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The superhero research paper
The superhero research paper
The superhero research paper
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Spiderman: Acceptance in Popular Culture and Society
What makes a superhero? There are many superheroes presented in popular culture and each of these heroes has some form of a super power. However, if it was the superpower that makes someone a superhero, then even aliens presented in movies and comics would be super. The purpose of this essay is to argue that the acceptance of the superheroes in American culture is tied to the audience’s ability to connect with the superhero at some level. The superhero considered in the context of this essay is Spiderman. It is how Spiderman is shown to connect with normal people despite his super powers that make him a superhero. A person who is different from the mainstream American culture might be received
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In the opinion of many, even in President Johnson’s cabinet, the newly raised minimum wage had made it harder for teenagers to find jobs in the early to mid-1960’s…Peter finally found a job as a freelance photographer, but his pay was frequently terrible, and his boss, Newspaper publisher J. Jonah Jameson, was a nightmare…In one issue, Spider-Man sardonically admonished a villain for destroying a chair because of what the cost of fixing it would be due to inflation” (Bateman, 2015, …show more content…
Consider the Spiderman before the 1970’s: Spiderman during this time was presented as combatting the issues in current politics. Primarily, the superhero was shown to be fighting against communists as in the case of cold war political issues and most of the heroics associated with Spiderman are reflective of what was happening in that time (Kempton). After Vietnam and The Watergate scandal , as societal focus shifted, it was noted that Spiderman no longer was presented as being involved in those issues, he was now more of a social crusader fighting for the ills of society such as drug trafficking and combatting hate groups. This was a time when the country was no longer involved in wars and thus the role of spider man was reduced to meeting the social ills of society, and yet again people were able to connect with the spider better as the country was indeed focused on internal issues at that time. In the latter part of the 1970’s Spiderman was considered more as an escapist rather than as a super hero because of the way Spiderman was portrayed (Genter). However, elements of the character reflected how Spiderman was actually embodying liberalism of the times. “During the late 60’s and early 70’s, Spider-Man
The only reason i think this is because Spiderman is known as a hero but he is not portrayed as one in this
Inspired by the way comics were able to illustrate the events of WWII I decided to investigate to what extent did comic books influence American perceptions during World War II. Comics turned into an apparatus to exploit racial and social contrasts and outlet for wartime purposeful publicity. The Golden Age of Comic Books portrays a period of American comic books from the late 1930s to the mid 1950s. During this time, present day comic books were initially distributed and quickly expanded in notoriety. The superhero model was made and some surely understood characters were presented, for example, Superman, Batman, Captain America, Wonder Woman, and Captain Marvel.
Batman and Superman are superheroes whose qualities are exaggerated in a way that is reminiscent of the gods and heroes in The Odyssey. In Fact, the superheroes from comic books emerge from the epic tradition. Epics, as you know, celebrate the great deeds of one or more legendary heroes. This epic hero is generally involved with a quest to overcome hardship, and he (and it usually is a "he") succeeds. The hero performs superhuman exploits in battle, often saving or founding a nation or the human race itself. Sound familiar? And even in terms of the superhero's body, with his bulging muscles and larger‐than‐life qualities, such figures evoke the images of Baroque masculinity. What Becomes important in these retellings, then, is how the hero makes the journey, how he faces his obstacles, and what he learns in the process.
We are currently living in the Golden Age of Superheroes. They dominate our cultural life, and have become seemingly permanent fixtures in modern media. Since X-Men burst onto the screen fifteen years ago, we have witnessed the release of over forty superhero movies. By 2020 we will have seen the release of more than twenty-five more. Today, the much anticipated film Superman vs. Batman has come to theaters. Though a plethora of superhero movies have been released, it is to the dissatisfaction of many, having long been exhausted by the stories of the Hulk, Batman, and Spider-man. Although I must agree that it is quite easy to get bored with the constant action, and flashing colors of these films, if one looks deep enough into the story they will discover universal themes and metaphors. Though they may be fighting off alien invasions, these heroes are also battling with their personal challenges, challenges which we can
Most avid comic book fans would agree that they were less than enthused when Marvel Studios decided to reboot the Spiderman movie franchise in 2012 – just 11 years after the quasi-successful run of the original trilogy (Proctor). As one of the aforementioned avid comic book fans, Marc Bernadin, writer for “io9” (a technology and lifestyle website), rightfully questioned this decision by stating, “in this day and age, does Spidey have to be a white guy?” (Bernardin). This question fueled an Internet phenomenon that forced creators and fans alike to re-evaluate the way that they see the characters they love so much in terms of their race. Media makers and content creators have an ethical responsibility to “represent the many facets of humanity” (Petrou, Jan. 27). ‘Race-bending’ is when a content creator dresses a character as someone of a different race, or changes the race of the character entirely from one race to another (Ibid). In this paper, I aim to explore the influence of social media on race-bending, as it applies to comic book culture and its meaningfulness to the fan community. My principle arguments will draw from an examination of the Marvel comic universe, the #donald4spiderman campaign and the “Amazing Spiderman” movie franchise in order to show that through the power of social media, we are changing the way we root for heroes regardless of their race or ethnicity– moving society forward as a progressive culture.
Let’s discuss a little bit of comic book history for starters. The most iconic superhero in all of American comic book history has got to be Superman. He was created near the beginning of superhero comic books and debuted in Action Comics #1 in 1938[1]. He would remain as the blueprint for many superheroes for years to come as the atypical white American male. But as the years go by there were comic book heroes that came out that go against this archetype such as Wonder
First, it is important to identify Captain America as a nonexclusive alter-ego. Isaiah Bradley, for instance, is an African American soldier who also received the Super-Serum. He later took on the role of Captain America, while still holding high moral standards. This proves Captain America is a symbol not bound by an individual, therefore not restricted by a certain demographic. Secondly, it is critical to examine virtue ethics, the moral code of Captain America, and how it can represent a whole country. In Nicomachean Ethics, Aristotle argues about a person is continent, incontinent, viscous, or virtuous. A continent person knows right from wrong and usually does what is right. An incontinent person also knows right from wrong, but will easily succumb to his or her desires. A viscous person will also do what is wrong and enjoy it. A virtuous person will always do what is morally right. Using virtuousness or virtue ethics as a representation of a group is setting them up for failure, yet is advantageous for the group because they then aspire to virtuousness. To answer the initial question, Captain America is a symbol of virtue, without being constrained to a certain demographic. He or she (assuming that a female will act as Captain America eventually) serves as a moral example by which to
Hughes, Jamie A. "Who Watches the Watchmen?: Ideology and 'Real World' Superheroes." Journal of Popular Culture39.4 (2006): 546-557. SPORTDiscus with Full Text. EBSCO. Web. 25 Feb. 2010
Every child in the United States has heard or read the Marvel and DC comics books. If you have not then you have probably have heard of their characters like the famous star spangled hero, Captain America, or the Dark Knight himself, Batman. Both Marvel and DC has influenced the children and adults of American in its darkest times. The great wars affected many by its poisonous grasps, and its victims sought comfort with the antidote provided by the marvelous illustrators and writers of comic books. Now their cinematic counterparts are here to inspire the 21st century. The Marvel and DC cinematic universes have similar content, they both have unique characteristics that set them apart.
In our society, certain ideals are held in high regard. Individuals relentlessly pursue these ideals to achieve a perceived perfection. These principles are often depicted in media that further glorifies and establishes a desire to pursue these paragons. In a medium such as comic books, however, these standards and perceptions are heavily distorted by the characterizations and settings. Particularly, the superhero genre absorbs the ideals we strive towards and regurgitates them in an extreme and unrealistic manner. The superhero genre is often reflective of societal changes in ideas and morals. These ideals are then molded into misleading representations that influence the behaviors of viewers. Comic books absorb elements of our society and transform them. For example, as the enemies of America change, so do the enemies of our superheroes. However, the enemies are transformed into supervillains that are extremely dark and villainous. Such characterizations cloud people’s understanding of real threats and enemies affecting our society. Also, to cater to the value that American society places on intelligence, attractiveness, and physical strength, comic books create characters that epitomize these characteristics. Though the represent society’s ideals, these characters manipulate the ideas and convey them back to the audience in an unrecognizable manner. In developing such distorted representations, the superhero genre affects human behavior and perceptions of these ideals.
Being a hero means that one can show courage when it comes to facing a problem. It is a person who helps others in many ways, such as a person in danger. In the modern era, the creation of superheroes have become popular when it comes to producing films. Viewers can choose their favorite heroes due to the idea that there a many of them. However, most fans argue which superheroes are better. Two of the most popular superheroes are DC’s Batman and Marvel’s Iron Man. Although Batman and Iron Man are loved by many viewers because of how they help people in danger, they still demonstrate imperfections which can cause viewers to dislike them. However, both superheroes share similarities and differences between themselves. Batman and Iron Man have
Superman, Spiderman, Iron Man, Batman. These are some examples of the modern day hero. Most call this form of hero a Super Hero. In the early nineteenth century, the popular hero of the day was the romantic hero. Mary Shelly gives a great picture of this hero in her novel Frankenstein.
When you think of a superhero one normally thinks of Spiderman, Batman, or Superman, but there were superheroes long before these characters were created. First one must understand that the basis of this name is hero. What is a hero? A hero is a person who does something special or out of the ordinary in order to help others. It could also be someone who is admired for a characteristic about them, be it physical or mental. They are individuals that normal everyday people can look up to. This being the case, a superhero is nothing more then someone who is a hero, but not just that once and for that one person, but someone who helps many people, or leads them. As time went by the number of people who were true heroes diminished and just doing something for someone was no longer big news. There had to be something more to make them stand out. The American culture needed someone or something to admire and that is where our common day superheroes come into play. It gave them a goal which could never be reached in hopes that people would never stop trying.
This differs in Spider-Man as he solely fights crime as a one-man army and while he does occasionally team up with other superheroes, he is a stand-alone hero. Although this may limit his
The Lone Ranger, Zorro, Batman, Superman are some of the characters that we stereotypically constitute as heroes. They are known to fight with courage without fear of death. They destroy the enemy within a blink of an eye. They fight using their own body strength, superpower, or some kind of weapon. They come to the rescue miraculously and leave without a trace. They are mysterious. We are unable to identify who they are underneath the masks and disguises. Yet, we praise them and ignore the real heroes that surround us regularly, ordinarily. “All of us …like to believe that in a moral emergency we will behave like the heroes of our youth, bravely and forthrightly, without thought of personal loss or discredit” (O’Brien 39). In other words, we are quite oblivious to the ordinary people of the world that are, in fact, the true heroes.