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Connection between poverty and criminality
Research paper on juvenile delinquency and youth violence
Connection between poverty and criminality
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The Role of Socioeconomic Status in Truman Capote’s In Cold Blood: The Poor and the Guilty Ubiquitous throughout history and across cultures is the concept of rich versus poor. Almost all people fall on a spectrum moving from poverty to affluence. A person’s position on this spectrum is labeled by sociologists as their socioeconomic status. Socioeconomic status, often abbreviated as SES, is measured by a person’s income, education, and career. Socioeconomic status is a pinnacle factor in a person’s life, affecting their lifestyle, relationships, and even, as with Dick and Perry, criminal potential. Low socioeconomic status has been shown to correlate with chronic stress, education inequality, and a variety of health problems including hypertension, …show more content…
According to the Child Welfare Information Gateway Website, “Individuals victimized by child abuse and neglect are more likely than people who were not maltreated to engage in juvenile delinquency, adult criminality, and violent behavior.” (Crime) Perry was indeed a juvenile delinquent. “He wasn't her baby any more but a wild thing, a thief, a robber. His first recorded arrest was on October 27, 1936 - his eighth birthday.” (Capote 184) Even at the age of 8, Perry was in trouble with the law. It only went downhill from there, unsurprisingly. Perry is a classic example of a juvenile delinquent’s predisposition to further criminal acts. He started on a criminal path young and never seemed to be able to escape it, as is the case with many juvenile …show more content…
Despite this, they appeal the case. They succeed in postponing the hanging a number of times, but it’s only delaying, not preventing. Eventually, their luck runs out. “Kansas Supreme Court decreed that their lives must end between midnight and 2: 00 a. m., Wednesday, April 14, 1965.” (Capote 337) Perry Smith, born poor as dirt, met the same end as Lowell Lee Andrews, an upper class college graduate. Perry Smith and Dick Hickock committed a horrific, violent crime, one that their own poverty and destitution paved the way towards. Dick was born to a lower middle class family, and through greed and irresponsibility he dropped into poverty. From there, his avarice landed him in prison. His lack of wealth may have set him up for failure, but his own greed is what killed him in the end. Perry was psychologically unstable due to his terrible childhood. His parental neglect partially stemmed from him being exceedingly poor. But Perry also could have chosen a better path in life. He agreed to go into the Clutter house, even if he lost control of himself inside it. It was their own choice to murder that family, and they had to live with the consequences. Their hanging was unavoidable after they were in police custody, no amount of wealth could help them. Andrews was rich, and yet he hanged. Dick and Perry may have been born poor, but they threw away any potential they
In the novel In Cold Blood by Truman Capote, the author skillfully orders information and articulates his word choice in order to successfully tell the story. Capote chooses to include certain events before others to show the reader the development of the case caused a change in the overall feelings of characters such as Alvin Dewey. Alvin, the detective who desperately searched for the Clutter killers reads, “on the first page of the Kansas City Star, a headline he had long awaited: Die On Rope For Bloody Crime,” which portrays to the reader that he was relieved after months to know that they were sentenced to death. (337) By including the word choice “he had long awaited” the reader may assume that he is pleased by this outcome. (337) However,
Through the course of the book, Capote uses vivid descriptions to his advantage in order to place emphasis on more noteworthy parts of the story. Capote’s choice of imagery characterizes Perry as a person and gives an idea to who he is. Perry’s life prior to crime was normal for awhile, until his family situation crumbled: “in the ring, a lean Cherokee girl rode a wild horse, a ‘bucking bronc,’ and her loosened hair whipped back and forth, flew about like a flamenco dancer’s. Her name was Flo Buckskin, and she was a professional rodeo performer, a ‘champion bronc-rider.’ So was her husband, Tex John Smith; it was while touring the Western rodeo circuit that the handsome Indian girl and the homely-handsome Irish cowboy had met, married, and had the four children sitting in the grandstand. (And Perry could remember many another rodeo spectacle--see again his father skipping inside a circle of spinning lassos, or his mother, with silver and turquoise bangles jangling on her wrists, trick-riding at a desperado speed that thrilled her youngest child and caused crowds in towns from Texas to Oregon to ‘stand up and clap.’)” Perry’s troubles after his parents separation may very well have contributed to his becoming a murderer later on down the road. The abrupt change in his life at such a young age, clearly had a lasting impact on him and his lifestyle. His past altered the way he thought and the type of person he was. Capote quotes,
Perry Smith did not live the happy childhood that he deserved, abandoned by his family at a young age he was forced to live at a terrible orphanage. “The one where Black Widows were always at me. Hitting me. Because of wetting the bed...They hated me, too.” (Capote 132). In this specific orphanage, Perry was beaten by the nuns that own the place. The short sentences within this quote truly emphasize the dramatic and horrible conditions that Perry had to live with in the orphanage. Sympathy is created ...
... the only difference is that he chooses to pull the trigger of a loaded gun. No one can dispute that Perry’s mother and father’s alcoholism and abuse are direct causes to his run-ins with the law.
This passage when Capote begins to introduce Perry more in depth. From his childhood to later on in his life. Perry’s way of life as a child was a tough one, in which his mother put him in a “catholic orphanage. The one where the Black Widows were always at me. Hitting me. Because of wetting the bed…They hated me, too.” Capote’s use of short sentence syntax creates the effect of emphasizing the horrible and dramatic conditions Perry had to live with. Also, the nuns of the orphanage are described as “Black Widows,” a metaphor, to make it seem like it was truly terrible. The color black associates with death and when metaphorically used to describe a nun, it creates sympathy for Perry. Later in the passage, capote creates a short narrative of Perry’s experience in war. “Perry, one balmy evening in wartime 1945…” The storytelling helps understand more about Perry in the way he thinks and acts. The atmosphere of this passage is a sad mood. It talks about the terrible childhood and early life of Perry. It is clear that no one ever cared for Perry and it affected him dramatically.
While reading the descriptions of people within "In Cold Blood," one could see how those people fall into their respective conventional gender norms and stereotypes. Some examples of these stereotypes include the physical characterizations of the people, as well as some of the interests that those people have. For example, Bonnie is described as a "timid, pious, delicate girl" (Capote 6). With these descriptions, Bonnie falls into the conventional female stereotype of being submissive and weak. Also, when Nancy and Kenyon are introduced, their interests fall into the stereotypes for their respective genders. Nancy cooks all of the family meals and loves to bake, while Kenyon likes to create new inventions and go hunting with his friends. Based
On pages 265-266 of Capote’s novel, In Cold Blood, Capote writes about Perry’s imprisonment, more specifically Perry’s mental health, or lack thereof. Capote uses an ominous tone to convey the predicament Perry was in and portray the mental instability possessed by Perry. Capote first discusses a failed escape plan of Perry’s that consisted of throwing a document with a detailed rescue plan down to two men who often gathered below his window, thinking that they were there for him. However, as soon as he created the document, the men stopped coming. The strangeness of this scenario pushed Perry to question his sanity. Regarding this, Capote says, “a notion that he ‘might not be normal, maybe insane’ troubled him” (Capote 265). When Capote says that these issues
During his childhood, Perry experienced and was marked by brutality and lack of concern on the part of both parents (Capote 296). Dr. Jones gives a very detailed description of Perry's behavior. He says that Perry, who grew up without love, direction, or m...
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Brian Conniff's article, "Psychological Accidents: In Cold Blood and Ritual Sacrifice," explains how Truman Capote's nonfiction novel demonstrates the psychological trauma that the murderers and the townspeople of Holcomb face after the murders of the Clutter family. Conniff begins his article by stating that in the last twenty-five years imprisonment and execution has reached an all-time high level of obsession among the American public. Since this type of violence has been so normalized it is rarely properly understood (1). With this in mind, prison literature has continually suggested that "the most fortified barriers are not the physical walls and fences between the prison, and the outside world; the most fortified barriers are the psychological walls between the preoccupations of everyday life . . .and the conscious realization that punishment is the most self-destructive kind of national addiction" (Conniff 1).
Being defined by nature or nurture. Isn't enough to make finally decisions about one person. But for some it just might be. Perry Smith had an abusive past. It seems to still haunt him when he looks back on it. But that justify his crimes in anyway. Perry seems to have handles himself very well about the past ,but that isn't enough. Perry Smith on the night of November 15, 1959 was at a point where he made a choice that would affect him for the rest of his life. Perry deep down believes Mr. Clutter is a nice gentlemen and even says so. Yet his actions were done out of the natural nature to him. He then ends up cutting his throat, followed by shooting the rest of his family brutally. In this case, it clearly shows Perry smith as someone who takes up in the naturally
book, and by the end of the book we feel like we know exactly how Perry feels, and we have a understanding of some of the hardships that the soldiers faced in Vietnam. In this book, Perry kills
Perry Smith was a short man with a large torso. At first glance, “he seemed a more normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight lifter. [However] when he stood up he was no taller than a twelve-year old child” (15). What Smith lacked in stature, he made up in knowledge. Perry was “a dictionary buff, a devotee of obscure words” (22). As an adolescent, he craved literature and loved to gain insight of the imaginary worlds he escaped into, for Perry’s reality was nothing less than a living nightmare. “His mother [was] an alcoholic [and] had strangled to death on her own vomit” (110). Smith had two sisters and an older brother. His sister Fern had committed suicide by jumping out of a window and his brother Jimmy followed Fern’s suit and committed suicide the day after his wife had killed herself. Perry’s sister, Barbara, was the only normal one and had made a good life for herself. These traumatic events left Perry mentally unstable and ultimately landed him in jail, where he came into acquaintance with Dick Hickock, who was in jail for passing bad checks. Dick and Perry became friends and this new friendship changed the course of their lives forever. Hickock immediately made note of Perry’s odd personality and stated that there was “something wrong with Little Perry. Perry could be such a kid, always wetting his bed and crying in his sleep. And often [Dick] had seen him sit for hours just sucking his thumb. In some ways old Perry was spooky as hell. Take, for instance, that temper of his of his. He could slide into a fury quicker than ten drunk Indians. And yet you wouldn’t know it. He might be ready to kill you, but you’d never know it, not to look at it or listen to it” (108). Perry’s short fuse and dysfunctional background were the two pieces to Perry’s corrupt life puzzle that soured and tainted the final “picture”.
He grew up in a different environment with a broken family with no apparent dreams. As a young boy his parents separated and he was forced to go with his mother. He later ran away to be with his father who turned him down and ended up being abandoned by his family completely. He then came to stay at a catholic orphanage, where he was abused by nuns and caregivers. His father finally decided to take him into his care and together they got away and traveled, ending his education before passing the third grade which bothered him as he became older. Perry joined the marines and army, then came back to relocate his father. Him and his father had a breakthrough over starvation, leaving Perry with no one else to turn to and therefore getting involved in committing crimes. Once he got caught and jailed, his mother had died and his brother and sister had both committed suicide. By all his experiences we can say Perry definitely lived a different life and his family portrayal was very different from the Clutters. After so much abandonment and abuse, we can understand why he almost feels nothing and how growing up has affected him. The American Dream for Perry might not have been a “perfect family” but may have been to find something with order, and control. The dream Perry’s family would be focused on is reaching a decent life as their past has been
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.