Introduction
In accordance with Henry Jenkins argument in “Get a Life!”: Fans, Poachers, Nomads, Jenkins argues that there is another angle to which media fans can be viewed and attempt to be understood with regards to a culture that is not considered widely and often portrayed within negative terms. Jenkins reading emphasises to the readers that fans of media texts are being depicted as a culture which possesses negative characteristics, that which could be considered as taboo as well as another side to fan culture that’s does not receive as much recognition. These media fans are recognised as active readers of the text. The two films selected: Avatar and WALL-E, are films that are both within the genre of science fiction. The films having
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The process of intersectionality allows for the generating of new meanings to occur in the control of the fan itself; the textual …show more content…
A second path in which audience can be analysed is the way in which the audience receive the text; the messages in which the film sends. The underlying issues incorporated within the film, regarded the public’s “consumer-driven lifestyle whereby convenience and complacency have supplanted personal liberty” with reference to society and the way in which people live (Krier 2008). This has been implemented into the film in such as a way (with regards to being a futuristic film) to allow for the audience to question their actions where WALL-E “cleverly illustrates that things previously taken for granted, even things as simple as the color green itself” (Krier,
In class, we watched a film called Ethnic Notions. In this film, it brought to light how devastating and powerful images can be. Due to exaggerated images and caricatures created pre-civil war era of black men and women, stereotypes were created and have negatively affected the black race in society. Caricatures, such as the Sambo, Zip Coon, Mammy, and Brute, have unfortunately been engrained in the minds of generations. So much so their stereotypes still persist today.
In his essay, “It’s Just a Movie: A Teaching Essay for Introductory Media Classes”, Greg M. Smith argues that analyzing a film does not ruin, but enhances a movie-viewing experience; he supports his argument with supporting evidence. He addresses the careful planning required for movies. Messages are not meant to be telegrams. Audiences read into movies to understand basic plotlines. Viewers should examine works rather than society’s explanations. Each piece contributes to Smith’s argument, movies are worth scrutinizing.
The film Do the Right Thing is a film written, produced, and directed by Spike Lee. In the film the main character is Mookie, is played by Spike Lee. Mookie is a black male in his younger twenties who delivers for the neighborhood pizza parlor Sal’s Famous Pizzeria. The film takes place in the Brooklyn, New York neighborhood of Bedford-Stuyvesant, also known as Bed Stuy. Throughout the movie we do not know if the weather plays a role in the story, but the tension between racial groups’ increases. We see tension increase within the Blacks and Hispanics, Blacks and Asians, and most importantly between the Blacks and Whites (Italian.) Sal 's Famous Pizzeria is a pizza parlor in the neighborhood that many of the kids in the area grew up eating.
The term “fan” was originally used to describe sports fans during the nineteenth century and was later adopted by science fiction enthusiasts in the 1920s. The term “fan,” however, is used for describing a type of person who is enthusiastic, or fanatic about a certain subject. Popular fan culture, nicknamed “fandoms,” have become an integral part of society in many countries, and have connected people sharing a common interest through online communities where they can freely discuss fan related topics. Popular fandoms today include Directioners, Beliebers, and VIPs. People who are part of fandoms usually show their devotion by participating in fan conventions such as Comicon, writing fan mail, creating fan art, or by promoting their interests to others. Being a fan also comes with the responsibility of changing one’s lifestyle in order to accommodate time and energy into the fandom. Fan culture also offers people the chance to feel passionate about something or someone in order to satisfy the emotional needs they lack from their daily life.
After watching the documentary, “A Class Divided,” I was very impressed by the lesson that the teacher was performing with her students. Discrimination is an issue that has been around for a long time dating back to slavery and probably before that. Over time, society has become more welcoming but discrimination still exists today and may never completely go away. By doing this exercise with her students, the teacher is changing the world. If a group of ten people went through this exercise, then they learn that everyone is the same and they stop discriminating based on race. Those ten people later go on and tell their children, friends, and family about this exercise and they may also have a change of heart. That number now changes from ten to twenty to thirty. In the documentary, the teacher mentioned that this exercise is hurtful to some people and should not be performed on everyone because of controversial issues and how it can be emotionally traumatizing for some people. A small group still does so much for a society to change and evolve. The brown eye, blue eye method has a large impact and I wish more people knew of it
The identities have tended to be divided into some different categories, such as gender, race, and class, and these sources have been judged in the different ways. In other words, the different determinant factors of the individuality have been considered separately, and these components have been regarded as a unrelated simple category. Under these points of view, however, it is hard to recognize the problems of interrelated individual component of the identity. Thus, to solve the disregarding crossover point, the new theory of the “intersectionality” are essential. This essay explores the key definition of the “intersectionality” from the viewpoint of gender studies, and how the concept is connected with the social system and individual identity
The television's new “golden age” is now upon us. As the internet continues to make filmmaking more accessible to public, Hollywood will continue being one of the biggest and greatest influences on today’s society and politics. It is much easier to create and share your ideas through film than ever before. Independent studios before, greatly expanding the number of debates and arguments people have access to. Never has the power to express yourself and your views through film been so great, and we are better off for it.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
This paper will explore what it is about anime that makes it so appealing to even a Western audience, creating an international fan base. Although manga can be traced to American origins, the comics that the Americans brought over have been intensely modified to create essentially a new form of media. Manga and anime have become a significant component of Japanese culture, and often times they integrate Japanese culture and society. Yet, regardless of its Japanese origin, anime is still viewed on the other side of the planet. The question then becomes what is it that makes it so appealing to a foreign audience? This paper will rely heavily on Susan Napier’s book, From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
What is it that characterizes people who love a series of film, fiction, video game, video game console or any other works of the like to be deemed the all-encompassing term of “fanboy?” Fanboys are most known on the internet for passionately supporting their particular fandom and therefore consequently denying all forms of logical argument to support their claims, or better yet, known simply as “trolls.” So whenever you jump on reddit.com and see a particular post about how PS4 is better than the Xbox One, you can see that there is clearly going to be a large fan-boy war over which of the two consoles is better. But why is it that we as fan-boys seem to take anything that criticizes our particular series of interest as a deep and personal wound? Why do we feel the need to argue with someone else because they do not feel the same way that we do about our certain object of idolism? And how does all of this pertain to Star Wars in American Culture? In this paper I will discuss how about what constitutes a fan-boy, some of the psychology behind fan-boys and how all of this pertains to Star Wars.
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...
Pop culture is a reflection of social change, not a cause of social change” (John Podhoretz). It encompasses the advertisements we see on T.V, the clothes we wear, the music we listen too, and it’s the reason Leonardo DiCaprio has not won an Oscar yet. It defines and dictates the desires and fears of the mainstream members of society; and it is so ingrained into our lives that it has become as natural as breathing. Moreover, adults never even bat an eyelash at all the pop culture and advertising that surrounds them since it has become just another part of everyday life. Pop culture is still somewhat seen as entertainment enjoyed by the lower class members of society; but pop culture standards change over time. A notable example of this is the sixteenth century author, William Shakespeare, since his works were considered pop culture, entertainment that could be enjoyed by everyone, but now they are considered literary classics. While pop culture encompasses most aspects of our lives, its influence is most obvious through each generations reaction to media,