Throughout human history, horrendous crimes have always captivated audiences around the world. But, in recent decades with the invention of television, people can watch adaptations of ‘real’ or fictional crimes. Although In Cold Blood is considered the first true crime novel, our obsession with true crime began around the 19th century with news articles and books about gruesome murders which later became the basis for many TV shows and films that we watch today.
In the 19th century, the invention of the printing press gave people easier access to information about the murders and the investigation into who committed the crimes. This widespread crime journalism allowed graphic and domestic murders to dominate news coverage (Burger). Murderers
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That’s why In Cold Blood was so successful because it was different from other true crime novels where people automatically hate the criminal without knowing the criminal(s)’s background. Truman Capote made readers sympathize with Perry Smith, one of the two killers, by telling us about the killer’s background and personality. During the trial at the end of the novel, we learn that Perry was diagnosed as a paranoid schizophrenic. Although this revelation does not excuse his actions, it makes us question whether his punishment was morally …show more content…
Jack De Bellis states that Capote altered times, directions, and places throughout the “non-fiction novel” (De Bellis 523). De Bellis also claims that Capote altered facts about the characters of the book, mostly Perry. He suggests that Capote altered some facts about the characters to help build characterization. We automatically assume that the killers are bad, yet once we read part two of In Cold Blood we realize that the killers have a background that shaped them into who they were in the story. The victims, the Clutter Family, were depicted as the perfect “All-American Family” who were loved by the entire community, while the criminals are depicted as mentally unstable. In Cold Blood showed audiences that the criminals weren’t inherently
In Cold Blood is the true story of a multiple murder that rocked the small town of Holcomb, Kansas and neighboring communities in 1959. It begins by introducing the reader to an ideal, all-American family, the Clutters; Herb (the father), Bonnie (the mother), Nancy (the teenage daughter), and Kenyon (the teenage son). The Clutters were prominent members of their community who gained admiration and respect for their neighborly demeanors.
Capote in his book In Cold Blood set out to create an image of the murders and their motives with the use of rhetorical devices. He uses certain devices, such as diction and syntax to give each character their own distinct personality and also develops their characteristic and tendencies as a person as well. Capote also brings the characters to life with the switching of tone between them and with the things they say about themselves and events going on in the story. Another way Capote develops the reader's perception of the murderers was by the use of imagery to draw the reader a picture in their minds to what the character would look like face to face. With all of these combined he gave each murderer their own personality and views, ultimately
In In Cold Blood by Truman Capote, the characters Smith and Hickock, while both criminals involved in the killing of the Clutters, are portrayed quite differently. It is clear that Capote favors Smith. Throughout the book, Smith is written in a way that could incite sympathy within the reader while Hickock is shown to be a remorseless, irredeemable killer. Nevertheless, there are moments in which Smith seems as if he doesn’t deserve sympathy, such as when he shows no remorse for his actions, but overall, Capote spends a majority of the book humanizing him while simultaneously antagonizing Hickock. Some could argue that this story is not established as that of victims and villains but that it focuses more on whatever is relevant to telling the
Most people believe that everyone gets what they deserve. That all bad actions deserve consequences. To many, that is what the so-called “justice” system is for. Criminals are supposed to be punished by the law, but is it always fair to the criminals? What if one of those criminals had an awful life growing up and just was unable to stay out of trouble? It is just this question that Truman Capote addresses in his book, In Cold Blood. Throughout the book, Capote creates sympathy for Perry Smith while claiming the justice system is flawed in the way it punishes the wrong people.
Richard Mulcaster, a British instructor of English, once wrote, “Nature makes the boy toward, nurture sees him forward.” Mulcaster recognizes that both genetic and environmental factors determine the type of a person one becomes. Truman Capote’s nonfiction novel, In Cold Blood gives the reader an opportunity to see prime examples of how nature and nurture influence one’s character. Capote’s novel, In Cold Blood introduces the reader to two men; Richard Eugene Hickock known as Dick throughout the novel, and Perry Edward Smith whose lives of crime are almost identical; although both Perry and Richard come from very humble backgrounds, their childhood particularly their family life, has very little in common. It is not until later in their lives that we begin to see similarities between the two men. Despite their differences, Perry’s upbringing and Dick’s genetic disposition allow both men to share a disregard for life, which becomes apparent on the night they gruesomely burglarized and murdered four innocent members of the Clutter family.
In this day and age the term “murder” is coined as a word used in everyday language, albeit fifty years ago in the [rural] heartland of America, that word evoked emotion out of the entire town’s population. Prior to writing In Cold Blood, Truman Capote had written several pieces that lead him to writing a piece of literature that would infuse fiction and nonfiction, thus In Cold Blood was created, albeit after six years of research (“Truman” 84). "Truman Capote is one of the more fascinating figures on the American literary landscape, being one of the country's few writers to cross the border between celebrity and literary acclaim…He contributed both to fiction and nonfiction literary genres and redefined what it meant to join the otherwise separate realms of reporting and literature." ___ In Cold Blood takes place in the rural heartland in America, capturing the lives of the Clutter family in the days preceding their murder. The story shifts to the murderers, Dick Hickock, Perry Smith, and the lives of the men prior to the events that ultimately unfold in the murder of the Clutters, although the actual events of the murder are not revealed until later in the story through Perry’s flashbacks. At this point of the story the narration switches between the fugitives and the investigation lead by Detective Alvin Dewey of the Kansas Bureau of Investigation. Truman Capote's novel In Cold Blood delineates justice in order to depict the disruption of an all-American society.
This passage when Capote begins to introduce Perry more in depth. From his childhood to later on in his life. Perry’s way of life as a child was a tough one, in which his mother put him in a “catholic orphanage. The one where the Black Widows were always at me. Hitting me. Because of wetting the bed…They hated me, too.” Capote’s use of short sentence syntax creates the effect of emphasizing the horrible and dramatic conditions Perry had to live with. Also, the nuns of the orphanage are described as “Black Widows,” a metaphor, to make it seem like it was truly terrible. The color black associates with death and when metaphorically used to describe a nun, it creates sympathy for Perry. Later in the passage, capote creates a short narrative of Perry’s experience in war. “Perry, one balmy evening in wartime 1945…” The storytelling helps understand more about Perry in the way he thinks and acts. The atmosphere of this passage is a sad mood. It talks about the terrible childhood and early life of Perry. It is clear that no one ever cared for Perry and it affected him dramatically.
In the book “In Cold Blood” we meet Perry Edward Smith one of the men accused of killing the Clutter family. Perry is a unique man for how he see the world and how the world sees him. Although the townspeople and those who had heard of the murder only saw Parry as a murder. There is however one man who sees Perry more than he appeared to be and that man was Truman Capote. Perry had an interesting life from how he was raised, becoming friends with Richard Eugene Hickock, to the murder of the Clutter family, all the way to Capote writing about him and the trail he and Dick must face. It was Capote who brought the idea that Perry was not a bad person persa but rather he made a mistake that has caused him to spend the rest of his life behind the bars of a jail.
Capote uses recurring themes in In Cold Blood to emphasize the role of family and egotism in criminals. “On their way, and never coming back - without regret, as far as he was concerned, for he was leaving nothing behind, and no one who might deeply wonder into what thin air he 'd spiraled. The same could not be said of Dick. There were those Dick claimed to love: three sons, a mother, a father, a brother,” (Capote 66). This quote is important because it shows the background of both Perry and Dick. Perry came from a “broken home” where no one had ever truly loved him, not even his father. Dick, on the other hand, came from a loving family, and the fact that he loved them back was a sign that he didn’t have a mental illness and he was rather committing these crimes for other reasons. The role of families is highlighted in a way that shows that while families can be a source of protection and love (such as the Clutters), a lack of one (Perry Smith) can make you a social misfit. Perry Smith had nothing to lose. On the other hand, Dick actually had a family who loved him. Both of these aspects give deeper insight into the characters and their minds. Egotism is also a motif within the novel. "Why should that sonofabitch have everything, while he had nothing? Why should that
The main purpose of In Cold Blood by Truman Capote is to offer insight into the minds of the murderers of the Clutter family, Dick and Perry. However, asking an audience to be open-minded about men who have committed such heinous crimes is no easy task. Capote instead methodically and rather artfully combines imagery, parallel structure, and perspective in two separate passages found between pages 107-113 to contribute to his characterization of Perry and Dick where the former is deserving of sympathy and the latter, disgust.
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Brian Conniff's article, "Psychological Accidents: In Cold Blood and Ritual Sacrifice," explains how Truman Capote's nonfiction novel demonstrates the psychological trauma that the murderers and the townspeople of Holcomb face after the murders of the Clutter family. Conniff begins his article by stating that in the last twenty-five years imprisonment and execution has reached an all-time high level of obsession among the American public. Since this type of violence has been so normalized it is rarely properly understood (1). With this in mind, prison literature has continually suggested that "the most fortified barriers are not the physical walls and fences between the prison, and the outside world; the most fortified barriers are the psychological walls between the preoccupations of everyday life . . .and the conscious realization that punishment is the most self-destructive kind of national addiction" (Conniff 1).
He lied to Perry Smith and the police for his benefits. He lied to police because he said he would writing about how the murder had impacted the community, but he was writing about how the Clutter family was killed. Capote bribed a prison warren to attain access to Perry, a man involved in the Clutter family murder case. Moreover, Capote was writing a book with getting substantial information from the two men who were accused of brutal murder of an entire family at night, but he was hiding the title from the two killers. He wanted to make them believe that his writing was about their unjust trail. In a program, he said about the title of his book was “In Cold Blood” however when Perry asked him about it, he answered that he had to come up with the title and he gave it as a title, but that was not the real title. It seems clear that Capote’s behavior was questionable on how he attained access to Perry and how he lied to h...
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.