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John donne short biography essay
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Social Context in the Poetry of John Donne
Contemporary literary theory has thoroughly debunked the traditional view of the artist as a divinely inspired, completely original and creative individual. This view has been replaced with the more apt view of the author as a product of his or her environment and the existing discourses of the society in which he or she lives. In this new attitude toward the writer as a product of society, the author is considered, according to Dr. James E. Porter, as somewhat of a quiltmaker who takes various traces of the existing cultural intertext (the collected writing and debate of a society) and combines them in new ways to create new discourse (34). Differences in these new discourses of various authors are the result of existing debates concerning the dominant ideology of a particular society. While this theory of writing may be recent, it applies to the literature and the writers of all historical periods, including the Seventeenth century. By looking at two poems by John Donne, namely "The Canonization" and "The Flea," we can see how existing societal debates and beliefs create literature.
At the time of the writing of "The Canonization" and "The Flea," around the turn of the seventeenth century, one of the biggest debates in English society concerned who was responsible for the choice of a mate and what the criteria should be the basis for marriage. Until the beginning of the seventeenth century, it had been traditional for the parents in the upper classes to be the sole source of marital decisions with their child having no say in the selection process and little if any say in the approval of a proposed match (Stone 70). These arranged marriages tended to be based solely on the accu...
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...e historical and social context of a poem can one truly see all of the dynamics at work within a poem. These analytical methods may not simplify the process of reading and interpreting literature, but they provide a greater depth of understanding and appreciation that should be of interest to students of literature.
Works Cited
Donne, John. "The Canonization." The Literature of Renaissance England. Ed. John Hollander and Frank Kermode. New York: Oxford University Press, 1973. 526-27.
Donne, John. "The Flea." The Literature of Renaissance England. Ed. John Hollander and Frank Kermode. New York: Oxford University Press, 1973. 534-35.
Porter, James. "Intertextuality and the Discourse Community." Rhetoric Review Fall 1986: 34-47.
Stone, Lawrence. The Family, Sex and Marriage In England 1500- 1800. Abr. Ed. New York: Harper & Row, Publishers, 1979.
Goldstein,Gary. "The Life of Edward de Vere, Earl of Oxford (1550-1604)" Luminarium: Anthology of English Literature. Anniina Jokinen, 3rd of June 1999. Web. 25th of April 2014.
...elp convey this story and present themes and motifs central to the understanding of the film. Mise-en-scene, shot and editing, and sound are among these elements. The film form in Wendy and Lucy contributes strongly to the sense of realism that it leaves with the viewer.
Ruskin, John. “Grotesque Renaissance.” The Stones of Venice: The Fall. 1853. New York: Garland Publishing, 1979. 112-65. Rpt. in Classical and Medieval Literature Criticism. Ed. Jelena O. Krstovic. Vol. 2. Detroit: Gale Research Company, 1989. 21-2.
Marriage is another aspect of families in the 1700's that is very different from today. Most girls in the 1700's married extremely early around th...
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 5th ed. New York: McGraw-Hill, 1997.
A marriage in the 19th century had many different expectations than it does today. Most marriages, especially for the upper class, were conducted as an exchange of assets and used for public display. Hendrik Hartog in his lecture titled, "Marital Expectations in Nineteenth Century America," writes, "At least until the middle years of the nineteenth century being married meant subjecting oneself to a known and coercive public relationship," (96). It was an agreement that publicly cha...
Phillips, W. (2002). Thinking about film . In Film an introduction (pp. 403-438). Boston : Bedford/St.Martin's .
Arnheim’s body of theory suggests that the necessity of human intervention to implement plot, tropes, and culturally legible symbols raises a film to a higher level than a mere copy of reality, and that this interpretation and expression of meaning is “a question of feeling” or intuition on the part of the filmmaker. (“Film Theory and Criticism” 283) One consequence of effective directorial intervention is that differences in speed, stops and starts, and what would otherwise be jarring gaps in continuity can be accepted by viewers, because if the essentials of reality are present, th...
“Love and Marriage.” Life in Elizabethan England. Elizabethan.org, 25 March 2008. Web. 3 March 2014.
Howell, James W. The Greenwood Encyclopedia of Love, Courtship, & Sexuality through History. Ed. William E. Burns. The Medieval Era ed. Vol. 2. Westport, CT: Greenwood, 2008. Print.
Astell, Mary. "A Reflections Upon Marriage." The Broadview Anthology of British Literature: The Restoration And The Eighteen Century. Joseph Black [et all]. Peterborough, Ontario: Broadview Press, 2006. Print. Pages 297-301.
Hunt, Margaret R. The Middling Sort: Commerce, Gender, and Family in England, 1680-1780. London: University of California Press, 1996
For a long period of time the question of “What is the self?” has been debated by many people. According to Bermudez, Ma...
“Self” is the identity bestowed upon humans that allows us to distinguish ourselves from one another. A persons unique psyche is what entitles them to be considered an individual and mindfully independent. This distinct self identity follows a person through out every facet of their lives. It remains the same “self” from the time a person is born to the day they die, and possibly after. Despite many opinions, the true “self” does not come from our physical body, it comes from the mind and the soul. It is not what a person specifically thinks and feels, but the distinctive unparalleled way they do so. “Self” is embodied by our continued existence in every moment we experience. Our “self” is created to be stable and is best exemplified through consciousness. Consciousness, as defined by Miller in John Perry’s First Night, is “the non-physical and non-material aspects of you”. Some non-physical features of consciousness are demonstrated through our actions, memories, and how we perceive information. As new born babies, our consciousness is already established. Newborns have the ability to recognize their individual needs. They have a full understand of their idea of pain and pleasure, happiness and sadness. As we grow older, we better establish an awareness of our
Burns, Julia. "Notes MLA 6318". Church and State in Early Modern England. Fall 2013. Dr. D. David.