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Conflict between antigone and creon
Introduction to antigone and creon
Introduction to antigone and creon
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A Comparison of Creon of Antigone and Jason of Medea
Both of these two male characters are not title roles. They both fall prey to the actions of a woman, one whom they both originally thought they had complete control over. Antigone's martyrdom and conflict with the State brings Creon's destruction and Medea's double murder and infanticide brings his destruction. However, how much is this brought about through their own weakness and how much can we attribute this to a cruel fate? The issue is essentially whether a stronger person than Jason or Antigone could have avoided the destruction, and were they crushed by their own internal weakness ('hamartia'). An important to clarify is that we are not judging their personality. A despot can be a strong character and a man of high morals can be a weak character. The deciding factor is how rigidly they cling to their ideals and their ability to listen to others sensibly.
The gods cause Creon's destruction, acting in a just and logical way to the blasphemous deeds he committed. His destruction is very much in his own hands, despite the many warnings he receives from advisors such as Tiresias ("you have no business with the dead"), Haemon ("I see my father offending justice - wrong") and the Chorus ("could this possibly the work of the gods?" "good advice, Creon, take it now, you must"). He drives head long into it, ignoring those who counsel him. His inability to listen to others is very critical to his downfall, as we see in his rebukes to the Sentry for example ("Still talking? You talk too much!"). This is a fundamental weakness within his character. His stubbornness, as Tiresias, "brands you for stupidity". What appears in Creon's own eyes to be stern control ove...
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Oxford Companion to Classical Literature. Oxford: Oxford University Press, 1989.
Segal, Charles Paul. "Sophocles' Praise of Man and the Conflicts of the Antigone." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Sophocles. Antigone. Translated by R. C. Jebb. The Internet Classic Archive. no pag. http://classics.mit.edu/Sophocles/antigone.html
"Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Zissos, Professor. Classical Myth Lecture Notes. July 20, 2001. <http://ccwf.cc.utexasz.edu/~paz/myth/notes.html>.
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
Eventually both Creon and Antigone are destroyed by the gods (and by each other) through their own actions. Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Sophocles. "Antigone." The Norton Anthology of World Masterpieces. Ed. Knox and Mack. New York: Norton, 1995.
Sophocles: A collection of critical essays edited by Thomas Woodward: Oedipus at Colonus. Whitman, Cedric H. Prentice-Hall, Inc. Englewood Cliffs, New Jersey. 1966.
Sophocles. Antigone, Oedipus the King, Electra. Trans. H. D. F. Kitto. New York: Oxford University Press, 1962.
Benardete, Seth. "Sophocles' Oedipus Tyrannus." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Fitts, Dudley, and Robert Fitzerald. Sophocles: The Oedipus Cycle. New York, NY: Harcourt Brace & Com, 1977. Print.
“Sophocles” In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Murray, Robert D. Jr. "Thought and Structure in Sophoclean Tragedy", in Sophocles, A Collection of Critical Essays, Woodward, Thomas, editor,
'[You] say to the audience, this is what I saw. I didn't fake it, this
Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.
Sophocles. “Oedipus Rex.” Literature: Reading Fiction, Poetry, and Drama. Robert DiYanni. 6th Ed. New York, 2007. 1307-1347. Print.
The ineffaceable impression which Sophocles makes on us today and his imperishable position in the literature of the world are both due to his character-drawing. If we ask which of the men and women ofGreek tragedy have an independent life in the imagination apart from the stage and from the actual plot in which they appear, we must answer, ‘those created by Sophocles, above all others’ (36).
Jesus was the Son of God and some may ask why he needed followers, the