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How can someone's environment affect their behavior
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Richard Mulcaster, a British instructor of English, once wrote, “Nature makes the boy toward, nurture sees him forward.” Mulcaster recognizes that both genetic and environmental factors determine the type of a person one becomes. Truman Capote’s nonfiction novel, In Cold Blood gives the reader an opportunity to see prime examples of how nature and nurture influence one’s character. Capote’s novel, In Cold Blood introduces the reader to two men; Richard Eugene Hickock known as Dick throughout the novel, and Perry Edward Smith whose lives of crime are almost identical; although both Perry and Richard come from very humble backgrounds, their childhood particularly their family life, has very little in common. It is not until later in their lives that we begin to see similarities between the two men. Despite their differences, Perry’s upbringing and Dick’s genetic disposition allow both men to share a disregard for life, which becomes apparent on the night they gruesomely burglarized and murdered four innocent members of the Clutter family. Unable to conform to society’s norms, Richard Eugene Hickcok is raised by his parents who are modest farmers. In spite of his family’s hardship Dick’s childhood is pretty typical, he is popular throughout high school, plays sports, and he dreams of going to college. Due to his family’s lack of resources, Dick is unable to fulfill his dream of attending college. In spite of Dick’s unfortunate drawbacks Dick lives an average life, he marries has three children, and becomes a mechanic. Dick lives a typical American life, but soon after his third child is born Dick has an extramarital affair which ends his marriage. Shortly after his divorce from his first wife Dick remarries, but his second marriage ... ... middle of paper ... ... the only difference is that he chooses to pull the trigger of a loaded gun. No one can dispute that Perry’s mother and father’s alcoholism and abuse are direct causes to his run-ins with the law. It is quite evident that a combination of life experiences and heredity determine who one eventually becomes. Some people are blessed by having a good childhood and coming from a loving and nurturing home, which allows them to flourish in society; yet there are others who come from similar backgrounds are unable of functioning in society. Then there are the people who are born into a dysfunctional family or go through a traumatic experience and are simply incapable of adapting to social norms because of what they have experienced. Despite knowing that a combination of the two shape who one becomes, it is unclear whether one of them has more influence than the other.
what he did to the family. It took me awhile to get a good impression of Perry.
In Cold Blood is the true story of a multiple murder that rocked the small town of Holcomb, Kansas and neighboring communities in 1959. It begins by introducing the reader to an ideal, all-American family, the Clutters; Herb (the father), Bonnie (the mother), Nancy (the teenage daughter), and Kenyon (the teenage son). The Clutters were prominent members of their community who gained admiration and respect for their neighborly demeanors.
The book, In Cold Blood, by Truman Capote, was a very interesting book to read. In Cold Blood is about two men who brutally murdered the Clutter family in their own home. The crime took place on November 15, 1959 in the small town by the name of Holcomb. According to investigators, there was no motive to the crime at all. Throughout the book, the murder takes place, the investigation goes on, the trail was held and then the execution of the killers is described. The two murderers of the Clutter family were Richard Hickock, who went by the name of Dick, and Perry Smith. Throughout the book, Perry Smith was a very held back character, his upbringing wasn’t the greatest which may have played a role in the murder. Analyzing Perry Smith on his personality, his childhood and how he grew up, and what he was like before the murder will hopefully help to better understand why Perry did what he did to the Clutter family. Perry Smith was one of the cold blood killers of the Clutter family, why did it come to such a brutal ending?
Capote in his book In Cold Blood set out to create an image of the murders and their motives with the use of rhetorical devices. He uses certain devices, such as diction and syntax to give each character their own distinct personality and also develops their characteristic and tendencies as a person as well. Capote also brings the characters to life with the switching of tone between them and with the things they say about themselves and events going on in the story. Another way Capote develops the reader's perception of the murderers was by the use of imagery to draw the reader a picture in their minds to what the character would look like face to face. With all of these combined he gave each murderer their own personality and views, ultimately
This passage when Capote begins to introduce Perry more in depth. From his childhood to later on in his life. Perry’s way of life as a child was a tough one, in which his mother put him in a “catholic orphanage. The one where the Black Widows were always at me. Hitting me. Because of wetting the bed…They hated me, too.” Capote’s use of short sentence syntax creates the effect of emphasizing the horrible and dramatic conditions Perry had to live with. Also, the nuns of the orphanage are described as “Black Widows,” a metaphor, to make it seem like it was truly terrible. The color black associates with death and when metaphorically used to describe a nun, it creates sympathy for Perry. Later in the passage, capote creates a short narrative of Perry’s experience in war. “Perry, one balmy evening in wartime 1945…” The storytelling helps understand more about Perry in the way he thinks and acts. The atmosphere of this passage is a sad mood. It talks about the terrible childhood and early life of Perry. It is clear that no one ever cared for Perry and it affected him dramatically.
The contrast between the dark introductory scene with that of the quiet farmhouse scene helps to build the difference between the outsider (Capote) and his new friends at the party. His rather charismatic and friendly rapport endears him to the crow encircling him to hear his juicy tales about Jimmy Baldwin; who seemingly has a new novel in its final stage. This chatter seems to be his initial entry strategy into this rather quiet Holcombe town, Kansas. He therefore meticulously uses his friendly stature coupled by odd mannerisms, and the welcoming nature of the locals to go about his investigative business.
Meier’s maternalism towards Perry shows compassion throughout the passage. She treats Perry as her child caring for him and comforting him when he cries, by her holding his hand, and saying she will “make him Spanish rice”(308). That helps Perry open up to Mrs. Meier about his feelings and lets him be himself without judgement from anyone else, just like a mother would not judge her child. In Mrs. Meier’s circumstances it’s most likely she had kids; however, they must be older and do not need that mother-child relationship so she fills that relationship with Perry. This comforts Perry since he never had a mother figure throughout his childhood, so when he receives compassion Perry becomes vulnerable and in return acts like Mrs. Meier’s child. She encourages him to be himself and express how he feels about his actions without anyone judging
On pages 265-266 of Capote’s novel, In Cold Blood, Capote writes about Perry’s imprisonment, more specifically Perry’s mental health, or lack thereof. Capote uses an ominous tone to convey the predicament Perry was in and portray the mental instability possessed by Perry. Capote first discusses a failed escape plan of Perry’s that consisted of throwing a document with a detailed rescue plan down to two men who often gathered below his window, thinking that they were there for him. However, as soon as he created the document, the men stopped coming. The strangeness of this scenario pushed Perry to question his sanity. Regarding this, Capote says, “a notion that he ‘might not be normal, maybe insane’ troubled him” (Capote 265). When Capote says that these issues
During his childhood, Perry experienced and was marked by brutality and lack of concern on the part of both parents (Capote 296). Dr. Jones gives a very detailed description of Perry's behavior. He says that Perry, who grew up without love, direction, or m...
The detailed account of the killers’ childhoods makes the reader sympathize with the Clutter family’s killers Smith and Hickock. Should they reserve the death penalty? Did Truman Capote take a stand on the death penalty? By giving the reader a detailed account of Perry Smith’s and Dick Hickock’s childhood, Capote sets up the reader for a nurture vs. nature debate on the death penalty. The question then becomes, do the effects (if any) caused by environment in childhood make for a trained killer or a natural born one?
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Being defined by nature or nurture. Isn't enough to make finally decisions about one person. But for some it just might be. Perry Smith had an abusive past. It seems to still haunt him when he looks back on it. But that justify his crimes in anyway. Perry seems to have handles himself very well about the past ,but that isn't enough. Perry Smith on the night of November 15, 1959 was at a point where he made a choice that would affect him for the rest of his life. Perry deep down believes Mr. Clutter is a nice gentlemen and even says so. Yet his actions were done out of the natural nature to him. He then ends up cutting his throat, followed by shooting the rest of his family brutally. In this case, it clearly shows Perry smith as someone who takes up in the naturally
Perry Smith was a short man with a large torso. At first glance, “he seemed a more normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight lifter. [However] when he stood up he was no taller than a twelve-year old child” (15). What Smith lacked in stature, he made up in knowledge. Perry was “a dictionary buff, a devotee of obscure words” (22). As an adolescent, he craved literature and loved to gain insight of the imaginary worlds he escaped into, for Perry’s reality was nothing less than a living nightmare. “His mother [was] an alcoholic [and] had strangled to death on her own vomit” (110). Smith had two sisters and an older brother. His sister Fern had committed suicide by jumping out of a window and his brother Jimmy followed Fern’s suit and committed suicide the day after his wife had killed herself. Perry’s sister, Barbara, was the only normal one and had made a good life for herself. These traumatic events left Perry mentally unstable and ultimately landed him in jail, where he came into acquaintance with Dick Hickock, who was in jail for passing bad checks. Dick and Perry became friends and this new friendship changed the course of their lives forever. Hickock immediately made note of Perry’s odd personality and stated that there was “something wrong with Little Perry. Perry could be such a kid, always wetting his bed and crying in his sleep. And often [Dick] had seen him sit for hours just sucking his thumb. In some ways old Perry was spooky as hell. Take, for instance, that temper of his of his. He could slide into a fury quicker than ten drunk Indians. And yet you wouldn’t know it. He might be ready to kill you, but you’d never know it, not to look at it or listen to it” (108). Perry’s short fuse and dysfunctional background were the two pieces to Perry’s corrupt life puzzle that soured and tainted the final “picture”.
He grew up in a different environment with a broken family with no apparent dreams. As a young boy his parents separated and he was forced to go with his mother. He later ran away to be with his father who turned him down and ended up being abandoned by his family completely. He then came to stay at a catholic orphanage, where he was abused by nuns and caregivers. His father finally decided to take him into his care and together they got away and traveled, ending his education before passing the third grade which bothered him as he became older. Perry joined the marines and army, then came back to relocate his father. Him and his father had a breakthrough over starvation, leaving Perry with no one else to turn to and therefore getting involved in committing crimes. Once he got caught and jailed, his mother had died and his brother and sister had both committed suicide. By all his experiences we can say Perry definitely lived a different life and his family portrayal was very different from the Clutters. After so much abandonment and abuse, we can understand why he almost feels nothing and how growing up has affected him. The American Dream for Perry might not have been a “perfect family” but may have been to find something with order, and control. The dream Perry’s family would be focused on is reaching a decent life as their past has been
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.