Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Theme of confrontation in streetcar named desire
How conflict is created in a streetcar named desire
Theme of confrontation in streetcar named desire
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Theme of confrontation in streetcar named desire
Antagonists often offer a powerful contribution to various pieces of literature. Stanley Kowalski, in “A Streetcar Named Desire” by Tennessee Williams, and Tom Buchanan, in “The Great Gatsby”, both act as valid and powerful antagonists in their respective texts. These two characters share the need to find out the truth about the protagonists of the novels. They both are considered dominant, violent and strong men. They share the trait of honesty, but lack a sense of morality. Although there are evident differences regarding the social class of these two characters, they rightfully serve as similar characters. Both authors used very similar character traits to prove that despite the domineering and abusive mannerisms-characteristics of these …show more content…
When Stanley beats Stella in Scene 3, the abusive side becomes noticed and readers come to the conclusion that it was not the first time that this act of violence has occurred. (Williams 40). But Stella ends up coming back to him after he cries out to her, and their relationship resumes as it did in the times prior. He is also the one who investigates the protagonists’ (Blanche’s) past; as he knows there are things she is hiding. This need to know about Blanche’s history is driven by his hatred for her aristocratic ways. Furthermore, Stanley makes his dominance apparent through the expression of his sexuality. At the end of the play, he rapes Blanche as a way to regain his dominance in the household. Throughout the play, Blanche slowly gains some control over Stella, and causes disruption to Stanley’s …show more content…
When Myrtle and Tom get into an argument, Tom unleashes his violent side by slapping his mistress in the face, causing her to break her nose. (Fitzgerald 39) This does not negatively influence their relationship and the two continue to openly see each other. Tom happens to also be the one who investigates Gatsby’s past once he begins the relationship with Daisy: his education and the source of his money. The reason for Tom’s inspection is to expose Gatsby’s past and illegal life, and inform Daisy of his negative thoughts on Gatsby. Additionally, Tom makes his dominance noticeable through his wealth and social status, with the use of racism: "I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that's the idea you can count me out […] Nowadays people begin by sneering at family life and family institutions, and next they'll throw everything overboard and have intermarriage between black and white." (229), believing that he is better than everybody else, coming from a rich aristocratic background; he believes superiority is in his blood. This fuels his main source of power that he exudes within society. Tom is very honest about his affair with Myrtle to his own wife. But, he doesn’t grasp the concept of morality; he is hypocritical, accusing his wife for her affair with Gatsby, but still proceeding with his
Hawthorne and Fitzgerald, two great American romantics, display new attitudes towards nature, humanity, and society within their novels. The novels The Scarlet Letter and The Great Gatsby are very similar with their adjacent themes, motifs, and symbols. The comparison between these two literary pieces show the transition from adultery to ability, societal standards during the chosen time periods, and good vs. evil.
Comparing A Streetcar Named Desire and Cat on a Hot Tin Roof In the game of life, a man is given the option to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link between past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof. "
Everyone in the world is different. People have come to acknowledge the variety of differences that comes to surround one today. Differences do not always mean race or religion, but rather the individual characteristics that make up one specific person. Everyone has characteristics of themselves that are either the best or the worst. The good traits are usually concealed and hidden because people mainly focus on the negative sides of people. Conversely, the worst trait is more visible and apparent to the eye. In literature, the same applies, but the bad trait leads to larger ramifications for a character and others around them. In F. Scott Fitzgerald 's The Great Gatsby, the recurring trait of recklessness is found throughout the classy and lavish denizens of
Throughout the novel, one of Tom 's biggest careless acts was when he cheated on Daisy. Tom is a cocky, confident man shown many times throughout the novel like when Nick arrived at his house and "Tom Buchanan in riding clothes was standing with his legs apart on the front porch" (Fitzgerald 6). His stance showed his arrogance, and how highly he thought of himself because of his wealth. Tom was a man who often acted without thinking things through, like having an affair with Myrtle. Despite both Tom and Myrtle being married, they both had affairs. Tom doesn 't hide his affair from Nick and introduces him to his mistress Myrtle at Wilson 's garage. Tom doesn 't seem to care if anyone finds out because he feels as though nothing would change due to his wealth. While at Myrtle 's husbands garage, Tom tells Myrtle to meet him at the train station. They end up going to their apartment in New York City that they keep for their affair. While at the Morningside Height 's apartment Myrtle starts to talk about Tom 's wife Daisy, ""Daisy! Daisy! Daisy!" shouted Mrs. Wilson. "I 'll say it whenever I want to! Daisy! Dai-"" (Fitzgerald 37). Tom didn 't like Myrtle overstepping her boundaries and to show
In the novel The Great Gatsby and the play A Streetcar Named Desire the main characters James Gatsby and Blanche Dubois have a lengthy search for love. Both characters go about their search in similar and different ways. The characters choose illusion over reality, but the way in which they go about it differs. Also in an attempt to impress, both characters try and “buy” love by using material possessions to attract people to them. Although Gatsby and Blanche devote a lot of their lives to finding true love, their searching leaves them unsuccessful.
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
Stanley oftenly abuses Stella whenever he is drunk. One night, Stanley brings his friends over for a poker night. Mitch leaves the table in order to talk to Blanche. Stanley begins to get furious since Mitch is no longer playing. As more and more interruptions keep occurring, Stanley is furious and breaks the radio Blanche and Mitch were using. Stella then calls Stanley an animal. “He advances and disappears. There is a sound of a blow. Stella cries out.”(57) Stanley is usually abusive when he's either drunk or frustrated. After Stanley strikes her, Stella leaves the house and goes to her neighbors house. Blanche follows her sister upstairs to support Stella so she does not feel alone. Stanley then calms down and calls for Stella to come back. She returns and falls into Stanley's arms. Stella is very loyal to Stanley, she stays with him because he is her husband and does not want to change that. This is why she ignores her sister's pleas. Stanleys actions prove to the reader that he is an abusive husband to Stella and that Stella tolerates
In the play A Streetcar Named Desire, Tennessee Williams uses his brilliant writing to bring life to his characters in the story. I will be composing a character sketch on Stanley, one of the main actors in the play. I will focus on evaluating Stanley's ever changing character traits in the role he plays. They consist of different moods that he demonstrates during the play: his aggressiveness, his love for Stella and also his rudeness and cruelty towards Blanche.
The ideology of male dominance has existed since the beginning of mankind. In the play A Streetcar Named Desire, by Tennessee Williams, it is especially apparent that Stanley, who is a working class man, feels the need to assert and reassert this principle of power constantly. Williams makes clear, through the character of Stanley, that the yearning for others’ recognition of their power and capability is the motive behind men’s masculine inclinations.
“Humankind cannot bear very much reality.” (T.S. Eliot) By constructing a comparative discussion, say to what extent you consider this to be useful in understanding The Great Gatsby and A Streetcar Named Desire.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
In the Great Gatsby, Scott Fitzgerald portrayed a loving story with a tragic ending which revealed the wickedness and ignorance of the society. Gatsbt's generosity and politeness contrast sharply with Tom's egoism. While Gatsby was striving to get what he wants, Tom simply used his wealth to manipulate the world and deceived those who he doesn't care. Though Gatsby is not innocent, Tom did more evil things which finally destroyed other people's lives.
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
Conflicts first arise when Blanche reached at Stanley’s house and right away Stanley’s empowerment is challenged who always had control over his house, and more importantly on Stella, his wife. Stanley’s complicating nature was first hinted when he beats his wife, which is not alarming and is evident that he molested his sister-in-law. Blanche offended Stanley right away as he was called a ‘polack’ by him. Blanche also opposes Stanley as she described him ‘animal thing’. A visible section of conflict between Blanche and Stanley occurred over ‘Belle Reve’ and Stanley’s ‘Napoleonic code’ argument. Blanche repeatedly told Stanley that she lost everything in ‘Belle Reve’ but she didn't have any validation to go with her fiction. Another precise conflict is when Stanley ‘investigated’ Blanche past in which he found out that Blanche is a prostitute as she doesn't want ‘light’ to shine on her ‘realism’ and how Blanche was always dependent on the ‘kindness’ of ‘strangers’ because no one empathized with her. Blanche’s presence was so unacceptable for Stanley that he even had to buy her a ‘bus ticket’ so she could leave, this indicates that Stanley neither had empathy left for Blanche nor was resilient to what happened at the start. In the end their personalities did not go hand in hand, neither of them views their life the same way. There were too many differences among them to allow them to get along. They were directly created to foil each
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?