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Communication between parents and teenager
Art As Expression
Communication between parents and teenager
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Michael stomped out his cigarette and pulled the collar of his shirt over his nose and mouth. Shaking the can of spray paint before he began to work on his masterpiece. He had been waiting for months for the perfect night to do this. Planning and designing his art, and finding the best place to do it. This was going to be his biggest and best. Though it is the middle of the night, and Michael cannot see his arm length in front of his, he knows it will turn out amazing. This part of Sydney is always deserted at night, but extremely active throughout the day. He hopes that a lot of people will see his art. Many may think what Michael is doing is a crime, 'defacing public property' or some sort, but to him, it's a way of expressing. He does not do it because he wants, or because he is good (he is but that is beside the point,) he does it because it needs to be done. It needs to be seen. His need to be seen, his need to prove - or make - a point almost always led to his getting in trouble. Whether it was at school, by fault of his parents, or the police, he always got in trouble. It was probably the spray paint cans always in his bag, or his paint stained fingers that always drew people to suspect him, but he always believed it was the way he looked. His hair was always a different colour, right now it was different shades of purple and blue with black and white - it looks like a galaxy to him. Multiple piercings adorned his face, one black bar with pyramid barbs on the ends was in his left eyebrow, and a black septum piercing on his nose. His lip was once pierced, but whenever he ate one of the balls would fall off and he would swallow it, so he just let it close up. Plus his friend Luke has his lip pierced, and he does not like to... ... middle of paper ... ..., and he talks it out to check it. "Sorry, but I have to go. My mum just woke up and realise I wasn't there." He laughs sheepishly. They stand up and walk out of the coffee shop together. "Um, Ashton?" Ashton hums, telling Michael to continue, "can I have your number?" Ashton turns and quirks an eyebrow at him. "We just met." "I know, but, I dunno. . . I wanna hang out with you again sometime." Michael shuffels his feet, kicking a stone, and staring at the sidewalk. "Sure." Michael looks up to see Ashton smiling. He smiles back, not showing his teeth. He hands Ashton his phone and the boy types in his number. "So I'll see you around?" Michael asks, shoving his hands in his sweatshirt pockets. "Yeah." Ashton nods. Taking a few steps backwards, before he turns and walks in the opposite direction of Michael. Michael watches him leave, still clutching his phone.
As he prepares to leave, his mother expresses her worries, she asks him how she will know where he is.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
· 1999: Private commissions (2). Continues to work on paintings for traveling exhibition, Visual Poems of Human Experience (The Company of Art, Chronology 1999).
Instead of becoming like all of the rest of people he knows from where he grew up. Michael took a better path instead of taking a path that would ruin his life.
"I'm Anthony" he extended his hand out to the shy boy, which Ian took gladly.
Vandals; Cornbread, Taki 183, Phase 2, Banksy, Jean-Michel Basquiat are only a few of the OG street artist who were able to take claim of their identity and express their art through their graffiti.
... though employing a familiar subject (the female form), shows the transformation from busy mosaics with gold embellishments to a brighter palate of colors and the use of stronger, bolder lines. The piece exemplifies his versatility as an artist.
"No..."He staggers back. This wasn't how it was suppose to end. He was in such a frayed, chaotic state of mind that he didn't notice the door yank open.
As I read this work of art, my mind was transported to my favorite place in the outdoors. My imagination was filled with the waving of the tall grass, the stillness of the trees, and the feeling that time is standing still and I’m the only one who notices. For example, it sparked the idea, or memory, of how much I love nature and the outdoors, and the great sense of peace it brings to me. In an instant, it showed me how far I had drifted from that mindset.
Burroughs stands for a moment, realizing they are talking about the same path. Immediately directing his questions to the young girl,
Autumn Night, painted by Sergei Trukham, draws you into a dark, drizzly, autumn night. In this piece of artwork, a pathway is lightly covered with fallen autumn leaves from the overhanging trees, and a black, wooden, park bench sits to the left. The scene is illuminated by various streetlights that give off the indulging Kinkade light effect, which reflects off the wet park bench and puddles that flow throughout the walkway. When you shine additional light on the painting, the streetlights and reflections of the streetlights become brighter and vice-versa. Sergei uses warm fall colors and puddles emanate the cold, rainy, fall, climate outside. Sergei’s painting is partly printed onto the canvas, then the lighting and other aspects of the painting are hand painted and perfected. Autumn Night, is intelligently painted, giving the painting many artistic elements.
Michael responds that he “don’t want to go anywhere else” and Leigh Anne says “Alright, then.” She clears out a room for him, buys him a bed, desk, dresser, and clothes. She asks him if he
Vincent van Gogh’s Starry Night represents the overpowering waves of change sweeping change over an unsuspecting town, stuck in the ways of old. Just one look at this painting evokes a feeling of old versus new. As you study the work of art you can’t help but feel the struggle between these two powerful forces. Vincent van Gogh does a wonderful job telling the story of a town not ready to adapt to a new world.
The mother pouts. Anatage silently chuckles to herself, perplexed by her mother's natural immaturity. "Well, I'm going to bed. Jet lag." the mother smiles and trudges off to the only bedroom in the house.