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Homer as a hero
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Hamlet’s Best Friend, Horatio
A.C. Bradley in Shakespearean Tragedy notes a problem involving Horatio in Shakespeare’s Hamlet:
When Horatio, at the end of the soliloquy, enters and greets Hamlet, it is evident that he and Hamlet have not recently met at Elsinore. Yet Horatio came to Elsinore for the funeral (I.ii. 176). Now even if the funeral took place some three weeks ago, it seems rather strange that Hamlet, however absorbed in grief and however withdrawn from the Court, has not met Horatio [. . .] . (368)
The closest friend of the hero is a fellow-student from Wittenberg (Granville-Barker 93) -- Horatio. He is an interesting and faithful friend, as this essay will demonstrate.
Marchette Chute in “The Story Told in Hamlet” describes Horatio’s part in the opening scene of the play:
The story opens in the cold and dark of a winter night in Denmark, while the guard is being changed on the battlements of the royal castle of Elsinore. For two nights in succession, just as the bell strikes the hour of one, a ghost has appeared on the battlements, a figure dressed in complete armor and with a face like that of the dead king of Denmark, Hamlet’s father. A young man named Horatio, who is a school friend of Hamlet, has been told of the apparition and cannot believe it, and one of the officers has brought him there in the night so that he can see it for himself.
The hour comes, and the ghost walks. (35)
Horatio, frightened, futilely confronts the ghost:
What art thou that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? by heaven I charge thee, speak! (1.1)
Maynard Mack in “The World of Hamlet” maintains that Horatio’s words to the spirit “are subsequently seen to have reached beyond their contexts. . . (244). So Horatio and Marcellus exit the ramparts of Elsinore intending to enlist the aid of Hamlet, who is home from school. Hamlet is dejected by the “o’erhasty marriage” of his mother to his uncle less than two months after the funeral of Hamlet’s father (Gordon 128). Soon Horatio and Marcellus make contact with Hamlet with a strange greeting (Bradley 370) and escort him to the ramparts of Elsinore.
As historians bring to light groups long excluded, or condescendingly treated only as victim, they are recovering the life stories of more and more “unknowns” and coming up with more and more unsung heroes and heroines.
This play takes place mostly in Elsinore, Denmark between the fourteenth and fifteen century following the death of the late King Hamlet, who has been dead for two months prior to the beginning of the play (Shmoop Editorial Team). Act One commences in the middle of a routine nightly shift where Horatio, Hamlet’s friend, and two other guards witness the coming of a spirit that bears an uncanny resemblance to the recently deceased king. Meanwhile at Elsinore Claudius is crowned King with Hamlet’s mother as his queen. This chain of events causes discontent within Prince Hamlet as he delays his mourning time out of spite for the coronation. Afterwards, Horatio and the guards come to the consensus and tell Hamlet of their encounter so that the Prince may meet with the Ghost. The Ghost reveals to Hamlet that he was a victim of a well-planned murder at the hands of Claudius.
...r. Hamlet speaks to Horatio quietly, almost serenely, with the unexultant calm which characterizes the end of the long, inner struggle of grief. He has looked at the face of death in his father’s ghost, he has now endured death and loss in all the human beings he has loved, and he now accepts those losses as an inevitable part of his own condition. “He states, “The readiness is all” suggesting what is perhaps the last and most difficult task of mourning, his own readiness to die” (Bloom 135). Hamlet recognizes and accepts his own death.
Hamlet tarnishes his image and sacrifices his dignity as a result of his ploy to fool those around him and avenge his father’s murder. Initially, the character of Hamlet is portrayed as “a soldier” and “a scholar” with “a noble mind”. This description by Ophelia is one that the citizens of Elsinore including friends and family of Hamlet would have open-heartedly agreed to. After all, as Claudius said to Hamlet: “You are the most immediate to our throne...” Hamlet must act in a presentable state at all times so can be in favor with the people in the event that he were to become king. However, after the revelation by the Ghost that “The serpent that did sting thy father's life now wears his crown,” Hamlet is shocked but at the same time confused. He is forced into a conflict between acting and not acting ...
In the play Hamlet, by William Shakespeare, the confidant Horatio is created to serve a number of different purposes. Horatio is a flat character. He is a loyal, obedient, and trustworthy companion to Hamlet. His character does not undergo any significant transformation throughout the play, except that he serves as a witness of the death of Hamlet, Claudius, and Gertrude. Horatio's role in the play seems to be as a utilitarian character that Shakespeare created in order to heighten the suspense of the play. Also for Horatio to be Hamlet's ear so as to appease the audience's ear, and to communicate the moral of the play.
Hamlet begins on a dark night in Denmark’s Elsinore Castle. The ghost of recently deceased king, Hamlet’s father, is discovered by a pair of watchmen, followed by Horatio, and eventually Hamlet. The ghost informs Hamlet that he has been wronged by his brother Claudius, who coveting the throne, and after successfully plotting and murdering...
According to Darwin and his theory on evolution, organisms are presented with nature’s challenge of environmental change. Those that possess the characteristics of adapting to such challenges are successful in leaving their genes behind and ensuring that their lineage will continue. It is natural selection, where nature can perform tiny to mass sporadic experiments on its organisms, and the results can be interesting from extinction to significant changes within a species.
There are many ways to interpret Hamlet 's relationship with Horatio. Most obviously, Horatio is the only person in the play that Hamlet trusts. He is the only one who knows for certain that Hamlet 's madness is an act, the one person Hamlet confides in personally, and the one whom bids Hamlet goodnight upon his death. Considering his conflicts with his family, Horatio is the only "family" Hamlet has. He understands that Horatio is very rational and thoughtful, yet not overly pensieve like himself. As the play continues, Horatio questions Hamlet 's judgment twice. Once is when Hamlet tells him of a letter from King Claudius that he has found in Rosencrantz and Guildenstern 's pack, telling the King of England that he must have Hamlet killed. The second instance is when Hamlet tells Horatio that he will fight Laertes, son of Polonius, who Hamlet killed earlier in the play. Horatio loves Hamlet with all his heart, but he is directed by a more sensible disposition, which makes him to speak the truth to Hamlet, despite the fact that Hamlet never once takes Horatio 's warnings. In fact, there is only a single point in the play at which Horatio loses his sensible outlook, and it is but a momentary loss. At the end of the play, when Hamlet is killed in his fight with Laertes, Horatio, in his grief, offers to kill himself with his own sword. It is Hamlet 's dying request that Horatio tell
environments. Evolution is the idea that while organisms exhibit certain traits, they are not fixed and are able to be altered through progressive adaptation. Adaptation occurs through the passing of traits from an organism pa...
After Sir Charles Darwin had introduced his original theory about the origins of species and evolution, humanity’s faith in God that remained undisputed for hundreds of years had reeled. The former unity fractured into the evolutionists, who believed that life as we see it today had developed from smaller and more primitive organisms, and creationists, who kept believing that life in all its diversity was created by a higher entity. Each side introduced substantial arguments to support their claims, but at the same time the counter-arguments of each opponent are also credible. Therefore, the debates between the evolutionists and the creationists seem to be far from ending. And though their arguments are completely opposite, they can co-exist or even complement each other.
Horatio’s minor role is vital to the story of Hamlet. He does not add anything to the plot of the play and instead acts as the voice of common sense. Horatio is an outside observer to the madness that ensues after the murder of King Hamlet. All of Hamlet’s soliloquies revolve around irrational speculations about death and decay. However, Hamlet’s conversation with Horatio ground the play in reality. In those conversations, Hamlet reveals his feelings to his closest friend. Horatio is the only one Hamlet can come talk to about what is going on in his life.
Thus the first step of the structure of Hamlet involves the presentation of a conflict-generating situation. Marchette Chute in “The Story Told in Hamlet” describes the beginning of the Exposition of the drama:
As often associated with a tragedy, a conflict usually ensues between a protagonist and another force in the play. A tragedy is ‘a serious drama typically describing a conflict between the protagonist and a superior force and having a sorrowful or disastrous conclusion that elicits pity or terror’ (Webster's dictionary). Given its structure and depth in characterization, this play will or can be analyzed and interpreted from various perspectives and beliefs. However, my analysis of the play is conducted on the basis of various components which are: Hamlet as a tragic hero, the ironic message conveyed in the play, the roles of its characters, the role and personification of madness, the role of paranormality, the role of friends and family, the role of inaction, the role of sex and violence, and the role of death as portrayed in the play. Based on literary definitions and portrayal of his character, there is popular belief that Hamlet as the protagonist acted to satisfy his own conscience but could his actions be attributed purely to his desire or was he being influenced by other factors?
Due to all the confusion and sadness Hamlet falls under a depression and has deadly thoughts. Prior to the quote Claudius and Gertrude got married, Claudius Hamlet’s new stepfather was making fun oh him for still mourning over his father’s death. Afterward Horatio enters and begins to talk with Hamlet. Hamlet is so distraught that once he hears about the apparition from Horatio he says this: “I will watch tonight. Perchance “twill walk again” (1.2.258-259) Hamlet just needs some closure and is willing to do ANYTHING to see his father again.
When considering Hamlet’s generally isolationist and lonesome nature, it is possible to conclude that Hamlet suffers from a mental disorder. Throughout the course of the play, Hamlet tends not to share his inner feelings with others and does not have many close friends. One notable exception is Horatio, Hamlet’s closest and most loyal friend. Horatio is the only character to whom Hamlet expresses his true feelings, and Hamlet welcomes Horatio’s calm level-headedness, providing an insight into the kind of person Hamlet appreciates: “Give me that man / That is not passion’s slave, and I will wear him / In my heart’s core, ay, in my heart of heart, / As I do thee” (3.2, 64–67). If Hamlet’s idea of a friend is any indication as to why he strays away from shar...