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Zora neale hurston literary criticism
Analytical essay for zora neale hurston
Analytical essay for zora neale hurston
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Spunk is a short story written by Zora Neale Hurston. It tells of a supernatural story of African-American folk life. It is a story about a difference between two men over a woman. The woman in question was married to Joe Kanty but was adulterating with the town bully known as Spunk. Spink was feared by the people including Joe but he got the courage of confronting him despite his bully character. Spunk killed him in the confrontation but later on in the story, Joe comes back to haunt Spunk which resulted to his death. The story is about a conflict between Joe Kanty and Spunk Banks over Lena who was Joe’s wife. The story progresses into a revenge whereby Spunk is killed by an evil spirit which he belies to be Joe. However, superstition plays a very important role in Hurston’s tale as Spunk claim that he is haunted by Joe Kanty’s ghost.
Just like Hurston’s other stories, Spunk deals with the nature of marriage and the struggle between a strong man and a weak man. The setting of the story is in a rural all-black southern town whereby the people of the town speak in Southern African American dialect. Hurston wanted the reader to understand the kind of marriages blacks have and how adultery is apparent in the marriages. The themes in Spunk reflect the lives of the people in the South at the time the short story was written. Masculinity and power are common in the short story as Zora Hurston uses different literary devices for the reader to be able to analyze these themes in the story. Spunk and Lena are having an affair and they are not afraid to parade it for the town people to see them. In addition, Lena is ready to Marry Spunk even after he kills her husband Joe.
Hurston in her short story Spunk, she combines elements of the su...
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... his Adam’s apple twitching nervously up and down his throat. One could actually see the pain he was suffering, his eyes, his face, his hands, and even the dejected slump of his shoulders” (Hurston). This description of Joe Kanty while Spunk took away his wife tells the reader how painful it is for one to lose a wife. These things happen in the society and are unknown and Hurston used her writing skills to make them known to his readers.
Works Cited
Hurston, Zora Neale. Spunk: The Selected Stories of Zora Neale Hurston. Berkeley, CA: Turtle Island Foundation, 1985. Print. 106 pages
Hurston, Zora Neale and Wolfe, George C. Spunk: Three Tales by Zora Neale Hurston
New York: Theatre Communications Group, 1991. Print.
Bily, Cynthia. Overview of “Spunk,” for Short Stories for Students, The Gale Group, 1999. Short Stories for Students. Gale. Web. 21 Jan. 2010.
Whittier begins his story by writing, “Woman’s attributes are generally considered of a milder and purer character than those of man. ”(348) Right of the bat, the reader has a stereotypical idea in his or her mind about how a woman should act and what characteristics she should hold. Whittier does this to show how different and unique his main character, Hannah Dustan, will be seen throughout his piece of work. Whittier then goes on to say, “Yet, there have been astonishing manifestations of female fortitude and power in the ruder and sterner trials of humanity; manifestations of courage rising almost to sublimity; the revelation of all those dark and terrible passions, which madden and distract the heart of manhood.
The major conflict in Spunk is the two main male characters fighting over the love of Lena Kanty. The character Spunk is in love with Lena but she is married to Joe. Spunk still struts around town with Lena on his arm in front of the town, getting the loungers to talk. “A giant of a brown skinned man sauntered up the one street of the village…with a small pretty woman clinging lovingly to his arm” (Hurston). This displays Spunk and Lena not trying to hide their relationship from the towns people or Joe. Hurston also showed Joe’s cowardliness by stating, “Now Joe knew his wife had passed that way. He...
Hurston, Zora Neale. "Sweat." Norton Anthology of Southern Literature. Ed. William L. Andrews. New York: Norton, 1998.
Hurston, Zora Neale. Their Eyes Were Watching God. Harper Perennial Modern Classics: Reissue Edition 2013
Appiah, K.A. and Gates, Henry Louis, Jr. eds. Zora Neale Hurston: Critical Perspectives Past and Present. New York: Amistad Press, Inc., 1993.
Bourn, Byron D. "Women's Roles in Zora Neale Hurston's Their Eyes Were Watching God and James Baldwin's Go Tell It On the Mountain"
...e relationship with men, as nothing but tools she can sharpen and destroy, lives through lust and an uncanny ability to blend into any social class makes her unique. Her character is proven as an unreliable narrator as she exaggerates parts of the story and tries to explain that she is in fact not guilty of being a mistress, but a person caught in a crossfire between two others.
1. c.Robert E. Hemenway, in his Zora Neale Hurston: A Literary Biography, University of Illinois Press, 1977, 371 p.
Hurston, Zora Neale. Their Eyes Were Watching God: A Novel. New York: Perennial Library, 1990. Print.
Rosenblatt, Roger. “Roger Rosenblatt’s Their Eyes Were Watching God.” Rpt. in Modern Critical Views of Zora Neale Hurston. Ed. Harold Bloom. New York: Chelsea House, 1986. 29-33. Print.
The women in Waknuk have to suffer a lot as they have to suppress their feelings and silence their opinions if it is against their husband's or society's wishes. They have to follow the norms ofthe society but even so, some of them have enough courage and strength to protect the innocent deviations and most of them act as the producer of the 'pure stock' and gets blamed if it doesn't happen right.
Zora Neale was an early 20th century American novelist, short story writer, folklorist, and anthropologist. In her best known novel Their eyes were watching God, Hurston integrated her own first-hand knowledge of African American oral culture into her characters dialogue and the novels descriptive passages. By combing folklore, folk language and traditional literary techniques; Hurston created a truly unique literary voice and viewpoint. Zora Neale Hurston's underlying theme of self-expression and search for one’s independence was truly revolutionary for its time. She explored marginal issues ahead of her time using the oral tradition to explore contentious debates. In this essay I will explore Hurston narrative in her depiction of biblical imagery, oppression of African women and her use of colloquial dialect.
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
The story begins with Delia, a working Black woman in Florida, who is a wash woman. It is a warm spring day and she is sorting and soaking the clothing she washes for the white residents of her town. Her husband walks into the house and is immediately looking for a confrontation. It is throughout this confrontation that the exploitative and abusive nature of Delia and Syke’s relationship becomes clear.
“Spunk,” by Zora Neale Hurston, is a short story about a man who appears masculine and fearless claiming another man’s wife, but the tables turn by the end of the story. The short story begins with Spunk, the main character, walking off with Lena Kanty. Joe Kanty knows about the affair, but is too timid to confront Spunk.