Brian Conniff's article, "Psychological Accidents: In Cold Blood and Ritual Sacrifice," explains how Truman Capote's nonfiction novel demonstrates the psychological trauma that the murderers and the townspeople of Holcomb face after the murders of the Clutter family. Conniff begins his article by stating that in the last twenty-five years imprisonment and execution has reached an all-time high level of obsession among the American public. Since this type of violence has been so normalized it is rarely properly understood (1). With this in mind, prison literature has continually suggested that "the most fortified barriers are not the physical walls and fences between the prison, and the outside world; the most fortified barriers are the psychological walls between the preoccupations of everyday life . . .and the conscious realization that punishment is the most self-destructive kind of national addiction" (Conniff 1).
Conniff believes that these psychological walls are most confronted in and clearly seen in In Cold Blood. When Perry Smith, one of the murderers, confesses to the crime to Agent Alvin Dewey, Agent Dewey is surprisingly disappointed. Agent Dewey discovers that the truth is more disturbing than anything he would have ever imagined. Conniff writes, "The truth, Dewey discovers, is at once more ordinary and more disturbing than anything he has been able to imagine" (2). Smith and Hickock did not murder the Clutters for revenge and they didn't even know their victims. The crime was a virtually impersonal act and Agent Dewey does not want to believe this (2).
At first Capote was not concerned with the capture and punishment of the criminals. Capote underestimated the community's need for retribution and its need to return to normalcy by enacting a violence of its own (2). Before the murders the community lived an unfearful life, no locked doors, no suspicion of one another. This "normalcy" could not be restored until the murderers were caught and punished (2). When the community began to lock its doors at night, it was trying to keep the invader from outside the community out (2). When the Hickock and Smith were finally caught the community categorized them as animals, this "allowed the community to deprive them of their humanity" (2). Conniff goes on to say, "a common normalcy ultimately depends upon the complete exclusion of outsiders, the exorcism of these mysterious animals is just as important as their discovery and capture" (3).
In Cold Blood is a true account of a multiple murder case that took place in Holcomb, Kansas in 1959, written by Truman Capote. Capote’s attention to detail causes the reader to gain an extreme interest in the Clutter family even though they were an ordinary family. The suspense that is a result of minimal facts and descriptive settings was an elaborate stylistic technique that gave effective results throughout the book. His ability to make this account of a horrid crime more than just a newspaper description was a great success as a base of his many literary devices, not just is great focus to small details.
In Cold Blood is the true story of a multiple murder that rocked the small town of Holcomb, Kansas and neighboring communities in 1959. It begins by introducing the reader to an ideal, all-American family, the Clutters; Herb (the father), Bonnie (the mother), Nancy (the teenage daughter), and Kenyon (the teenage son). The Clutters were prominent members of their community who gained admiration and respect for their neighborly demeanors.
In In Cold Blood by Truman Capote, the characters Smith and Hickock, while both criminals involved in the killing of the Clutters, are portrayed quite differently. It is clear that Capote favors Smith. Throughout the book, Smith is written in a way that could incite sympathy within the reader while Hickock is shown to be a remorseless, irredeemable killer. Nevertheless, there are moments in which Smith seems as if he doesn’t deserve sympathy, such as when he shows no remorse for his actions, but overall, Capote spends a majority of the book humanizing him while simultaneously antagonizing Hickock. Some could argue that this story is not established as that of victims and villains but that it focuses more on whatever is relevant to telling the
In this day and age the term “murder” is coined as a word used in everyday language, albeit fifty years ago in the [rural] heartland of America, that word evoked emotion out of the entire town’s population. Prior to writing In Cold Blood, Truman Capote had written several pieces that lead him to writing a piece of literature that would infuse fiction and nonfiction, thus In Cold Blood was created, albeit after six years of research (“Truman” 84). "Truman Capote is one of the more fascinating figures on the American literary landscape, being one of the country's few writers to cross the border between celebrity and literary acclaim…He contributed both to fiction and nonfiction literary genres and redefined what it meant to join the otherwise separate realms of reporting and literature." ___ In Cold Blood takes place in the rural heartland in America, capturing the lives of the Clutter family in the days preceding their murder. The story shifts to the murderers, Dick Hickock, Perry Smith, and the lives of the men prior to the events that ultimately unfold in the murder of the Clutters, although the actual events of the murder are not revealed until later in the story through Perry’s flashbacks. At this point of the story the narration switches between the fugitives and the investigation lead by Detective Alvin Dewey of the Kansas Bureau of Investigation. Truman Capote's novel In Cold Blood delineates justice in order to depict the disruption of an all-American society.
This passage when Capote begins to introduce Perry more in depth. From his childhood to later on in his life. Perry’s way of life as a child was a tough one, in which his mother put him in a “catholic orphanage. The one where the Black Widows were always at me. Hitting me. Because of wetting the bed…They hated me, too.” Capote’s use of short sentence syntax creates the effect of emphasizing the horrible and dramatic conditions Perry had to live with. Also, the nuns of the orphanage are described as “Black Widows,” a metaphor, to make it seem like it was truly terrible. The color black associates with death and when metaphorically used to describe a nun, it creates sympathy for Perry. Later in the passage, capote creates a short narrative of Perry’s experience in war. “Perry, one balmy evening in wartime 1945…” The storytelling helps understand more about Perry in the way he thinks and acts. The atmosphere of this passage is a sad mood. It talks about the terrible childhood and early life of Perry. It is clear that no one ever cared for Perry and it affected him dramatically.
In Cold Blood tells an exact story of the murder of the clutter family that occurred in Holcomb, Kansas in 1959. It consists of Mr. and Mrs. Clutter and their two teenage children, Kenyon and Nancy, and the events that lead the killers to murder. The family was brutally killed, without any apparent reasons, by Dick Hickock and Perry Smith. The family was found shot to death, with very little items missing from the home. Capote read about the crime in The New York Times real soon after it had happened, and before the killers were caught, he began his work in Kansas, interviewing the people of Holcomb and doing extensive research with the help of his friend Harper Lee. Dick and Perry got away with the murders, because of the lack of clues and no personal connections with the murdered family. Perry Smith is a loner, a psychic cripple, almost from birth an outcast from society. Capote insists the reader’s sympathy for Perry Smith from the outset: Comparing him to wounded animals; described as a frightened “creature” than as a human being responsible for his actions (Hollowell 82). So much suffering could be taken and given by a single youthful human...
On pages 265-266 of Capote’s novel, In Cold Blood, Capote writes about Perry’s imprisonment, more specifically Perry’s mental health, or lack thereof. Capote uses an ominous tone to convey the predicament Perry was in and portray the mental instability possessed by Perry. Capote first discusses a failed escape plan of Perry’s that consisted of throwing a document with a detailed rescue plan down to two men who often gathered below his window, thinking that they were there for him. However, as soon as he created the document, the men stopped coming. The strangeness of this scenario pushed Perry to question his sanity. Regarding this, Capote says, “a notion that he ‘might not be normal, maybe insane’ troubled him” (Capote 265). When Capote says that these issues
Madness, madness, madness. It is but a word, yet those who possess it are capable of doing the most amazing or terrible of things. According to the Merriam-Webster's online dictionary, madness is defined as “a state of severe mental illness.” Perry Edward Smith is the best individual that depicts this characteristic. Throughout Truman Capote's novel “In Cold Blood” the main character, Perry Smith, as Dr. Jones says “... shows definite signs of severe mental illness” (Capote 296). There is no coincidence in the definition and Dr. Jones' description because the truth is that Perry is utterly, and unconsciously mad. Perry, in his madness, commits acts so inhumane that chill as well as perplex the reader. However, it is essential to understand what Perry's madness was and how his previous experiences can possibly justify his actions.
In Cold Blood, a novel written by Truman Capote and published in 1966, is, though written like fiction, a true account of the murder of the Clutter family of Holcomb, Kansas in 1959. This evocative story illuminates new insights into the minds of criminals, and how society tends to act as a whole, and achieves its purpose by utilizing many of the techniques presented in Thomas C. Foster’s How to Read Literature Like a Professor. In In Cold Blood, Capote uses symbols of escape and American values, and recurring themes of egotism and family to provide a new perspective on crime and illustrate an in-depth look at why people do the things they do.
...ionship with Smith during his time on Death Row, making his unbiased writing biased. By the time Smith and Hickock are hanged Smith is portrayed in the role of misunderstood good guy in the good-guy/bad-guy literary device. Capote was not apposed the death penalty, he used the double handing as the dramatic ending to In Cold Blood. Thought out the third section of In Cold Blood whenever Hickock is contemplating or in gagging in a sexual act Smith reacts in an angry or jealous way. Capote repeatedly interprets Smith’s actions towards Hickock as showing his morality, where Hickock is voiced has having none. Capote voices that Smith prevents the rape of Nancy Clutter on Moral grounds. Capote shows this again in the scene in which Hickock has a prosttsuite in the room during their time in Mexico.
The main purpose of In Cold Blood by Truman Capote is to offer insight into the minds of the murderers of the Clutter family, Dick and Perry. However, asking an audience to be open-minded about men who have committed such heinous crimes is no easy task. Capote instead methodically and rather artfully combines imagery, parallel structure, and perspective in two separate passages found between pages 107-113 to contribute to his characterization of Perry and Dick where the former is deserving of sympathy and the latter, disgust.
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
In the nonfiction novel, “In Cold Blood” by Truman Capote, the author tells a story of the murderers and victims of a slaughter case in Holcomb, Kansas. Instead of writing a book on the murder case as a crime report, the author decides to write about the people. The people we learn about are the killers, Dick and Perry, and the murdered family, the Clutters. The author describes how each family was and makes the portrayals of Dick and Perry’s family different from the Clutters.The portrayal of the Clutters and of Dick and Perry’s families, was used to describe what the American Dream was for each character. In the beginning we learn about what type of family the Clutters were and how they represented the American Dream for the people of Holcomb.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.