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Writing style in Capote's In Cold Blood
Writing style in Capote's In Cold Blood
Truman Capote style of journalism
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In the novel In Cold Blood by Truman Capote, the author skillfully orders information and articulates his word choice in order to successfully tell the story. Capote chooses to include certain events before others to show the reader the development of the case caused a change in the overall feelings of characters such as Alvin Dewey. Alvin, the detective who desperately searched for the Clutter killers reads, “on the first page of the Kansas City Star, a headline he had long awaited: Die On Rope For Bloody Crime,” which portrays to the reader that he was relieved after months to know that they were sentenced to death. (337) By including the word choice “he had long awaited” the reader may assume that he is pleased by this outcome. (337) However,
several pages later Capote reveals, “Dewey shut his eyes; he kept them shut until he heard the thud-snap that announces a rope-broken neck,” which tells the reader that he was unable to watch Perry be hung. (340) Capote orders these events in reverse order to show that although Alvin originally wanted the killers to be caught, he could not face the truth of their sentence because he had changed his original belief the killers were none other than criminals. Also taken into consideration, is his word choice used during the scene. He describes the noise as a “thud-snap” which forces the readers to imagine the scene and develop an opinion on their death by hanging. In combination, these devices can help the reader understand the story on a more in depth level through descriptive word choice and comprehending the change in emotions of the characters.
In Cold Blood is a true account of a multiple murder case that took place in Holcomb, Kansas in 1959, written by Truman Capote. Capote’s attention to detail causes the reader to gain an extreme interest in the Clutter family even though they were an ordinary family. The suspense that is a result of minimal facts and descriptive settings was an elaborate stylistic technique that gave effective results throughout the book. His ability to make this account of a horrid crime more than just a newspaper description was a great success as a base of his many literary devices, not just is great focus to small details.
In Cold Blood is the true story of a multiple murder that rocked the small town of Holcomb, Kansas and neighboring communities in 1959. It begins by introducing the reader to an ideal, all-American family, the Clutters; Herb (the father), Bonnie (the mother), Nancy (the teenage daughter), and Kenyon (the teenage son). The Clutters were prominent members of their community who gained admiration and respect for their neighborly demeanors.
Most people believe that everyone gets what they deserve. That all bad actions deserve consequences. To many, that is what the so-called “justice” system is for. Criminals are supposed to be punished by the law, but is it always fair to the criminals? What if one of those criminals had an awful life growing up and just was unable to stay out of trouble? It is just this question that Truman Capote addresses in his book, In Cold Blood. Throughout the book, Capote creates sympathy for Perry Smith while claiming the justice system is flawed in the way it punishes the wrong people.
This passage when Capote begins to introduce Perry more in depth. From his childhood to later on in his life. Perry’s way of life as a child was a tough one, in which his mother put him in a “catholic orphanage. The one where the Black Widows were always at me. Hitting me. Because of wetting the bed…They hated me, too.” Capote’s use of short sentence syntax creates the effect of emphasizing the horrible and dramatic conditions Perry had to live with. Also, the nuns of the orphanage are described as “Black Widows,” a metaphor, to make it seem like it was truly terrible. The color black associates with death and when metaphorically used to describe a nun, it creates sympathy for Perry. Later in the passage, capote creates a short narrative of Perry’s experience in war. “Perry, one balmy evening in wartime 1945…” The storytelling helps understand more about Perry in the way he thinks and acts. The atmosphere of this passage is a sad mood. It talks about the terrible childhood and early life of Perry. It is clear that no one ever cared for Perry and it affected him dramatically.
Herb Clutter and his family possess it. Dick and Perry want it. It is often associated with the ideal existence. What is “it” exactly? “It” refers to financial stability. This is the state of not having to fret about paying the bills or providing for one’s family and of not having to worry if one will eat on a given day. The concept of financial stability is central in the novel written by Truman Capote and inspired by real events entitled In Cold Blood. This issue is the backbone of the novel and is the chief motive for the murders committed in the story. Additionally, financial stability is an important component in the typical view of the “American dream.” It is fair to say that the Clutters embody this concept, which involves a pattern of social and personal virtue that is accompanied by financial stability. The opposite seems true for those characters of Dick and Perry who fail to exhibit virtuous behaviors and therefore, never attain financial stability. These characters embody the “American nightmare.” Capote argues in his story that tragedy is not confined to the latter category and life is indeed a fragile thing.
and at one point, had a gun pointed to his head. Also there appears to be
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
In Truman Capote’s In Cold Blood the author writes the entire book, overall, in chronological order. Specifically in chapter two, “Persons unknown”, Capote begins the chapter with the events that happened one after another. As the chapter progresses Capote goes into more specific details and sometimes even goes back into time to give us, the readers, a more thorough understanding. In page 85, in the last paragraph, Capote goes into more details on how K.B.I members have nicknames. The author did this so we can have more of an insight on a K.B.I member’s life. He even gives us the nicknames for all the members that were going to be working in the Clutter case. For example, Duntz K.B.I’s name is “Old Man”. On the following page, Page 87, Capote speaks more about Dewey and his family. The author doing this helps the readers understand specific personalities in the book. Capote’s description of Dewey’s family in this chapter fits in the linear structure that he is writing in since he is writing about how Dewey telegraphs his wife and tells her he is going to be late. She tells him that ...
The main purpose of In Cold Blood by Truman Capote is to offer insight into the minds of the murderers of the Clutter family, Dick and Perry. However, asking an audience to be open-minded about men who have committed such heinous crimes is no easy task. Capote instead methodically and rather artfully combines imagery, parallel structure, and perspective in two separate passages found between pages 107-113 to contribute to his characterization of Perry and Dick where the former is deserving of sympathy and the latter, disgust.
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Brian Conniff's article, "Psychological Accidents: In Cold Blood and Ritual Sacrifice," explains how Truman Capote's nonfiction novel demonstrates the psychological trauma that the murderers and the townspeople of Holcomb face after the murders of the Clutter family. Conniff begins his article by stating that in the last twenty-five years imprisonment and execution has reached an all-time high level of obsession among the American public. Since this type of violence has been so normalized it is rarely properly understood (1). With this in mind, prison literature has continually suggested that "the most fortified barriers are not the physical walls and fences between the prison, and the outside world; the most fortified barriers are the psychological walls between the preoccupations of everyday life . . .and the conscious realization that punishment is the most self-destructive kind of national addiction" (Conniff 1).
Truman began the novel with a chapter of exposition. His main purpose of this segment was to describe the victims, which he did by writing in an ominous tone. This tone acting primarily as a foreshadowing of what the reader knew would come. Capote was heightening the suspense. The readers knew the Clutters would die, but the family lived blissfully oblivious of what was yet to come. Capote often executed this ominous tone by stating that it would be Mr. Clutters last day, or Nancy's last pie etc. This only heighted the anticipation, the tension, and of course the expectation of what was yet to come. Finally, nearing the end of the chapter, Capote continues with the ominous tone by switching viewpoints between the victims and the murders. As the actual murder grew closer, the viewpoints switched more rapidly. This gave the readers an almost simultaneous, birds-eye view of the Clutters' fate. Over all, this ominous tone definitely slanted in support for the victims. A reader could only find himself loathing the murderers who committed this monstrous crime. However, this loathing changes as the tone changes.
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
Some people house two distinctly opposing personalities, one moral and upstanding, and the other evil and heartless. Most of the time, one personality prevails over the other. Perry from In Cold Blood exemplifies someone who houses both of these personalities. When Perry talks to Dick about the murder of the Clutter family, he says “there’s got to be something wrong with somebody who’d do a thing like that” (Capote 108). Perry clearly feels strongly repulsed by the murder, as any person would. His morally upstanding personality comes out when he really thinks about what he had done but, still eludes his mind. Although his moral personality has shown slightly, his heartless personality is more prevalent because, in the end, he still committed