The Two Protagonists of Antigone
In the classic model of dramatic structure, two characters move the action of the play from introduction to climax to resolution with their conflict. One of these characters is the protagonist; the other is the antagonist. The protagonist is generally regarded as the "good guy," and the antagonist is the "bad guy." In Sophocles' play Antigone, the lines between protagonist and antagonist are blurred. In the Greek tradition, the title character is the protagonist, but in this play, the supposed antagonist Creon also displays characteristics of the protagonist.
Webster's Dictionary defines protagonist as "one who takes the leading part in a drama; hence, one who takes lead in some great scene, enterprise, conflict, or the like." At a cursory glance, Antigone seems to best fit this description. Her actions and the following consequences certainly form the plot of the play. She first decides to bury her dead brother in violation of Creon's edict. When soldiers of Thebes unbury the body, she returns to bury it a second time. She is caught in the act and brought before Creon, who sentences her to die. She commits suicide in prison as a final attempt to thwart Creon's plans. ontigone's refusal to leave her brother's body unburied even after she has buried it once reveals her stubborn streak, a common trait among protagonists. The fact that Creon is on his way to release her from jail when her dead body is discovered is yet another example of stubbornness. She will not give in to adversity or strife under any circumstances, which is both admirable and, in the case of Antigone, fatal.
Creon is portrayed as a strict leader who believes in adherence to his laws over those of the gods. He is not...
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...he plot, and Creon directs the consequences. Antigone has conflict with Creon the antagonist, and Creon has conflict with Antigone the antagonist. Antigone dies a tragic death because of her flaws, and Creon realizes his mistakes and suffers greatly because of his flaws. Both Creon and Antigone are protagonists. They are both main characters who are essential to the plot, and they both maintain the traditional role. Sophocles may not have intended audiences to see both characters as protagonists, but that is the logical conclusion. Now, if one were to ask for the real antagonist to come forward, one would most likely realize that the real antagonists were forward already.
Works Cited:
Sophocles. Antigone. Trans. Robert Fagles. Literature and the Writing Process. Elizabeth McMahan, Susan X. Day, and Robert Funk. 6th. ed. Upper Saddle River, NJ: Prentice, 2002.
In ancient Greek tragedies at least one character has the misfortune of having a tragic flaw. The flaw usually effects the protagonist and leads to his down fall. Normally, the characters close to the protagonist are all affected by his flaw. In Antigone, by Sophocles, Creon's tragic flaw is that he is insecure. Creon's insecurity leads to the death of many people and to his own downfall. At many times, Creon feels that people are directing everything toward him, when of course they are not. Consequently, he takes action to make sure people take him seriously. He hopes his actions will teach people not to walk all over him and his empire. However these actions are not always the right ones.
Antigone, a resolute and heroic female protagonist, pits her individual free will against the intractable forces of fate and against the irrational and unjust laws of tyrannical man like Creon.
2) Whatever is moved is moved by another [for nothing can be or should be moved itself (pg. 128)]
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
#3. The existence of a contingent being must be explained by something other than itself.
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
"Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
St. Thomas Aquinas presents five arguments to demonstrate the existence of God. However, this paper focuses on the fifth argument. The fifth argument is regarded as the Teleological Argument and states that things that lack intelligence act for some end or purpose. While the fifth argument satisfies God’s existence for Aquinas, some contemporary readers would argue that Aquinas neglects the laws of physics. Others argue that Aquinas allows a loophole in his argument so that the Catholic conception of God is not the only intelligent designer.
McCloskey begins by addressing the cosmological argument. He proposes that the existence of the world itself does not give reason to believe in a necessarily existing being. McCloskey believes there is a lack of evidence to show the world had a cause and that God was that cause. However, Evans and Manis suggest there are beings in this world that are unaware of how they came to exist. These beings are often contingent on another being. Th...
Back in 1200s, St. Thomas Aquinas has provided "five ways" to prove for the existence of God, which I am persuaded by, and hopefully others would see the same 'light' in this argument--unfortunately, it does not provide sufficient answers regarding the 'nature of God' (Bailey and Martin, 2011, 37). All five arguments share the "form of logic called syllogism," "initial premise, starting from the empirical facts," and the existence of "transcendent cause" to everything (Bailey and Martin, 2011, 25). Here, I will choose the second way, the argument of "efficient cause," which I feel it as the most compelling argument and sums up other arguments to demonstrate for the existence of God. 'God,' here is defined as the God introduced in the Bible of Christianity.
To begin, proof of God’s existence is seen in the group of cosmological arguments. The cosmological arguments are a set of arguments that demonstrate the existence of a sufficient reason or first cause of the existence of the cosmos, or the universe as a whole. There are three different types of cosmological arguments, the Kalam, Thomist and and Leibnizian cosmological arguments. Proponents of the cosmological argument include Plato, Aristotle, and John Locke. Contemporary defenders include William Lane Craig, Alvin Plantinga and Richard Swinburne.
The Antigone is widely thought of as the tragic heroine of the play bearing her name. She would seem to fit the part in light of the fact that she dies doing what is right. Antigone buries her brother Polynices, but Creon does not like her doing that one bit. Creon says to Antigone, "Why did you try to bury your brother? I had forbidden it. You heard my edict. It was proclaimed throughout Thebes. You read my edict. It was posted up on the city walls." (Pg. 44) Antigone buries her brother without worrying about what might happen to her. By doing this, she takes into consideration death and other consequences for burying her brother. Antigone follows what she thinks is right according to the gods. She is the supporter of her actions in the burial of Polynices.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
Creation in and of itself is an indisputable example of the existence of a higher being. The very existence of our universe and the things in it proves beyond a doubt that the...