The ideology of male dominance has existed since the beginning of mankind. In the play A Streetcar Named Desire, by Tennessee Williams, it is especially apparent that Stanley, who is a working class man, feels the need to assert and reassert this principle of power constantly. Williams makes clear, through the character of Stanley, that the yearning for others’ recognition of their power and capability is the motive behind men’s masculine inclinations. There are several ways one can show that they are the one in charge. Stanley often showcases his power evidently through verbal and physical abuse of others. Stanley is often seen ordering people around. While they were playing poker, Stanley tells Mitch to “Get y’r ass off the table… Shut …show more content…
In one conversation with Blanche, Blanche subtly insults him. He realizes this and thunders “Now let’s cut the re-bop!” (40) and scaring Blanche in the moment. With his loud, booming voice, Stanley is able to cause Blanche to cover her ears in pain and exhibit that he is powerful enough to be able to cause discomfort by merely raising his voice and putting her back in her place. Stanley obviously doesn’t do well with insults to his name because when Stella calls him a drunk animal, “Stanley charges after Stella… There is the sound of a blow… [and] the men rush forward and there is grappling and cursing” (63). It is obvious here that Stanley doesn’t like to be compared to an animal and began to take action to prove that that isn’t what you say to someone like him. However, it is ironic that his reaction is very animalistic in order to convey his strength and the magnitude of his masculinity towards his woman and towards the other men as he shakes them off. Another similar instance is when they were at the dinner table for Blanche’s birthday supper and he exclaims “Don’t you ever talk that way to me… I am the king around here, so don’t forget it” (131)! …show more content…
However, there are also many instances where Stanley, a common working-class man, reveals his desire to be powerful and manly in his relationship with Stella, a woman who is of high class. Stanley is a man from a poor background and is married to a woman with a rich family history. Logically, Stanley may feel intimidated by Stella’s upbringing and feels that it is crucial to oppress her; it is hinted many times throughout the play as Stanley clearly demonstrates he is the one that holds the power by the way he treats Stella. Right from the start of the play, with Stanley’s introduction, he comes “around the corner… [with] a red-stained package from a butcher’s” (4), much like how an animal would bring its kill back home. With this, it is an analogy to a leader, Stanley, of a pack that brings back the food for the others to eat. The reliance of Stanley to bring back home the food broadcasts his will as the almighty alpha male that holds more importance than Stella. Furthermore, Stanley “heaves the meat at her (Stella),” (4) treating her as like a servant and also making a sexual innuendo. This action is one of disrespect and lets Stella know that she is under Stanley. This is an example of Stanley seeing Stella as a slave, a sexual object, under his control. Control is a large factor to Stanley as a husband and as a person. This is apparent when Stella explains that “Stanley doesn’t
In scene three Stanley is having his poker party (pg. 57). At this point he is very drunk. Blanche distracting Stanley by listening to the radio instigates him to grab it off the table and toss it out the window. Stella in a state of panic tells everyone to go home which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship. Stanley repeatedly gets what he wants by use of any means possible. In addition the person whoever threatens the existence of his poker game receives a beating, in this case his wife. This scene demonstrates Stanley’s viscous animal like traits with such violence. If what happened here was repeated in today’s society he would find himself in a jail cell with a pending divorce.
Blanche one day tells Stella that she shouldn't stay with Stanley because he shouldn't treat his wife abusively, especially when she's pregnant. Blanche describes in full detail that he “acts like an animal,has animal habits! Eats like one, moves like one, and talks like one!” (74) All that Blanche wants to do is speak to Stella so she does not put up with the domestic abuse. Blanche feels that Stella does not deserve to be mistreated by her husband. Williams excellent use of diction most certainly proves how Stanley is both an animal and an abusive husband to Stella. Although Stella feels mistreated and abused, she never considers leaving Stanley because she has a great desire for him no matter his abusive actions. Stella at times finds herself the cause of Stanley's actions. She feels that she's the reason why Stanley hits and abuses
she was told "to take a streetcar named Desire, and then to transfer to one
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Also, the repetitive comparison of him to an animal or ape is the perfect image not the id as it is the instinctive part of your psyche. The way this passage leaves the reader is very powerful saying that “maybe he’ll strike you” is a good example of Stanley’s aggressive nature, and when Blanche says “or maybe grunt and kiss you” is a very good example of his sexual nature.
Stella represents an important part in this drama by providing a contrast to how life can change people when they go down different paths. In Contrast to her sister, Stella is bound to love. Although she fell in love with a primitive, common man, she most definitely loves him. Stella desires only to make Stanley happy and live a beautiful life together. She wants to find peace between her sister and her husband yet instead she finds conflict afflicting her on both sides. Blanche uses her dilutions and tries to sway Stella away from Stanley yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
Through the narrative, Stanley is expressed through roaring noises. He is continuously trying to get his point across to Blanche, whom has a delicate personality, that he is superior to her. When speaking to Blanche, even through the stage directions Williams makes it evident that he is powerful. His voice is described as “booming” and “bellowing” when speaking to Blanche or Stella (1778, 1792). Williams defines this man as not a mellow person to have a conversation with. Through the stage direction, it is evident that Stanley means everything to make himself clear.
Tragedy is when something is lost in a terrible manner. The tragedy of a character named Blanche is the eventual loss of her mind and of her reality. Events throughout the tragic play A Streetcar Named Desire are what lead to Blanche become adrift in the seas of dreams within her head. Along her path to becoming this way Blanche does not only suffer herself, but causes the suffering of others around her. The author of this play uses Blanche as an instrument to carry out the tragic vision of the play itself. You see tragedy within herself and the people she comes into contact with throughout the play.
Tennessee Williams has said, “We have to distrust each other. It is our only defense against betrayal.” Betrayal is prevalent in life and literature and creates uncertainty. According to Williams, without questioning people, one will eventually be betrayed. Characters deceive each other and, occasionally, themselves as they try to mend their lives. In A Streetcar Named Desire by Tennessee Williams, betrayal is evident in every relationship — Blanche and Mitch, Blanche and Stella, and Blanche and Stanley — and contributes to the theme of uncertainty in the novel. Blanche Dubois is the ultimate example of betrayal because she ends up being betrayed and betraying others throughout the play, which serves as a basic model of the effects betrayal can have on a person.
There is no doubt that Stanley is a fascinating character. The usually reaction to see him as brute because of the way he treats graceful and delicate Blanche. Some people may dislike Stanley because of the way he treat Blanche. However, I believes that Stanley has different actions among he treats his wife, friends, and Blanche because he thinks Stella and Mitch are in his life, and they are in the same level, but Blanche is foreign element, and he feels threat of his ordinary life and his marriage. Therefore, he decides to do something to keep his current condition. Stanley lives in the basic of the world, he is not considerate to his wife Stella because even though she is pregnant, he still speak loudly and rude to her. He would like to do anything as his please. He likes to lay his card on the table, so after Blanche stays in his house, he thinks Blanche may Moreover, they have many unhappy conversations because of Blanche. Belle Reve. However, Stanley does not trust what Blanche says, and he believes that Blanche sold the Belle Reve which they own this real property together in law. In addition, he thinks
The seven deadly sins are well established as being detrimental; nevertheless, humanity naturally gravitates towards the inhuman. The life of Blanche DuBois, the protagonist of Tennessee Williams’ play, A Streetcar Named Desire is derailed by lust: the lechery of her ancestors causes the loss of the family home, her husband’s lust leads to suicide, and her own sexuality forces her to leave her occupation and her hometown in disgrace. After taking the streetcars Desire and Cemeteries, Blanche seeks refuge from reality in the home of her sister Stella and her masculine and somewhat barbaric husband Stanley. Despite her attempts to start an unblemished life with a new persona and love interest, Mitch, Blanche’s dark past begins to resurface after
There are 3 major themes in the play A Streetcar Named Desire, the first is the constant battle between fantasy and reality, second we have the relationship between sexuality and death, and lastly the dependence of men plays a major role in this book.
In the story Alice in Wonderland, the world of Wonderland represents the main antagonist Alice’s fantasy that is fueled by her desire of staying in the past and remaining a child. Ultimately, she fears the changes that come with becoming an adult; thus, she resists reality and embraces the lies of her fantasy of staying a child by staying in Wonderland. Furthermore, this is similar to how the main antagonist in A Streetcar Named Desire, Blanche DuBois, resists reality by lying to herself and everyone she knows because she also fears reality. Unlike Blanche, Alice soon realizes that by embracing her fantasies and desires she would be led down a path of destruction because fantasy and reality are incompatible. Likewise, Tennessee Williams covers the topic of the incompatibility of fantasy and reality in A Streetcar Named Desire by making the character Blanche DuBois, which represents fantasy, resist and have a conflict with the character Stanley Kowalski, which represents reality, because he wants to convey that it is natural to fear and resist reality and take solace in desire and fantasy.
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?