Sophocles’ Antigone The character of Antigone in Sophocles’ play, Antigone, is one of the most controversial tragic characters in classic literature. The war in her city has torn her family apart, caused the death of both her brothers, and created a reason for her to fight against the King, her uncle. Her uncle, Creon, makes a ruling that her brother, Polynices, is not to be buried because he is a traitor, but according to her religion, her brother’s soul will not go to the afterlife until he is buried. In defense of her brother, she buries his body illegally and is subsequently sentenced to death. With her complex patterns of thought, bold actions, and the end she encounters, the character of Antigone causes debate among critics as to whether or not Antigone is in fact a tragic heroine. She can be perceived as a martyred hero, dying for love and religion, or as a fanatic woman who lacks the ability to think rationally. The way in which Antigone’s role is interpreted can further help to interpret Sophocles’ view of women and politics. In taking the view that she is a hero who died for her beliefs, it shows that Sophocles was aiming to prove that women deserve to be treated as equals and as citizens of Greece. Sophocles, like Antigone, was born to a privileged family in 496 B. C. in Colonus, a small town near Athens. His life was full of war stories and heroism. When he was a young boy, the Athenians defeated the Persians at Marathon. Later on, he was subjected to watching the burning of his home and the Parthenon by the Persians as well as the building of a new Parthenon. During the last years of his life, the Peloponnesian War raged on full-scale. Sophocles was a general and war hero during some of this time, but also on t... ... middle of paper ... .../sophocles.htm. 10 Dec 2004. Holland, Catherine A. “After Antigone: Women, the Past, and the Future of Feminist Political Thought.” American Journal of Political Science, Vol. 42, No. 4. October 1998. JSTOR. http://links.jstor.org/s. 8 Dec 2004. Saxonhouse, Arlene W. “From Tragedy to Hierarchy and Back Again: Women in Greek Political Thought.” The American Political Science Review: Vol. 80, No. 2. June 1986. JSTOR. http://links.jstor.org. 8 Dec 2004. Sophocles. Antigone. Ed. George Young. New York: Dover Publications, Inc, 1993. Sophocles. Antigone. Ed. R. C. Jebb. http://www.fordham.edu/halsall/ancient/sophocles-antigone.txt 17 Dec 2004. Willner, Dorothy. “The Oeduipus Complex, Antigone, and Electra: The Woman as Hero and Victim.”American Anthropologist, New Series, Vol. 84, No. 1. (Mar., 1982), pp. 58-78. JSTOR. http://links.jstor.com 6 Dec 2004.
“Antigone,” is a wonderfully crafted play by Sophocles, which manifests various psychological aspects of humankind like anger, bravery, jealousy, ignorance, arrogance, deceit, and sacrifice to a greater degree. Out of the many characters that represent these human frailties, Antigone is portrayed as the strongest of all. Antigone, despite being a woman in the era, when the gender of women was considered below the status of men, shows great defiance against the cruelty of the reigning monarchy. People secretly approve the generous act of Antigone burying her brother, Polyneices. But, Haimon is the only other character that shows some courage and fight against Creon. His eloquently put together words are, as compelling as, it could get in his failed attempt to defend Antigone. Antigone’s action becomes more heroic, when she buries her brother, knowing the inevitable death that follows and nobody, not even her fiancé, Hamon, could defend her.
Hercules is best known for his twelve labours. That said, few people actually know why Hercules had to perform these labours. He is the man of everyone’s dreams – men and women alike. He had the physique, the complexion, the heritage, and the romance. Because of Hercules’ ancestry, he is automatically considered a hero. This is because of the globally accepted equation: God + Mortal = Hero (Rouse, 1957, p. 55).
Antigone believes that a woman should be intrepid and strong, even at the risk of challenging men’s authority. When she proposes to bury Polynices, Ismene answers, “we’re not born to contend with men”. (75) Antigone’s response, “that death will be a glory” (86), does not directly address gender issues, but it expresses her fury at Ismene’s passivity. After the burial of Polynices, Antigone defiantly states, “I did it. I don’t deny a thing,” while being interrogated by Creon (492) and later comments that she was “not ashamed for a moment, not to honor my brother”. (572-3) Antigone’s gallant speech and defiance toward traditional gender identities audaciously shows her revolutionary desire for gender equality.
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
In “Antigone” by Sophocles Ismene is stuck between being a true sister or a traitor to her family. Choosing to be a true sister would call for her to follow the law of the gods and break the law of man. If she follows the law of the gods she would join her sister, Antigone, in burying their brother, Polyneices. If she follows the law of man she would betray her family and follow the law made banning the burial of Polyneices. The burial of Polyneices has been banned by King Creon because he says that Polyneices was an enemy of the city and does not deserve to go to heaven. King Creon did however give Polyneices’ brother a soldier’s funeral with military honors because he defended the city against Polyneices.
Another facet that makes determining family history difficult when it comes to the Civil War is the fact that this was not a war of the entire south against the north. This was a war of individuals choosing their state versus their personal beliefs and family. Assuming that your family is from the south, ergo they were Confederates is not a valid position.
The post war impacts of the “war of brothers” was vastly different in the North and South. The North had very little physical damage to repair, as most of the battles were fought below the Mason Dixon line. Even the impact of men not returning to their northern families was significantly less when compared to the loss of family members in the south. But whether fathers and sons were killed fighting for the north or the south, families needed rebuilding.
The Role of Women in Greek Mythology In learning about the feminist movement, we studied the three articles, discussed and reviewed the different authors perspectives on the topic, and learned how important the role of woman in Greek mythology is. In presenting the feminist theory to the class, we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept. In order to understand the feminist theory, we have to understand the notion that although myths are invented and that they involve fantasy, the concept of mythology does not necessarily imply that there is no truth of history in them. Some of the humans may have lived while some of the events may have taken place. Most importantly, the social customs and the way of life depicted in the myths are a valuable representation of Greek society.
Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who interferes with his body shall be punished. This is where the conflict begins. Thus the theme of this play becomes the priority of unwritten law. The question is whether duties to the gods are more essential then obedience of the state and law. Creon calls the rotting of Polyneices’ body an “obscenity” because he believes that burial of the dead is a necessity of human law and not of a citizen. . There is no compromise between the two – both believe in the absolute truth of their obedience.
Hercules the great hero and the son of the great god Zeus, was the most famous of all the Greek mythological heroes. Hercules was known for his strength, bravery, and adventuresome personality. Hercules like most heroes had a god as their father, and he had a mortal mother named Alcmene. Hercules like most heroes was not an ordinary mortal and a good example was his superhuman strength.
Hercules' life revolved around using strength and skill in several confrontations of challenges. He carries out several bold and courageous actions during challenging obstacles making him the heroic man he is known as. What created these obstacles was jealousy from the people around him and jealousy from himself. Although these obstacles brought strength to Hercules, it also gave him death and sadness. Hamilton's retelling of the story presents the theme of jealousy throughout Hercules' birth, development as a hero, and death.
There are several examples of literature that have not so much changed the particular way in which I view the world, but solidified my ideologies; however, one in particular, of very few, has made me think and reconsider certain aspects of my life and human struggle. Antigone, a play written by Sophocles in 441 B.C. offers a variety of lessons, two of which resonate with me above the rest. The first is the sharp contrast divine law and human law has to offer. The second: limitations can only be determined by those whom they affect.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
Sophocles’ background influenced him to write Antigone. In the fifth century BCE. the “golden era” of Athens, is an important influence in the author’s life. In that time, Athens has experienced so much change in all facets; in addition, drama continues as a major factor in Athenian culture. In his essay “Sophocles,” Ed Downey reports that Sophocles was born at the beginning of the “golden era” in Athens; furthermore, he lived a long life influenced by “the artistic and cultural achievements in the ancient Greek world.” Sophocles is a wealthy and highly educated, “happy man.” As a young man, Sophocles begins his playwright career, so he eventually become one of the greatest writers in history;