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Tensions between characters in a streetcar named desire
Tensions between characters in a streetcar named desire
Themes in the streetcar named desire
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New Orleans is best known for its Creole culture, Cajun food timeless French influence, jazz music, and yearly celebration of the wild time known as Mardi Gras. What most people do not know is that New Orleans is known for its rich literary history, from The Awakening by Kate Chopin to a story such as “A Streetcar Named Desire” by Tennessee Williams. This Paper will give a character study on one of the characters in “A Streetcar Named Desire.” That character will be Stanley Kowalski, a man in his mid to late twenties or early thirties, with Polish ancestry. Stanley Kowalski, the antagonist of the story, has a violent nature that makes him resort to both physical and verbal abuse; this behavior directly leads to the mental decline of Stanley’s …show more content…
sister-in-law Blanche DuBois. Stanley Kowalski’s first display of his violent nature occurs in scene 2. Upon learning, through Stella, that Blanche has lost Belle Reve he automatically jumps to the conclusion that he and his wife have been “swindled” out of the share of money that could have come from the sale of the property. Outraged by this possibility, Stanley opens the wardrobe trunk and rummages through Blanche’s belongings. “Open your eyes to this stuff! You think she got them out of a teachers pay? / And what have we here? The treasure chest of a pirate! / I have an acquaintance that works in a jewelry store. I’ll have him in here to make an appraisal of this. Here’s your plantation or what was left of it, here! ” (2.75, 2.88 & 2.98). Here we see that Stanley senselessly assumes that Blanche used the finances from the estate to purchase her extravagant possessions, when in fact the real story is that the clothing and jewelry that Stanley goes through are worthless pieces of belongings that Blanche has collected for a number of years. Furthermore, as Stanley confronts Blanche face to face and disrespectfully goes through a series of papers hoping to find a deed or receipt that shows her sale of the Belle Reve house. Instead he finds letters written to Blanche from a deceased lover. And even when Blanche emphatically tells Stanley she has not cheated her sister out of anything, he responds to her with rude comments such as “Don’t play dumb so dumb. You know what!” (2.186). The audience is sees here that Stanley is trying interrogate and guilt trip Blanche and accuse her of being selfish. Something that Stella tries to stop him from doing because she knows how vulnerable her sister is. Stanley interrogates and verbally abuses her nonetheless because he is of the belief that he and Stella should have gotten some sort of compensation for the loss of the Belle Reve property. When Blanche arrives in New Orleans at the beginning of the play she is already in a fragile state of mind.
Stanley’s lack of respect for Blanche’s mental fragility mixed with his verbal abuse and cruelty pushes her to the brink of insanity. Stanley does not only verbally abuse Blanche, but he also physically abuses her. The height of this physical abuse comes at the end of scene ten. Stella is in the hospital expected to deliver in the next 24-hours and Stanley comes home form the hospital to a distraught Blanche. Stanley is amicable and overjoyed with the fact that he will soon be having a son, while Blanche on the other hand has no hope in finding love or happiness having lost her opportunity with Mitch due to Stanley telling him about Blanche’s past. Blanche refers to Stanley as “swine” This upsets Stanley and he begins to taunt Blanche, even though he knows of her insecurities about her appearance. “Take a look at yourself in that worn-out Mardi Gras outfit, rented for fifty cents from some rag-picker! And with the crazy crown on! What queen do you think you are?” (10.107). Blanche’s reaction to his comments makes it evident that her remaining spirits are being broken. Stanley immediately looks to completely break her with physical abuse. He approaches her despite her requests for him to stay away. She smashes a bottle on the table and faces him, clutching the broken top (10.140). Stanley states Oh! So you want some roughhouse! All right, lets have some roughhouse!” (10.145) This marks the final step of Stanley’s breaking of Blanche’s mental state. ‘Tiger…! Drop the bottle-top! Drop it! We’ve had this date with each other from the beginning!” She moans. The bottle-top falls. She sinks to her knees. He picks up her inert figure and carries her to bed
(10.146). Stanley physically abuses or rapes Blanche, which destroys her last threads of any mental stability. In his quest to ruin her, he shatters her love life, uses the secrets of her past against her, and rapes her when she is at her weakest. Raping someone who is already beaten down is truly the epitome of cruelty. In a Tennessee William’s story “A Streetcar Named Desire,” the antagonist, Stanley Kowalski, has a violent nature that makes him resort to both physical and verbal abuse; this behavior directly affects all those around him, but especially leads to the mental decline of his sister-in-law Blanche DuBois. From the moment Blanche arrives in New Orleans, Stanley holds her to low regard. This can be seen as warranted in some instances when she acts as though she is better than him. But in most instances Stanley actively tries to bring her down, as seen in the in the second scene where he infers that she is selfish and liar. The staple of his character attributes is directly related to Blanche, which is why it is hard to understand Stanley without seeing his interactions with his sister-in-law. There is no clear transition in the story from her being someone he simply didn’t like, to her becoming his prey. Nonetheless, his degenerate character is fully confirmed after his decision to rape Blanche. Stanley Kowalski is a verbal and physical abuser, who is willing to sabotage the life of anyone who poses a threat to his dominance.
Comparing A Streetcar Named Desire and Cat on a Hot Tin Roof In the game of life, a man is given the option to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link between past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof. "
Antagonists often offer a powerful contribution to various pieces of literature. Stanley Kowalski, in “A Streetcar Named Desire” by Tennessee Williams, and Tom Buchanan, in “The Great Gatsby”, both act as valid and powerful antagonists in their respective texts. These two characters share the need to find out the truth about the protagonists of the novels. They both are considered dominant, violent and strong men. They share the trait of honesty, but lack a sense of morality. Although there are evident differences regarding the social class of these two characters, they rightfully serve as similar characters. Both authors used very similar character traits to prove that despite the domineering and abusive mannerisms-characteristics of these
In the plays A Streetcar Named Desire by Tennessee Williams and A Raisin in the Sun by Lorraine Hansberry, two individual families are faced with family conflict. Each family struggles with the issues of money, marital issues, gender roles, and trying to resolve these issues. While both families are from different areas they both undergo similar situations while they try to achieve the “American dream”. A Streetcar Named Desire and A Raisin in the Sun illustrate how family conflict including money, marital issues, and gender affect the families negatively.
The syllable of the syllable. At this point, he is very drunk. Blanche, distracting Stanley by listening to the radio, instigates him to grab it off the table and toss it out the window. Stella, in a state of panic, tells everyone to go home, which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship.
Blanche wanted to start fresh when she went to visit her sister but Stanley would not give up on trying to bring her down. Stanley brings it up to Blanche that he has his suspicions about her when he says, “If I didn't know that you was my wife's sister I'd get ideas about you!”. Stanley investigating into Blanche is out of her control as she can not stop him from doing so. Blanche did things in her past but is trying to change her ways and her past is coming back to haunt her. Without Stanley’s countless efforts to bring down Blanche, she would be in a better situation than she ended up being in. Even the first time Blanche saw Stanley she knew he would try to bring her down. “The first time I laid eyes on Stanley I thought to myself, that man is my executioner! That man will destroy me”. Stanley does end up being her executioner and is the main reason for Blanche's downfall. In the end Blanche is left with nothing as everything she cared about is gone. This is the result of Stanley looking into her life and exposing her past. Stanley and his relentless efforts to bring down Blanche is out of her control and caused Blanche’s final
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
Blanche’s developmental history or character development points to her diagnosis. Blanche comes to New Orleans to stay with her sister Stella after being fired from her job as a schoolteacher due to having an inappropriate affair with a teenage student. When she arrives to see her sister, she is consumed with insecurities regarding her appearance and is condescending to her sister’s humble lifestyle. Stella’s husband Stanley immediately has distrust and dislike for Blanche and treats her
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
As the play progresses, Stanley feels the disruption in his household. His privacy is being invaded with Blanche so close in the other room. Stella is standing up to his authority more often, with prompting from Blanche. Blanche continually berates him in front of Stella and his friends. He does not believe her story as to why she came. He also feels she is lying about most of her life story. This places him on a slow burn to find out why Blanche is in his home and how to get her to leave. He is determined to restore his household to its pre-Blanche condition. After he learns Blanche’s secrets, he plots to expose her and get her to leave. Due to his nature, he does not care if she is destroyed in the process. Blanche is depressed, lonely and just wants some peace. She has suffered through, death of a spouse, death of several family members, including mother and father, loss of their ancestral plantation, loss of her teaching job and finally loss of her dignity by selling herself for money. She strikes up a relationship with Stanley’s friend Mitch. She is not really interested in Mitch as a person. She just wants to be married, have a home to live in again and be at peace with her past. This in not to be, she is exposed and raped by Stanley, dumped by Mitch and has a psychotic
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
Stanley rape Blanche, so she can not reclaim her purity anymore. Her only solution is by living in her imaginary world which she can create free of adversity. She no longer survive in the harsh world of reality . Stanley decided to send her away to a mental institution. When Blanche is told that she will be leaving. Blanche further expand her imagination to Shep Huntleigh. She believed that Shep Huntleigh will take her away. The only thing that she can conquer her adversity is by using her imagination ,which result her a complete loss of identity. She is send away to her last exile and entrapment. Having proven unable to adapt her identity in order to overcome
She proceeds to break up the poker game that Stanley had going in the kitchen and he becomes enraged and beats Stella. She yells, “I want to go away, I want to go away!” (63). Blanche and Stella retreat to the upstairs apartment, however when Stanley cries for Stella to come back to him, she succumbs to his cries. The climax of tension between Stanley and Blanche is when he sexually assaults her. Stella refuses to believe Blanche’s accusations against Stanley stating, “I couldn’t believe her story and go on living with Stanley” (165). The play ends with Stanley and Stella admitting Blanche to a mental institution and Stella staying with Stanley. Throughout the play, Stella is presented with many opportunities to leave Stanley, however, she never considers leaving him. In scene one, Stella tells Blanche, “I can hardly stand it hen he is away for a night…When he’s away for a week I nearly go wild!...And when he comes back I cry on his lap like a baby…” (19). Blanche disapproves of Stanley and in scene four she states, “You can get out”
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?
Stella and Stanley’s relationship is one based purely on, as Blanche describes it, “brutal desire – just – Desire!” (81). They treat one another without respect, with Stella calling her husband offensive slurs like Pollack and him beating her. However, because of their deep desire for each other, Stella quickly forgives Stanley for his wrong doings, growing his power over her. When his desire for power builds and he is sure that Stella is dependent on him, he rapes Blanche. When Stella hears her sisters story she calls for Blanche to be institutionalized. While it is clear to the reader through her hesitation in sending Blanche away that Stella knows Stanley really did rape her sister, she cannot bring herself give up Stanley and acknowledge the truth. In this action, she has ruined any trust that Blanche had in her and forever destroyed their relationship because of her selfish desire for Stanley.