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Dramatic significance in antigone
Literary analysis of antigone
Literary analysis of antigone
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Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who interferes with his body shall be punished. This is where the conflict begins. Thus the theme of this play becomes the priority of unwritten law. The question is whether duties to the gods are more essential then obedience of the state and law. Creon calls the rotting of Polyneices’ body an “obscenity” because he believes that burial of the dead is a necessity of human law and not of a citizen. . There is no compromise between the two – both believe in the absolute truth of their obedience.
Antigone believes that the unwritten and natural law supercedes any form of human written law. Honor and a principled responsibility to gods and family are given equal weight in her self-defense. She says that she fears, not men's condemnation, but penalties from the gods if she does not act The painful evils that beset her life (the loss of mother, father, and brothers) make death a gain in her eyes By contrast, if she had left her mother's son unburied, she would have grieved She expects to win glory for her gesture to the gods. Antigone displays the characteristic trait of pride in the way she justifies and carries out her decisions. She is obstinate in her beliefs, and throughout the play refuses to listen to advice. This poses a danger because it causes her to overlook the limitations of her own powers. Antigone’s ethics derive from a dual responsibility to the unwritten laws and the gods’ will and to family relations and care for others. Even though Antigone exhibits a blamable pride and hunger for glory, her vices are less serious than Creon’s. Antigone’s mistakes only harm herself, where as Creon’s mistakes h...
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...rior, by contrast, is to follow the orders of the expert. Socrates does not, despite appearances, advocate "following orders" -- even when the orders are legal; he believes one ought to follow orders only if they are in one's judgment, just. He therefore declares that throughout his life he had been the sort of man who never conceded anything to anyone contrary to the just. He will not obey Crito, instead he obeys nothing of his own but the logos that seems best to him upon reasoning. Yet he insists, in the Crito as in the Apology, that when there is an expert, the expert must be obeyed. Thus Socrates in the Crito recognizes the validity of, exercising one's own moral judgment when it results from careful reasoning from philosophy -- as well as following the opinion of the expert or government, if there is one. Socrates will not, therefore, obey Crito unless Crito produces a principle superior to his. If Crito does not have a superior principle, as Creon does not deliver a superior argument than Antigone, Crito has no claim to be obeyed: on moral questions, only the best logos and the moral expert deserve his obedience. Thus Socrates delivers the better logical argument.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Oedipus accidentally killed his father and married his mother. Because of that act, Oedipus ended up cursing his family and died a horrible death. After his death, his sons inherited his kingdom and in a power struggle ended up killing each other. One of the sons, Polynices attacked the city to try and claim power from his brother. But since both of the brothers died and the city was not taken Polynices was labeled as a traitor whereas the other brother who died defending the city was celebrated as a hero. Creon decreed at the beginning of the play Antigone that no one was to bury the body of traitorous Polynices. Antigone felt that it was here responsibility to bury the body because he was still a member of her family. This led to a huge argument with Creon who felt he shouldn’t be crossed because he was the leader of the state. Eventually both Creon and Antigone are destroyed by the gods (and by each other) through their own actions.
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
Having already been through public disgrace, when her own father, Oedipus found out that he was to fulfill a prophecy; he would kill his father and marry his mother, and this caused Antigone to be full of resentment toward her city. Both of her brothers die in a battle and, Creon, the king of Thebes forbids the burial of one of her brothers, Polynices. This must have driven Antigone to follow her moral law. Considering the love she had for her family as well as her God, she felt that you react upon morals not upon the laws of man. That morale law was to honor her brother and give him the respectful and proper burial that he deserved just as her other brother was given. The love she had for her family was the only thing she had left to honor. Ismene, Antigone’s sister was more fearful of the king’s law then the way her heart was leading her. Her values were slightly distorted.
Possibly the most prominent theme in Sophocles' "Antigone" is the concept of divine law vs. human law. In the story the two brothers, Eteocles and Polyneices have slain each other in battle. The new King Creon, who assumed the throne after Eteocles' death, decrees that because Polyneices committed treason against the king, he shall not be buried, but instead "He shall be left unburied for all to watch
Throughout the play Antigone is portrayed as a heroine for responding to her duty to bury Polynices. If she did not bury him his legacy would be tarnished. However, on the opposing side by not obeying Creon her uncle people may begin to question his authority if his own niece does not obey him. In the end Antigone chooses to obey the gods and “loving and loved [she] will lie by [Polynices’s] side,” (Sophocles 3). By burying her brother she not only obeys divine law but her familial duty to her brother. Antigone’s desire to obey the gods shows that she understands the importance of divine law.
In Antigone the protagonist, Antigone, is humble and pious before the gods and would not tempt the gods by leaving the corpse of her brother unburied. She is not humble before her uncle, Creon, because she prioritizes the laws of the gods higher than those of men; and because she feels closer to her brother, Polynices, than she does to her uncle. The drama begins with Antigone inviting Ismene outside the palace doors to tell her privately: “What, hath not Creon destined our brothers, the one to honoured burial, the other to unburied shame?” Antigone’s offer to Ismene (“Wilt thou aid this hand to lift the dead?) is quickly rejected, so that Antigone must bury Polynices by herself. The protagonist, Antigone, is quickly developing into a rounded character, while Ismene interacts with her as a foil, demurring in the face of Creon’s threat of stoning to death as punishment for violators of his decree regarding Polynices. The main conflict thusfar observed is that which the reader sees taking shape between Antigone and the king.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
Antigone pursues a life guided by divine law, in which she is subservient to each and every proclamation of the Gods and preserves her virtuous destiny. By embracing an honorable reputation in compensation for protection from the gods, Antigone convinces herself that she possesses the intelligence and greatness to disobey Creon’s civil orders and perform a sacred burial for her brother, Polyneices. For example, Antigone denounces Creon’s edict of providing Eteocles with a holy burial, while leaving Polyneices to rot above land and be devoured by birds. She even insists that the risk of death by punishment neither, instills fear nor proceeds as a burden, in which her brother’s burial will satiate her need for greater glory. Determined to bury her beloved brother for the sake of piety and morality, Antigone states, “I shall suffer nothing so great as to stop me dying with honor” (Sophocles 25). Aware of her dedication and devotion to sanctity, Antigone deems it unacceptable for an injustice to strike her family, without the perpetrator of the injustice being punished by the gods. She refuses to surrender to Creon’s power as she knows his mandates deceive and belittle the gods. Therefore, as Antigone entrusts her destiny in the hands of the divine powers, she also confides in their absolute authority, cleverly
In the tragic play Antigone written by Sophocles; shows a conflict of love and honor effects the play in a negative way. In addition, duty plays as a choice in this play where Antigone must choose between her family ties or the state laws. However, Antigone chooses family over the laws, and does what she feels is right for her brother. Whereas, everyone else disagrees with what Antigone wants and this causes a tension between everyone that tries to take part in it. As a result, the deaths of the character are inevitably, as stated in a review “His sister, Antigone will not allow the council’s edict to stand unchallenged, and follows her brother’s body offstage, where the audience knows she will attend to his burial” (Seven Against Thebes, p 183).
Antigone, by Sophocles, is a Greek tragedy in which two main characters have conflicting ideas of justice. One is Creon, and the other is Antigone. Antigone’s main response to justice is through her family, in her eyes doing anything for her family is her way of bringing justice. When Polynices is killed and Creon refuses to bury him, Antigone pushes many limits to bury her brother. In order for Antigone to truly feel like she has served justice and honored her family, she must bury her brother and go against the state.
Antigone’s stubborn will is not the only force the drives her to make a political statement. King Creon’s harsh edict forces Antigone to reconcile her allegiance to her family and her familial duty with her alliance to the city-state and her place within society. Through this intrapersonal struggle Antigone decides that she will not go against the traditions of the gods, because she would rather face “some man’s wounded pride,” than “face the retribution of the gods” (Sophocles 509-511). It is this fervor to obey the gods and fulfill her morals that contributes to her death. Likewise, Antigone’s political statement also directly influences Creon’s behaviour. Creon transitions from a logical ruler that upholds the values of
When a parent becomes the only parent in the household they are more focused on their job and do not always pay much attention to their children. That is a mistake they make because parents need to understand that they are the first role model to their children. That most likely what children see their parent doing is what children are going to think is the right thing to do as they grow up. If children are not getting the attention that they need they start think that their parent does not love them enough. That can effect children mentally and emotionally because children try to find answers to why their parent is not dedicating as much time. When single parents are involved in new relationships they can become more focused on their new partner and put their children aside. Sometimes step-parents can be abusive towards children and even with their partner. They can be manipulative and make their partner and step-children feel that they are not good enough. That is when abuse becomes part of their life and the parent and children tend to believe whatever they are told. When girls grow up without a father they do not have a male figure in their lives. They do not know exactly how a man should treat them so that confuses girls. As they grow up that may lead to them becoming involved in abusive relationships. When girls grow up without a mother sometimes they become pregnant at a young age because they do not have a female figure that will teach them what is right and wrong. Daughters are usually closer to their mother since women are often more understandable and loveable towards their children. When boys grow up without a father figure they do not know what is right and wrong. Without a father figure boys may look up to the wrong male figure. When boys grow up without a mother they believe that as a male they
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