Throughout literature, subject matters of desire and destruction often go hand in hand. From desire of destruction to the destruction of desire, there are many ways the subject matter of desire and destruction are constructed into themes. Tennessee Williams in A Streetcar Named Desire and William Shakespeare in Macbeth take similar stances in this discussion throughout the ages, focusing their views on the destruction of desire. They claim that absolute desire, desire with complete disregard for the consequences of their actions, or at least without through consideration, leads to absolute destruction, whether it be destruction of their life, their self, or hope of obtaining their goal. Tennessee Williams, in A Streetcar Named Desire, considers …show more content…
Stella and Stanley’s relationship is one based purely on, as Blanche describes it, “brutal desire – just – Desire!” (81). They treat one another without respect, with Stella calling her husband offensive slurs like Pollack and him beating her. However, because of their deep desire for each other, Stella quickly forgives Stanley for his wrong doings, growing his power over her. When his desire for power builds and he is sure that Stella is dependent on him, he rapes Blanche. When Stella hears her sisters story she calls for Blanche to be institutionalized. While it is clear to the reader through her hesitation in sending Blanche away that Stella knows Stanley really did rape her sister, she cannot bring herself give up Stanley and acknowledge the truth. In this action, she has ruined any trust that Blanche had in her and forever destroyed their relationship because of her selfish desire for Stanley. A similar, yet unique theme can be found in Shakespeare’s Macbeth. While A Streetcar Named Desire focuses on destruction by the hand of others reacting to a different characters’ greed, Macbeth acknowledges a different aspect. Macbeth focuses more on the downfall of characters through self-reflection of their actions and the realization of their wrong doing, as shown by Lady Macbeth, or belief in their absolute right to get what they …show more content…
Though tentative at first, it is clear the Macbeth desires to be king. As explained by Hunt, his current, newly appointed title is not enough for him as “ the augmentation of titles cannot appease the insatiability of desire, which never rests content with the new title but continues to feel the pain of existential hunger, of mortal incompleteness.” (hunt), leading him to desire for greater power. While the witches mention Macbeth’s possible rise to kingship through the death of Duncan, it is Macbeth who jumps to the possibility of the king’s murder saying, “If good, why do I yield to that suggestion Whose horrid image doth unfix my hair And make my seated heart knock at my ribs, Against the use of nature? Present fears Are less than horrible imaginings. (1.3.138-142).” There are many ways that the king could die, yet it is his desire for power leads him to pick the speediest path to the king’s end. Macbeth does in fact end up killing the king, as well as his best friend to protect his claim to power. From there he quickly becomes drunk with his rule and starts to terrorize the land, forgetting his morals and saying that he’ll just do whatever he feels when ever he feels like it. These actions lead to his death along with the many others who starve or bleed under his rule. Because of his desire for power, Macbeth causes the destruction of his soul, the end of his life
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
Stanley’s biggest issue with Stella and Blanche is that they always “undermine” him. He struggles to remain in control and appear as the head of their household as Blanche encourages Stella to stand her ground with Stanley. Stanley hitting and yelling at Stella is him showing dominance and his “masculinity”. Stanley is always trying to portray an image of masculinity and control whether it is directed at Stella or Blanche. But with Blanche constantly insulting him and undermining his authority he has to strive even harder to show dominance. As the story progresses Stanley becomes more frustrated with Stella and becomes aggressive with her in order to appear in control of the situation. Stella: ”…You come out with me while Blanche is getting dressed.” Stanley: ”Since when do you give me orders?” (2.70-1) Once Mitch discovers that Blanche is not the pure woman she made herself out to be, he feels entitled to having the same benefits other men have had with her. When Blanche turns down his advances, he becomes angry with her and tries to force her to have sex with him. Blanche becomes scared and threatens to expose him by opening the window and screaming “fire!” until he runs out of the apartment. Blanche: “...What do you want?” Mitch: “What I been missing all summer.” Blanche: ”Then marry me, Mitch!” Mitch: “I don’t think I want to marry you anymore.” Blanche: ”No?” Mitch: ”You’re not clean enough to bring in the
Macbeth is captured by his wild ambition at the opening of the play when he and Banqou meet the three witches. The witches tell Macbeth that he is the Thane of Cawdor, and later will be king. They tell Banquo that his sons will be kings. Instantly Macbeth started to fantasize how he is going to be king. He understood that in order for him to become king he has to kill Duncan. “My thought, whose murder yet is but fantastical”(Act 1 Sc. 3, p.23). He was pondering about the assassination until the moment that he could no longer control his emotions. “To prick the sides of my intent, but only vaulting ambition, which overleaps itself and falls on the other-“(Act 1 Sc. 7, p.41). Because of his “vaulting ambition” he killed Duncan.
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
“A Street Car Named Desire” is a critically acclaimed play by Tennessee Williams, which emphasizes the sexual desire and tension between characters Blanche Dubois, Stanley Kowalski, Stella Kowalski and Harold Mitchell. Throughout the play, Blanche is so nervous and on edge that a slight disturbance could shatter her sanity. However, Blanches ambition for love and “magic” is what truly affects the other characters in the play and cements the idea that Blanche is a proper lunatic. A street car named desire not only focuses on tense family relationships present in the play but as well as the affects of insanity caused by an individual ambition, which in this case is the desire for love through the protagonist Blanche Dubois. In the play “ A street car named desire” by Tennessee Williams, Williams creates the idea that Blanche’s crazed ambition for “magic” and love is impossible because of her destitute and unforgettable past and her ambition for love leads to her own collapse and downfall.
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
The play Macbeth, by William Shakespeare illustrates how greed for power and wealth can result in the destruction of oneself as well as others. The play's central character, Macbeth is not happy as a high-ranking thane - leading him to assassinate Duncan to become King, while unknowingly dooming himself. Throughout the play many examples are evident of Macbeth's unquenchable thirst for power.
Firstly, he defeats his enemies. Next he is praised by the other soldiers and King Duncan appoints him as the Thane. For example, if a person desires for a manager title, the person will work hard to earn it, and it is possible that other workers will see this and boost the chief individual’s desire. It is from here that the person might think they deserve the title and look for more power. Similarly, Macbeth must have thought somewhere in his mind to be king. In the book Witches’ Caldron: a study of motive in Shakespeare’s Macbeth Dr. K.C. Mathur says that although the witches did prophesy he would be king and even boosted his desire “They did not create the thought of murder of King Duncan. It was Macbeth’s own latent ambition embodying his power drive and seeking affirmation that invites the witches.” (Witches Caldron, 6) Dr. Mathur also says “Macbeth had acquired this status and it is not surprising that he thinks of achieving higher status by being aggressive and domineering. It is this psychological impulse that is projected in his ambition for the crown and not any criminal instinct or latent evil.” (6) There was a negative environment of witches and the association of Lady Macbeth around Macbeth which influenced him to murder. The environment creates a huge part in the play and if he had a good environment it is possible that he would have remained loyal to King
The vigorous desire to achieve and willingly attain something holds the capability to greatly affect one's life. William Shakespeare's play Macbeth establishes the immense effect and influence of ambition. After gaining power over his country Scotland, the protagonist, Macbeth, experiences an internal downfall as he battles between his wants and moral judgement. He struggles to maintain stable relationships with others as his selfish desires and goals hurt those around him when achieved. In addition to clashing with himself and others, he is seen as a tyrant leader and is slowly turned against by Scotland's nation as well as England. Shakespeare's play Macbeth provides the reader with a clear understanding of ambition's corrupting power in Shakespeare's tragic character Macbeth, through his inner conflicts, struggle to maintain stable relationships with those surrounding him, and clash with society.
Macbeth’s blind ambition leads him to surrender to his dark desires that taunt him throughout the play. Macbeth is frequently tempted to result to the wrongful methods that seem to roam inside of him. In the beginning however Macbeth tends to ignore these desires and depends on chance. He declares “if chance will have me king, why, chance may crown me, without my stir” (Shakespeare, act 1, scene 3, 143-144). This declaration by Macbeth shows his initial stand, which is reliant on fate and sin free. Yet as Macbeth’s character develops throughout the play, he moves farther from his dependence on chance and closer to his darker desires. Eventually his blind ambition to become king overp...
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
In Shakespeare’s tragic play Macbeth, Shakespeare creates the ruthless character Macbeth, who is willing to go beyond any measure in order to attain the power of being king, including murder, deceit, betrayal and overpowering the chain of being. Macbeth was first tempted by the idea of kingship when three witches presented him with their portent of Macbeth becoming the next King of Scotland. Ebullient, Macbeth, immediately informed his wife of the news and they both pondered the thought of having the power to rule all of Scotland. Lady Macbeth, a power seeker herself, promptly schemed a plan to kill King Duncan in order for her and her husband to rule, displaying her ready ambition for power. Macbeth’s thirst for power ate away at his conscience
The Corrupting Power of Unchecked Ambition The main theme of Macbeth - the destruction wrought when ambition goes unchecked by moral constraints - finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play, he descends into a kind of frantic, boastful madness.