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Essay of Antigone by Sophocles drama
Antigone political and moral questions raised in the drama
Essay of Antigone by Sophocles drama
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Decisions made by the characters and the ramifications of their decisions are an integral aspect of illustrating a true Greek tragedy within Antigone. FIX Antigone’s stubborn will is not the only force the drives her to make a political statement. King Creon’s harsh edict forces Antigone to reconcile her allegiance to her family and her familial duty with her alliance to the city-state and her place within society. Through this intrapersonal struggle Antigone decides that she will not go against the traditions of the gods, because she would rather face “some man’s wounded pride,” than “face the retribution of the gods” (Sophocles 509-511). It is this fervor to obey the gods and fulfill her morals that contributes to her death. Likewise, Antigone’s political statement also directly influences Creon’s behaviour. Creon transitions from a logical ruler that upholds the values of …show more content…
Antigone states that no mortal has the law-making powers in which the gods possess, therefore the edict but it holds no power over her, nor does it limit her brother’s burial rights. Antigone conveys her conviction when she says “[n]o matter – Death longs for the same rites for all” (Sophocle 584). Therefore, with enforcing this edict Creon is not only insulting her right to perform burial rites for Polynices, but he is also interfering with her piety and the gods will. This further fuels her need to go to extremes within her personality and lash out against Creon’s tyrannical rule. Antigone’s dedication to enacting the god’s will is exemplified when she pleas with her sister not to keep her transgression a secret but to “shout it from the rooftops… tell the world!” (Sophocles 100). This is Sophocles’ way of illustrating that Antigone’s mindset is completely encapsulated by her morals and traditions, so much so that she makes her act of defiance into a political statement sealing her
Another essential component of a tragic hero is that of the tragic flaw, the one attribute that causes the inevitable downfall of the character. A case could be made for Antigone’s hamartia being obduracy. She is called stubbornly wild in the play by both Creon— “Th...
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Summing up, Antigone decides to express her discontent with what she considers to be the unethical new regime of King Creon by burying her brother's body. By taking this bold step, Antigone shows the strength that an individual’s actions hold in a democracy. Creon, with his stubborn attitude, shows how a democracy where peoples’ voices are not heard can be dysfunctional, and that laws should be made by taking other people into confidence and not on an individual basis. In the end, Antigone resolves to sacrifice her own life in the service of a greater justice. It is this kind of formidable resolve that changes the course of history, and that is something that we can respect equally in the 5th century B.C. and the 21st century A.D.
Antigone utilizes her moral foundations, her religious roots, and the events of her past to form a sophisticated argument. Despite being unable to convince Creon to reverse her punishment, Antigone is able to convince the people of Thebes that she was right in her actions. After Antigone’s death, and the deaths of several others, Creon reflects on this monologue and realizes the honest truth behind Antigone’s actions and words.
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
Having already been through public disgrace, when her own father, Oedipus found out that he was to fulfill a prophecy; he would kill his father and marry his mother, and this caused Antigone to be full of resentment toward her city. Both of her brothers die in a battle and, Creon, the king of Thebes forbids the burial of one of her brothers, Polynices. This must have driven Antigone to follow her moral law. Considering the love she had for her family as well as her God, she felt that you react upon morals not upon the laws of man. That morale law was to honor her brother and give him the respectful and proper burial that he deserved just as her other brother was given. The love she had for her family was the only thing she had left to honor. Ismene, Antigone’s sister was more fearful of the king’s law then the way her heart was leading her. Her values were slightly distorted.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
Antigone firmly believed that Divine law was far more superior to Civil Law in all respects. To her, the gods determined her fate completely. Obeying the gods was more crucial to obeying the government. "I know I am pleasing those I should please most." (Line 103) She chose to bury her brother Polynieces, though she knew that in doing so she would face her own certain death because King Creon forbid it. According to the Divine law, the dead need to have a proper burial in order to make the journey to the underworld. Antigone would not let her brother go without it. Antigone said of Creon, "It is not for him to keep me from my own." (Line 54) Antigone is proud of her acti...
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
To conclude, in the play “Antigone”, Creon is the real tragic hero. He fits what modern times would define as a tragic hero and also by Aristotle’s standards. His mistaken judgment and action led to the multiple suicides of his family, making him sorrowful and is also a punishment, which is a characteristic of the tragic hero to Aristotle. Although both Creon and Antigone hold the same qualities and character flaw, Antigone is more of an honorable, respectable hero who sacrificed herself for her brother while Creon was a misjudging, pitiful hero antagonist. The flaw is what made Antigone so great of a character, but made Creon despicable and in the wrong. Ultimately, Creon was the one who learned and taught the audience a lesson about pride and life, which is the purpose of the tragic hero and the goal of Greek writers’ plays.