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Essays of a family history
Essays of a family history
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Most of the snapshots of my life are held in the photo albums of my mind. Some were captured by a camera, and those pictures I keep in a shoebox under my bed. I'm lucky to have "shoebox photos" of the earliest things I can remember. For example, three days after my third birthday, Katherine Emily arrived. I remember my dad taking me to see my new baby sister; we stopped at a gas station on the way to the hospital and bought my mom candy and a cola.
That day, the camera caught the tiny smile only a big sister could have as she holds one of the best birthday presents ever. I don't take up even half of a blue hospital chair as I cradle Katie in my arms. She is wrapped all in white, like the little angel that every baby is. My white, hooded sweatshirt has faint patches of sky blue, and just a tiny crimson triangle of a T-shirt peeks out from behind the zipper. Looking closer, a third person can be seen: my mother's wrist-banded hand holds Katie's head up. My tiny arms weren't quite strong enough for that task.
That was the first time I ever posed with Katie. Looking at that photo makes me remember all the other pictures I have of Katie and me, even when there was no camera with film and batteries ready to go. It's these pictures that I'll never lose.
Before Katie and I went off to school, we spent our days in the tunnels and caves of cardboard boxes and secret hideaways under the kitchen table. Our house has never been short on toys (there were six kids born before Katie and me), but boxes have always been a favorite. I remember being able to easily slide through the long passageways, my back not even brushing against the "ceilings" of our tunnels and forts. Katie had an even easier time ...
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..., on the right, Horseshoe Falls bubbles under a mist that slowly rises above the horizon. Katie and I lean against the heavy, black railing, and against each other. Our smiles are sweet and happy, reminiscent of Katie's first birthday.
These two shoebox pictures of Katie and me are just two snapshots in a shared photo album, filled with every cake, thought, joke, and sweater we've shared. In the midst of looking through the collection, Katie yells at me, "Hey, that's my shirt!"
"You borrow my stuff," I reply.
"Not without asking."
"You had my black skirt for three months."
"I asked for it."
I let the fight peter out, not wishing to waste a memory on an argument about clothes. There will be plenty of hair-pulling, name-calling, and angry situations between Katie and me to come. I want to save my film for better times.
Susie’s mother opened the door to let Molly, Susie’s babysitter, inside. Ten-month old Susie seemed happy to see Molly. Susie then observed her mother put her jacket on and Susie’s face turned from smiling to sad as she realized that her mother was going out. Molly had sat for Susie many times in the past month, and Susie had never reacted like this before. When Susie’s mother returned home, the sitter told her that Susie had cried until she knew that her mother had left and then they had a nice time playing with toys until she heard her mother’s key in the door. Then Susie began crying once again.
In William Shakespeare’s play, A Midsummer Night’s Dream, the lead of Peter Quince’s play production of the Pyramus and Thisbe is Nick Bottom. Nick Bottom is a very egocentric character, primarily because
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
Shakespeare’s comedy A Midsummer Night’s Dream juxtaposes the patriarchal world of justice, rule, and order, contextualized as Theseus’ Athens, with the youthful, rebellious universe of Oberon’s woods. In the last lines of the play, Robin Goodfellow (Puck), one of several maliciously-inclined forest fairies, attempts to reconcile these opposites by suggesting to a potentially offended audience that the “immoral” events having occurred in these woods would simply have taken part in a dream. In contrast to the other characters of the play who either emblematize each side of the binary (fairies as the “woods” and older humans as “Athens”), or assert both extremes at different periods in time (young Athenians), Puck embodies the liminal space
Many take passion as an insignificant trait but passion reveals the true nature of characters within a play as explicitly shown in A Midsummer Night’s Dream. Puck’s passion for mischief, Helena’s for Demetrius’ love and Bottom’s for theatrics are testaments to the intense passions described in the play. Passion has a positive effect in the play, reflected in the actions, speech and thoughts of the actors. When lead by such emotions, each character is able to accomplish their desires, while giving a positive effect on the viewers. A Midsummer Night's Dream teaches that everybody has a passion for something and by using the passion as a guide, anything can be accomplished.
The use and misuse of magic has an important role in A Midsummer Night’s Dream. As a reoccurring theme, Puck’s use of magic creates humor, conflict and balance in the play.
Agnes Bohaxhiu, other wise known as Mother Teresa, is known worldwide as one of the most remarkable missionaries. Following the call of her Lord, Mother Teresa traveled to the slums of India to serve Christ. Her work was based on the verse, Matthew 25: 35:
A first date, a tender touch, a gentle kiss, can all be described as expressions of affection. Innocence often has to do with the fondness and adoration displayed in relationships. The movie, Love Actually, starring Hugh Grant, focuses on different ways of making love work by showing the lives of different people. The film, from time to time, shows a little boy who is falling in love with a girl in his school. He thinks that the best way to win her heart is to become a rock star and so he joins his school band as a drummer. He practices the drum everyday until it’s time for the Christmas concert where he plays his best. At first, the girl does not notice him and he is heartbroken and to make matters worse, she’s leaving the country. He goes to the airport to find her, and, when he does, he kisses her and lets her know that he likes her. While the film does not tell the audience what happens in the future, it can be assumed that there will be a new love blossoming.
Puck causes the disruption initially, when he intervenes in the lovers' business. Jester and jokester, Puck, otherwise known as Robin Goodfellow, is like a wild, untamed memb...
In the play Hamlet, by William Shakespeare, we observe Hamlet as an incredibly complex and bewildering character that upon first glance, seems to undergo a plethora of predicaments. Upon identification of such obstacles, we begin to wonder about whether his entirely fictitious existence in the play classifies him as sane while the world around him is in a way, insane or vise-versa. In addition, one of the main problems that superficially seems to be at the root of his conflicts is his melancholy. This is a condition that has always identified with him throughout the entire play, even still presenting itself up until the very end of Act V. In conclusion, the cause of his affliction is generally simplistic but drawn-out, serving to impact his actions significantly.
Around the world people love. They live for love, they write for love, the sing, eat, cook, die and kill for love (ForumNetwork, 2009). Since the beginning of recorded time, people have wondered why love is such an intense and universal feeling. There is no culture in this planet that does not have love (ForumNetwork, 2009). This essay will only talk about romantic love were sexuality and attraction are involved. Romantic love, is one of the most powerful energies on earth (ForumNetwork, 2009), it is indeed one on the most addictive substances we can experience at least once in our life. The rush of cocaine and the rush of being in love depend on the same chemicals in our brain (ForumNetwork, 2009); we are literally addicted to love. The feeling of being in love does not depend whether the other part loves you back or not, it will help you feel more happy that is for sure, but the intensity of the feeling loved or heartbroken is the same, they both depart from the same principle: the love and desire of the other. Love remains in the most basic system of our brain, under all cognitive process, under all motor impulses; it is placed in our reward system, the most ancient systems of all (ForumNetwork, 2009).
...ave me a bright pink gift bag stuffed with shiny silver tissue paper to open. Inside was a shirt that read “I’M A BIG SISTER!” I put the sister shirt on and saw everything differently. “Today marks an important day and you’re going to hold your brother even though you’re nervous, you’re going take responsibility and be the best caring, loving sister you can be”, I said silently to myself.
*If you've been hurt in the past by people dont assume that you will always be hurt, open your heart to someone who you can trust and you will find true love, dont deny yourself of that feeling*
Although Hamlet’s reasoning has some legitimacy, it serves as an excuse for Hamlet to put off the murder until later. Linguistics research scholar Shivani Kaul offers her explanation for why Hamlet chooses to procrastinate throughout the play:
Hamlet What is perceived, as Hamlet's delay in avenging his father has been some thing that has been under scrutiny for a long time. Especially in the last two hundred years there has been a lot of thought that has been given to the topic but the first person to raise the issue and in an indirect manner was Shakespeare. He was the person who assigned Hamlet lines in which he unbraids himself for not having yet acted. There have been a number of thematic contributions the idea of delay makes to the play and many believe that it is that delay which is the lifeblood of the play. Had it not been there the play would never have been such a marvel. It was anything but Hamlet’s ability to come to a decision because he was not someone who was indecisive about anything. He may have had problems in his youth and he was a bit slow and cautious but that is not to suggest that he was afraid or a bad decision maker as it could be seen when he said, “What an ass am I!” (II, iii, 125-129) People and the readers alike expect or at least expected that Hamlet should have went for the revenge right awa...