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The main purpose of In Cold Blood by Truman Capote is to offer insight into the minds of the murderers of the Clutter family, Dick and Perry. However, asking an audience to be open-minded about men who have committed such heinous crimes is no easy task. Capote instead methodically and rather artfully combines imagery, parallel structure, and perspective in two separate passages found between pages 107-113 to contribute to his characterization of Perry and Dick where the former is deserving of sympathy and the latter, disgust. In order to draw in the attention of his audience, Capote begins each passage the same way with the sentences, “Mountains. Hawks wheeling in a white sky” (107, 110). The repetition is a sign of the significance of …show more content…
Admitting to only befriending Perry because “he had beaten a colored man to death” (Capote 109) is evidence of the perverted mind of Dick, which discredits any notion of having good intentions behind any of his actions. Capote included this confession because if his judgment of character is based solely off of the ability to commit heinous crimes then there is not a whole lot of good light being shed upon his own character. Furthermore, Dick goes on to attack Perry in his mind thinking there’s “something wrong with Little Perry” (108). Since Capote has already attempted to establish a general liking and sympathy towards Perry, he hopes the reader will be close-minded towards Dick and dislike him more for being so rude. Overall, these two passages are just an illustrative representation of Capote’s consistent characterization of Dick and Perry. What makes Capote’s methods of characterization so different is that he does not merely state facts of each in random order. Each detail included or excluded is done with a specific purpose to manipulate the mind of the reader into sharing the same opinions of each character as
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
When considering In Cold Blood, the reader must take into account that Capote is not inventing people, he is conveying the lessons and experiences of real people. This style is not the norm because it is not the standard challenge of a novelist. However, by carefully selecting detail in describing the various personalities involved in the crime, Capote passes facts of all the characters to the reader in an easily understood fashion.
To establish the idea of an impressionable Perry, Capote needs an example of Perry conforming to Dick’s values. This opportunity arises when Dick questions the validity of Perry’s past killing. Perry has described that he had, “picked up this bike chain… hit him across the face… kept right on… left him there” (Capote 112). Vulnerability is exemplified by Perry’s anecdote, because he, “was not a gifted liar, or a prolific one” heavily implying that Perry has not killed before the recent murders (Capote 112). Capote’s inclusion of this fallacious anecdote reveals the truth about Perry’s moral obligations, namely that he has none. Perry simply grasps the moral values which appear closest at hand and clings on to them for dear life. In this case Perry’s true morals are synthesized into Dick’s, proving how evil can infest mentally defenseless people.
Capote opposes the death penalty, almost pleading that Perry is insane. As the Psychologist is unsure of whether or not Perry is insane, the court quickly shuts that escape route down. The imminent death of Perry and Dick makes the reader feel split on the two, where they would rather have Dick put to death and let Perry live, if the reader so chooses that Perry is insane.
Capote delineates Perry's attachment to his past while tracing how its tendrils creep into his present habits, formulating the concept that one's past can shape one's future. From the very beginning of the novel and from the reader's first glimpse at Perry, Capote calls attention to Perry's boxes filled with memorabilia that constitute his worldly possessions. In his early thirties, Perry still clings to his childhood dreams of becoming "Perry O'Parsons" and a deep-sea-diver (14). Perry's friendship with Dick depends on him being "totally masculine...
In Truman Capote’s In Cold Blood, the author uses a style of writing combining factual, journalistic writing with the mystery and intrigue normally found in traditional fiction novels to develop a new genre that critics found unique from the modernists of his time. In the beginning of this book, the murders and victims seem unrelated, but as the book moves ahead, the relationship becomes clear. The victims, who are the Clutter family of four, are the typical all-American family. The family is murdered in their own home by two ex-convicts named Dick and Perry. The murder takes place in Holcomb, Kansas, but Dick and Perry travel around the U.S. and Mexico cashing bad checks until they are finally caught in Las Vegas.
Truman Capote's "In Cold Blood" is the story of Perry and Dick and the night of November 15, 1959. This investigative, fast-paced and straightforward documentary provides a commentary on the nature of American violence and examines the details of the motiveless murders of four members of the Clutter family and the investigation that led to the capture, trial, and execution of the killers.
First, Capote involves his reader. "This immediacy, this spellbinding 'you-are-there' effect, comes less from the sensational facts (which are underplayed) than from the 'fictive' techniques Capote employs" (Hollowell 82). Capote takes historical facts and brings in scenes, dialogue, and point of view to help draw the reader in (Hollowell 82).
Capote’s goal of establishing anonymity is essential to his objective of developing a completely true, accurate account of the Clutter family’s murder. However, this removal of self is impossible to achieve due to his physical presence in the event. Capote’s determination to distance himself from the story actually creates more problems for the reader. As Capote witnesses trials, personally conducts interviews with townsfolk as well as the murderers, and develops a personal tie to the event, the reader desires to hear Capote’s firsthand experience with the murder case. Capote’s goal is to focus only on factual evidence. While...
Perry character in the books seems like mostly the more of the sensitive type out of him and Dick. During Perry childhood he was quite lonely and disorganized. Perry wants to be very much educated. In the book on page “insert page” it states “insert statement” meaning he is quite keen on learning more things.
Although in Truman Capote’s book In Cold Blood, the author is illustrating the points of view of Holcomb, Dick, and Perry after the murder of the Clutter family, he moreso aims to exploit the devastation felt by the community; therefore, he emphasizes the suddenness, sadness, and pain experienced by a loss.
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
Truman Capote’s In Cold Blood encompasses varying stylistic methods in the text and also allows the readers to understand his view of the setting: Holcomb, Kansas. An uneventful town he portrayed as futureless. “The inhabitants of the village, numbering two hundred and seventy, were satisfied that this should be so, quite content to exist in ordinary life…” Through Capote’s use of literary techniques such as imagery, detail, tone, and syntax, he paints a rather lonesome and unfixable image.
Throughout human history, horrendous crimes have always captivated audiences around the world. But, in recent decades with the invention of television, people can watch adaptations of ‘real’ or fictional crimes. Although In Cold Blood is considered the first true crime novel, our obsession with true crime began around the 19th century with news articles and books about gruesome murders which later became the basis for many TV shows and films that we watch today.