions of people that engage themselves in it.
The question remains as to how this phenomenon should be classified. While the stories have captured the minds and hearts of the audiences, the religiosity of Star Wars is lost on the majority of its followers. Although much research has been conducted by scholars on the religious elements of the movies, as well as the connections and the parallels that they have with institutional religions, not much has been conducted when it comes to the effects that Star Wars has on its viewers and followers. These scholars will acknowledge that Star Wars contains parallels to conventionally recognized religion. However, they do not acknowledge the capability of Star Wars being religion. Moreover, these analyses do not include the religious elements and instances that are present in recent releases of the …show more content…
series. In addition to the beliefs of the scholars, the creator of the successful, series appears to agree with them. In an interview conducted by Bill Moyers, George Lucas responds to the question of whether or not he sees Star Wars as being profoundly religious, saying: I don’t see “Star Wars” as profoundly religious.
I see “Star Wars” as — as taking all of the issues that religion represents and trying to distill them down into a — a more modern and more easily accessible construct that people can grab onto to accept the fact that there is a greater mystery out there. When I was 10 years old, I asked my mother — I said, ‘Well, if there’s only one God, why are there so many religions?’ And over the years — I’ve been pondering that question ever since. And it would seem to me that the conclusion that I’ve come to is that all the religions are true, they just see a different part of the elephant. A religion is basically a — a container for faith. Faith is the — the glue that holds us together as a society. Faith in our — in our culture, our — our world, our — you know, whatever it is that we’re trying to hang on to is a very important part of, I think, allowing us to — to remain stable. Remain balanced.
However, as the works of scholars have pointed out, these religious elements and its effects are present, regardless of Lucas’ intent. Therefore, this thesis will serve the purpose of substantiating the claim that Star Wars is religion because it functions as one. This will be done by engaging in a functionalist analysis of the movies, as well as building off previous studies on the
topic.
In the 1967 prison film Cool Hand Luke, directed by Stuart Rosenberg, there are many examples of theological symbolism and religious themes. Most of the symbolism alludes to Jesus Christ, which is often utilized in film to add depth to the protagonist in the story. Such Christ figure symbolism can also be seen in films such as the 1999 hit The Matrix and the original Star Wars film (1977). Along with these visual suggestions, there are also thematic elements that underlie Cool Hand Luke which involve Biblical allusions and metaphysical questions.
A quintessential element in the preservation of societies social order is a combination of social influences to conform and be obedient. The social influences help to control the individual psyches of entire populations to create a more cohesive environment. Conversely, there are also those who seek to challenge the social controls of society through non-conformity and disobedience. Each of these social psychological themes, obedience to authority, conformity, and non-conformity, are present in director Stuart Rosenberg’s 1967 film, Cool Hand Luke. They are explored through the reinforced social roles of those in authority and those who are obedient, displays of conformity and non-conformity, and how an individual can have an effect on the
John Leo is a columnist and contributing editor that has been writing for U.S. News & World Report since 1988. Prior to that he worked for Time magazine and The New York Times covering topics such as social sciences and popular culture. The thesis of John Leo’s latest U.S. News & World Report article, “Fu Manchu on Naboo,” does not leave the reader any room to guess what his discussion is going to be about. He drives the point home from the beginning of the article. The central idea is very direct and easy to locate. It appears at the end of the first paragraph and simply states “Episode I: The Phantom Menace is packed with awful stereotypes.”
Heroes are often perceived as characters who leap great distances in a single bound. However, they actually have three distinct stages where they develop into the character we grow to love. In George Lucas` “StarWars IV: A New Hope.” Luke Skywalker is a quintessence of of an archetypal hero because he goes through initiation stage through distinct phases of separation, transformation and the return stage. Luke Skywalker begins his journey as farmer boy on a remote planet and becomes the hero of the galaxy. However, this process the not happen quickly. Rather, it is a difficult journey where is is faced with multiple tests and obstacles and pushes his endurance to the limit.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
Motion Pictures have always had a strong influence in today’s culture, but maybe none as prevalent as Star Wars. Originating with Episode 4 A New Hope, the series boomed from 1977 to 2005 with yet another addition coming in 2015. The strongest of the series was the original trilogy episodes 4, 5, and 6, all generally released in the 1980s. As one of the strongest film francaises still today, it’s impact within the 1980s was only the tip of the iceberg. Children and adults alike still anticipate the new edition of this seemingly endless journey. If any singular film series still holds prevalence in its future decades it is Star Wars: Original Trilogy.
Quite possibly one of the most iconic openings in cinematic history is “A Long time ago in a galaxy far far away.” Of course, I am referring to Star Wars. It is such a fascinating and great movie going experience. There have been a total of seven Star Wars films, but in this essay I am going to be focusing on Star Wars: Episode 3- Revenge of the Sith. This film was written and directed by George Lucas and of the science fiction genre. Revenge of the Sith was released in theaters on May 19, 2005.
Imagine flying through a ice covered planet or zooming through the sand plains of tattoine or battling against the dark side next to Luke Skywalker well sounds amazing right? These are the things that make the Star Wars universe so fascinating in the upcoming paragraphs about how Star Wars has elements of story, that make Star Wars so popular. Star Wars is a cultural institution of immense proportions. Its impact on Hollywood alone has been incalculable. It’s impossible to imagine Raiders of the Lost Ark, E.T., The Matrix, or The Lord of the Rings without Star Wars. Yes because all these movies have been impacted from Star Wars they all transfer you to a different era from you fighting off Nazis to walking into mordor.
The third and final prequel to George Lucas's Star Wars trilogy Revenge of the Sith is the midpoint of the Star Wars saga. It is the climax of the Star Wars prequels and leads magnificently and flawlessly into the completion of the original trilogy. The original trilogy led up to a happy ending complete with fireworks and scenes of different planets celebrating. The prequels tell a similar hero's journey, but instead of an affirming story about believing in oneself, it is a dire warning about the dangers of arrogance and greed. We are reminded of human valves fear, hatred, greed, pride and "a failure to listen" which lead to the Dark Side. Compassion, love, and non-violence are the real way to peace and justice. I believe this form of storytelling captures the audience which makes the story memorable to the fans and in my opinion this was a successful combination. The following paragraphs will approach the narrative, similarities by comparing the original trilogy with the new trilogy and analysing the key elements of mise en scene used in particular scenes in the film. By doing this, I will discover how the position, colour and framing expresses the message George Lucas wants the viewers to absorb and remember.
In accordance with Henry Jenkins argument in “Get a Life!”: Fans, Poachers, Nomads, Jenkins argues that there is another angle to which media fans can be viewed and attempt to be understood with regards to a culture that is not considered widely and often portrayed within negative terms. Jenkins reading emphasises to the readers that fans of media texts are being depicted as a culture which possesses negative characteristics, that which could be considered as taboo as well as another side to fan culture that’s does not receive as much recognition. These media fans are recognised as active readers of the text. The two films selected: Avatar and WALL-E, are films that are both within the genre of science fiction. The films having
The Star Wars Trilogy always have one thing that is stated: the Force. The Force is an unlimited power that is in every living objects. As exciting as that sounds, the idea of the Force has been created out of many religions. The idea of the Force came from different religion such as: Taoism, Hinduism, Buddhism, and Christianity
Religion, “part of the human experience that has to do with a god or gods, a higher power, or the ultimate values of life” (Cason & Tillman 6-7), is one of the most controversial and interesting subjects for humanity. It has been around for as long as anyone can recall and they have difference and similarities in their founders, beliefs, and history. Religion has served to give some sort of a meaning to life and everything around it. In modern society, some religions have grown and expanded significantly. These larger religions have been classified as world religions. In addition, these world religions have been split into two categories known as Eastern and Western religion.
...ctual roles, or adding in exciting events that revise the storyline. These changes are beneficial to producers because they engage a large audience and generate massive profits. In contrast, they do not always have a positive effect on viewers. Although they are entertaining which is an important aspect of theatre culture, they also are often misguiding. Many spectators take movies at face value, without considering that they may not exactly qualify as primary source material. Even when an historical event is fabricated to teach or enhance a moral message, it still doesn’t compensate for bending the truth. Moviegoer’s may have a positive experience and gain some skewed historical perspective, perhaps better than what they knew before the movie, but they loose out on the truth and therefore, a genuine understanding of the historical event, and its significance.
Star Wars (1977) is one of the world’s most successful films of all time. It has made a terrific impact on popular culture since its release. Furthermore, Star Wars changed the narrative and aesthetic style of future Hollywood films. Star Wars Episode IV: A New Hope, illustrates how cinema has evolved since Fred Ott’s Sneeze (1894). Ultimately, this essay will explain the set up of Star Wars and how it connects to cinema history, in the point of views of the: narrative and cinematic style, genre, auteur theory and the global film industry.
It’s become a bigger entity, in which most movies could ever dream of, the Marvel cinematic universe comes as a close second. Star Wars is a melting pot of revered cinema genres, and predecessors. From old serials of Flash Gordon, to Japanese Samurai films, such as Hidden Fortress by Akira Kurosawa. It also weaponized the aspiration for the summer blockbuster during the 1970s, while movies like Jaws and the Exorcist were big films. Star Wars and its sequels, Empire Strikes Back and Return of the Jedi commercialized films beyond theater. It helped science fiction genre boom during the late 1970s and 1980s. Changing Hollywood’s top aesthetics and narratives conclusively. The franchise exists as entertainment that appeals to all ages with inspiring, conventional messages. Exerting powerful storytelling and character development, and memorable performances from the entire