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Analysis of a streetcar named desire
Analysis of a streetcar named desire
A streetcar named desire analysis essay
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Music and Sound Used in A Streetcar Named Desire
A Streetcar Named Desire-Music and Sound.
In A Street Car Named Desire Tennessee Williams uses music and sound
to help symbolise certain themes, help build on characters and create
different types of atmosphere. He uses things like the ’blue piano’
and the polka music to help do this.
Tennessee Williams uses the ’blue piano’ to symbolise the life in this
play, it shows the general atmosphere of the play. At the end of the
opening stage directions we are told this, it says,
‘This ’blue piano’ expresses the spirit of the life which goes on
here.’
This is saying as long as the ‘blue piano’ is playing life still goes
on. But when life is disrupted the music from the ’blue piano’
changes. This is shown when Blanche first arrives,
‘The ’blue piano’ gets louder.’
This shows that Blanches arrival is going to affect the life of the
characters in the play. This also helps to create tension.
The ‘blue piano’ can also be heard along side the trumpets. At the end
of scene two they are playing together, this shows that something is
building up. This also helps create a sense of tension and suspense
because it makes us want to know what it is building up to. Then at
the end of scene four the piano, trumpet and rums are all playing
together, it is building up to something big. This adds to the sense
of tension and suspense.
Then at the very end of the final scene, when Blanche has gone the
drums can not be heard and the trumpet is playing faintly along with
the ’blue piano’. This shows that everything has calmed down now that
Blanche has gone.
‘The luxurious sobbing, the sensual murmur fade away under the
swelling music of the ’blue piano’ and the mu...
... middle of paper ...
...A good example
of this in scene six when Blanche is telling Mitch about her young
husband. The stage
directions say,
‘A locomotive is heard approaching outside. She clasps her hands to
her hands to her ears and crouches over. The headlights of the
locomotive glares into the room as it thunders past.’
Blanche is hiding from the noise of the locomotive just like she is
hiding from the truth and her past. This builds on the character of
Blanche because it shows that she is hiding form the past and that she
must be ashamed of her past and therefore this builds atmosphere
because we want to know why she is hiding from her past.
In conclusion Tennesse Williams uses the music and sound in the novel
“A Streetcar Named Desire” very well as throughout the novel it
delivers a sense of atmosphere and helps give us a better
understanding of the characters.
told Allan "I saw, I know, you disgust me…"( p.96). To Allan, Blanche seemed to
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
Death in A Streetcar Named Desire Tennessee Williams uses the theme of death continually in the play ‘A Streetcar Named Desire’ through the use of dramatic imagery and literal references. The characters of Blanche and Mitch are used the most frequently to express Williams’ own obsession with death. Though neither of the characters actually obsesses about death, Blanche’s life has been smothered by the deaths of those she loves and the coming death of Mitch’s mother is an obvious motivation for his actions. Blanche first voices the theme of death in the very first scene whilst discussing the fate that has befallen Belle Reve.
Our lives are consumed by the past. The past of what we once did, what we once accomplished, and what we once could call our own. As we look back on these past memories we seldom realize the impact these events have on our present lives. The loss of a past love mars are future relationships, the loss of our family influences the choices we make today, and the loss of our dignity can confuse the life we live in the present. These losses or deaths require healing from which you need to recover. The effects of not healing can cause devastation as apparent in the play A Streetcar Named Desire. The theme of A Streetcar Named Desire is death. We encounter this idea first with the death of Blanche and Stella's relationship as sisters. Blanche and Stella had a life together once in Bel Reve and when Stella decided to move on in her life and leave, Blanche never could forgive her. This apparent in the scene when Blanche first arrives in New Orleans and meets Stella at the bowling alley. Stella and Blanche sit down for a drink and we immediately see Blanche's animosity towards Stella. Blanche blames Stella for abandoning her at Bel Reve, leaving Blanche to handle the division of the estate after their parents die. As result of Stella's lack of support, we see Blanche become dependent on alcohol and lose her mental state. Blanche comes to be a a terrible reck through out the play as we learn of the details of her life at Bel Reve. Her loss of the entire estate and her struggle to get through an affair with a seventeen year old student. This baggage that Blanche carries on her shoulders nips at Stella through out eventually causing the demise of her relationship. As Blanche's visit goes on with Stella, the nips become too great and with the help of Stanley, Stella has Blanche committed to a mental hospital, thus symbolizing the death of the realtionship they once had. The next death we encounter in the film is the death of Stella and Stanley's marriage. Our first view of Stanley is of an eccentric man, but decent husband who cares deeply for his wife. However, as as Blanche's visit wears on, we come to see the true Stanley, violent and abusive.
Scene One of A Streetcar Named Desire What is the dramatic significance of scene one of the play A Streetcar named Desire? Scene 1 of this play has great dramatic significance. In this essay, I will be looking at key points throughout the scene that reveal the key features of the plot, characters, theme and imagery plus how it is used to give the audience a taster for what is to come.
“Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces” (Sigmund Freud). Illusion can be a part of our lives; however, if taken to the extreme, it can lead one to forget reality. Every individual has problems in life that must be faced with reality and not with illusion, even though it might throw one into flames of fires. Tennessee Williams' play of a family reveals the strength of resistance between reality and desire, judgment and imagination, and between male and female. The idea of reality versus illusion is demonstrated throughout the play. Blanche's world of delusion and fantastical philosophy is categorized by her playful relationships, attempts to revive her youth, and her unawareness in the direction of reality of life. In Tennessee William’s play, A Streetcar Named Desire, through the study of character and tropology, fantasy and illusion allow one to make life appear as it should be rather than as it is.
Tennessee Williams was one of the greatest American dramatists of the 20th century. Most of his plays take us to the southern states and show a confused society. In his works he exposes the degeneration of human feelings and relationships. His heroes suffer from broken families and they do not find their place in the society. They tend to be lonely and afraid of much that surrounds them. Among the major themes of his plays are racism, sexism, homophobia and realistic settings filled with loneliness and pain.1 Tennessee Williams characters showed us extremes of human brutality and sexual behavior.2 One of his most popular dramas was written in 1947, and it is called A Streetcar Named Desire.
Human conflict is ever-present in sex and desire. But, not until the streetcar named Desire was first shown in 1947 had the corporeal act of sex been so openly depicted on stage as a basis of dominance and power. The streetcar in the New Orleans Street, Elysian Fields, is an urban harsh world, where the laws of nature are the enduring rules of engagement. As the wild sex and violence are intimately connected, Intercourse is a product of aggressive dominance, competition and submission to a certain extent than romance. Although Williams repeatedly claimed that his piece cautioned against the world where brutes were permitted to reign, the play 's end, shows the sexually imposing dominance placed upon Blanche by Stanley, whom demolished her illusions
Tragedy is when something is lost in a terrible manner. The tragedy of a character named Blanche is the eventual loss of her mind and of her reality. Events throughout the tragic play A Streetcar Named Desire are what lead to Blanche become adrift in the seas of dreams within her head. Along her path to becoming this way Blanche does not only suffer herself, but causes the suffering of others around her. The author of this play uses Blanche as an instrument to carry out the tragic vision of the play itself. You see tragedy within herself and the people she comes into contact with throughout the play.
Tennessee Williams in A Streetcar Named Desire creates one of the most profound accounts of desire versus death; in doing so he designs Blanche Dubois whose only wish is to be desired. Unfortunately in this tragedy death prevails over desire. The two elements of death and desire as binaries are not able to to exist without each other, and this idea is manifested throughout the main character, Blanche Dubois.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
From the beginning, the three main characters of Streetcar are in a state of tension.
There are 3 major themes in the play A Streetcar Named Desire, the first is the constant battle between fantasy and reality, second we have the relationship between sexuality and death, and lastly the dependence of men plays a major role in this book.
In the story Alice in Wonderland, the world of Wonderland represents the main antagonist Alice’s fantasy that is fueled by her desire of staying in the past and remaining a child. Ultimately, she fears the changes that come with becoming an adult; thus, she resists reality and embraces the lies of her fantasy of staying a child by staying in Wonderland. Furthermore, this is similar to how the main antagonist in A Streetcar Named Desire, Blanche DuBois, resists reality by lying to herself and everyone she knows because she also fears reality. Unlike Blanche, Alice soon realizes that by embracing her fantasies and desires she would be led down a path of destruction because fantasy and reality are incompatible. Likewise, Tennessee Williams covers the topic of the incompatibility of fantasy and reality in A Streetcar Named Desire by making the character Blanche DuBois, which represents fantasy, resist and have a conflict with the character Stanley Kowalski, which represents reality, because he wants to convey that it is natural to fear and resist reality and take solace in desire and fantasy.