The third and final prequel to George Lucas's Star Wars trilogy Revenge of the Sith is the midpoint of the Star Wars saga. It is the climax of the Star Wars prequels and leads magnificently and flawlessly into the completion of the original trilogy. The original trilogy led up to a happy ending complete with fireworks and scenes of different planets celebrating. The prequels tell a similar hero's journey, but instead of an affirming story about believing in oneself, it is a dire warning about the dangers of arrogance and greed. We are reminded of human valves fear, hatred, greed, pride and "a failure to listen" which lead to the Dark Side. Compassion, love, and non-violence are the real way to peace and justice. I believe this form of storytelling captures the audience which makes the story memorable to the fans and in my opinion this was a successful combination. The following paragraphs will approach the narrative, similarities by comparing the original trilogy with the new trilogy and analysing the key elements of mise en scene used in particular scenes in the film. By doing this, I will discover how the position, colour and framing expresses the message George Lucas wants the viewers to absorb and remember.
The original Star Wars trilogy was explicitly designed to capture and introduce the audience to a new film however the new Star Wars trilogy is clearly designed to please the fans and introduce a new generation to the Star Wars franchise. The films have been extremely popular with all cultures and ages for several decades. As well as being popular Star Wars also conveys many important elements. I believe one of the more prominent themes is the narrative which is displayed throughout the movies as the classic hero’s journey...
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... colour values, and character placement, three elements of mise-en-scene, Revenge of the Sith intensely displays its ability to express emotion and drama. The use of framing allows George Lucas to deliver the messages of freedom or hopelessness whereas the use of colour values demonstrates the ideas of good versus evil. The character placement allows the director to display the power and the meanings each one holds determined by location in the frame whether at the top of the frame, bottom, centred, or shifted. The elements are able to express the struggle of the Jedi and the greed of the Sith. The scene ends as of close-up shot of Anakin’s piercing red eyes, symbolic of fury, aggression, and violence, which are hidden beneath the dark brown hood of his robe Anakin’s path to the dark side is complete and he transforms into a Sith himself into the feared Darth Vader.
In “Creating the Myth,” Linda Seger outlines the essential aspects that make up the hero myth, and why movies that follow this outline are generally successful. In her analysis, she begins with the idea that every hero myth revolves around a hero who is called upon to accomplish a feat that nobody else in the story is able to do. The hero’s journey begins with an unlikely person being called upon to serve a purpose greater than themselves. Along their journey, the hero is influenced by several archetypical characters that either help the hero, or try to deter the hero from accomplishing their task. The hero’s journey ends when they have accomplished their task, and in doing so, become a greater person than what they were in the beginning. A film that found tremendous success by following this outline was “Kung Fu Panda.”
Rogue One not only surpasses the other films in the franchise, but it does so in a clear and well thought out way. It's a film that had no reason to exist but it does meaningfully with a concise plot. The exposition event is when Director Orson Krennic invades Jyn Else's home and tries to make her father Galen Erso work with the Empire. This ends poorly and the Empire killed Galens wife and takes Galen into their ship while Jyn barely escapes. Rising action then takes place when Jyn, K-2SO and Cassian arrives at the holy city of Jedha. They soon discover Saw Gerrera and find out that they need to get the Death Star plans. They then head to Eadu to find Galen Erso and after sometime arguing head to the Imperial’s base on Scariff. The climax occurs when Jyn Erso is about to send the Death Star plans to the rebellion but confronts Krennic. Cassian defeats him and he goes with Jyn to the beach while the watch the planet blows up. The falling action is when Darth vader inceps the Death Star plans but the rebels escape. The resolution is when Prisons Leia is asked what the plans mean and she says Hope.
It is undeniable that both Batman Begins and Star Wars IV: A New Hope follow the famous formula known as the Hero's Journey. Within both of these movies, there are similarities and differences concerning the path that the hero takes. Both live in a city (or galaxy) where evil is present and very little is being done to stop the villains. Another similarity between the two movies is that both Bruce and Luke grow up most of their lives without knowing their parents as they are dead (or partially dead in Luke's case). When both are given an opportunity to be called to adventure, they both reject because they think they are not significant to make a difference in their cause. Luke considers himself just a farming boy who does not have the ability to save the entire galaxy
Many people debate whether the Star Wars or Harry Potter series is better. My friends, my family, and even I debate it. The two series are very different, but many people still love them both. Some people have negative opinions about one or the other. Star Wars is about an ongoing war between light and dark. While Harry Potter is about magic and fighting evil. They have their differences in the details of the series. They have similarities in the plots of each series.
In his article titled, “Star Wars and the Roman Empire,” Martin M. Winkler writes on Lucas’ trilogy and compares the storylines in the films to the Roman empire while placing focus on the similarities
Heroes are often perceived as characters who leap great distances in a single bound. However, they actually have three distinct stages where they develop into the character we grow to love. In George Lucas` “StarWars IV: A New Hope.” Luke Skywalker is a quintessence of of an archetypal hero because he goes through initiation stage through distinct phases of separation, transformation and the return stage. Luke Skywalker begins his journey as farmer boy on a remote planet and becomes the hero of the galaxy. However, this process the not happen quickly. Rather, it is a difficult journey where is is faced with multiple tests and obstacles and pushes his endurance to the limit.
Many of the stories that have been told for centuries, or have recently been created, incorporate the story of a young innocent character who embarks on a journey and becomes a hero, known as The Hero’s Journey; a series of steps that all heroes follow. This journey not only shows the main character becoming a hero but also shows the hero move along a path similar to that of adolescence, the path between childhood and maturity. The Hero’s Journey was created by a man by the name of Joseph Campbell. He wrote a book called The Hero with One Thousand Faces, a novel containing a variety of stories that follow the steps of the Hero’s Journey. One famous creation that follows The Hero’s Journey is the science fiction film trilogy: Star Wars, created by George Lucas. Lucas depicts the struggles that take place along the path of adolescence through the story of a protagonist Luke Skywalker, who strives to become a Jedi Knight to show that Campbell’s Hero’s Journey reflects the struggles that youth go through whether they are depicted in a story or not.
Holm, Hans-Henrik. "STAR WARS." Journal of Peace Research 23 (1986): 1-8. JSTOR. Web. 20 Nov. 2013.
Kurosawa’s final battle scene is climatic. Kurosawa helps the audience to understand the battle. This film was completely filmed in black and white and the sets, costumes, acting and cinematography all created in this battle scene to show us how a battle scene should be portrayed.
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
Quite possibly one of the most iconic openings in cinematic history is “A Long time ago in a galaxy far far away.” Of course, I am referring to Star Wars. It is such a fascinating and great movie going experience. There have been a total of seven Star Wars films, but in this essay I am going to be focusing on Star Wars: Episode 3- Revenge of the Sith. This film was written and directed by George Lucas and of the science fiction genre. Revenge of the Sith was released in theaters on May 19, 2005.
Imagine flying through a ice covered planet or zooming through the sand plains of tattoine or battling against the dark side next to Luke Skywalker well sounds amazing right? These are the things that make the Star Wars universe so fascinating in the upcoming paragraphs about how Star Wars has elements of story, that make Star Wars so popular. Star Wars is a cultural institution of immense proportions. Its impact on Hollywood alone has been incalculable. It’s impossible to imagine Raiders of the Lost Ark, E.T., The Matrix, or The Lord of the Rings without Star Wars. Yes because all these movies have been impacted from Star Wars they all transfer you to a different era from you fighting off Nazis to walking into mordor.
...this scene an enraged Alonzo yells at a group of locals in a neighborhood in which he was once well respected and had power over everyone there. To his surprise the crown of people betray him by refusing to comply with his orders. Every element of the mise-en-scene work in harmony and well meticulously placed. The dark lighting, Alonzo frantic movements, the fact that Alonzo was in the center of crowd, and even the scene being set in the middle of a worn down project complex all play their parts in the mise-en-scene and presenting the filmmakers vision.
...ng able to properly diagnose the symbolic implications of the mise en scene in not only this shot but the entire movie goes a long way in being able to completely understand the films underlying message. The mise en scene of the film arguably had more impact on the story than any of the dialogue did and was medium through which this director decided to tell his story.
George Lucas wrote and directed Star Wars, he had tons of creative and production control just like Hitchcock. Furthermore, the film demonstrates his aesthetic vision through recurring themes of good verse evil, heroes fighting for good and saving the day. Lastly, the film demonstrates thematic and stylistic consistencies to create the meaningful narrative. One thing that stands out from Star Wars that illustrates George Lucas’ control over the production is the credits. He did not want the credits at the beginning of the film so the audience can focus on the narrative. In the late 1950’s the auteur theory was introduced to filmmaking which created a new way of making films. Auteur theory went against the classical narrative by focusing on realism. Auteur films had ambiguous endings, which deeper into the character’s physiological state. Even though, Star Wars demonstrates certain auteur elements, it does not go against the classical narrative. To conclude, Star Wars mixed classical Hollywood techniques with the auteur theory that lead to a different and unique way of making a