Stanley Kowalski in "A Streetcar Named Desire" by Tennessee Williams
In the play, A Streetcar Named Desire, author Tennessee Williams does
a wonderful job developing the character of Stanley Kowalski. To me,
his character seemed most like that of a true person. On the other
hand, Stella, Stanley's wife, is mainly displayed as being the loving
type, and because that is basically the only character trait she
displays, it is difficult to really understand her as a person. The
character of Stanley Kowalski is developed much like a real person,
having numerous personality traits. One characteristic of Stanley is
his rudeness and cruelty towards Blanche, Stella's sister. It is very
apparent that Stanley does not care for Blanche. Scene eight mentions
Blanche's birthday party, and surprisingly, she receives a gift from
Stanley. This gift, however, is not one that most people would
appreciate. Blanche is very surprised to get a gift from Stanley, and
as she opens it she says, "Why,why-Why, it's a-" . This is the first
indication that there is something the matter. Because Blanche can't
finish her sentence, Stanley lets everyone know that it's a "Ticket!
Back to Laurel! On the Greyhound! Tuesday!" . Blanche obviously
couldn't finish her sentence because she was insulted that her
birthday present implied that she was not welcome by Stanley. Even
Stella knew how rude and cruel Stanley had acted towards Blanche.
Stella lets Stanley know, "You needn't have been so cruel..." . In
scene ten, Stanley says to Blanche, "Take a look at yourself in that
worn-out Mardi Gras outfit, rented for fifty cents from some
rag-picker! And with the crazy crown on! What queen do you think you
are?". This quote shows that Blanche's p...
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...takes the only remaining
course to maintain his territory; by raping Blanche he establishes the
physical domination he attempted, unsuccessfully, early in the play,
and the psychological domination he attempted, later, by using
Blanche's own guilt against her. From our first introduction to
Stanley, when he tosses the bloody package to Stella, to our last,
when he rips the lantern off the light just before the doctor and
nurse take Blanche away, we see this man as an expression of
animalistic territoriality. He uses every tactic possible to exert his
power over a fragile, but threatening woman. Finally, using brute
force and sexual dominance, he appears to win. In fact however, the
winner is ambiguous if even in existence. A rift has developed in the
only relationship that Stanley values - that between him and his wife,
with no promise of a better future.
Delicate Blanche, virile Stanley. Dynamic Maggie, impotent Brick. Williams' protagonists are distinctly different in temperament. In "A Streetcar Named Desire" Blanche exemplifies the stereotypical old south: educated, genteel, obsolete. Stanley is the new south: primitive, crude, ambitious. Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley. He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeats Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity.
A family can be classified as one of many things. It can be a group of people living under one roof; a group of people of common ancestry; or even a unit of a crime syndicate like the Mafia (Merriam Webster). But to Holden Caulfield, the main character of J.D. Salinger’s novel The Catcher In The Rye, his family was what we as a society normally think of when that word is spoken. There are always variations on a theme, but a typical family consists of two parents and at least one child. During the 1950’s when the novel is set, adoption was virtually unheard of and divorce could be considered a sin where as today these are common practices. But one thing about family that has prevailed through the decades is the family’s affect on a person’s existence. The way a person interacts with their family can affect them for the rest of their lives. And the way a family interacts with a specific person can affect that person for the rest of their life. It is a two way relationship which is often complicated and confusing, especially to Holden.
Relationships in A Streetcar Named Desire In many modern day relationships between a man and a woman, there is usually a controlling figure that is dominant over the other. It may be women over men, men over women, or in what the true definition of a marriage is an equal partnership. In the play A Streetcar Named Desire by Tennessee Williams, Stanley is clearly the more dominant figure over Stella.
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In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
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