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The History of Skateboarding Culture (Chunk 1) Ever since I was a little kid, the sport of skateboarding has been an inspiration to my lifestyle. Most people learn to ride a bicycle as their first “vehicle”, but that wasn’t the case with me. For some reason, my parents decided to get me a skateboard before anything, and I fell in love with it instantly. I became obsessed with the way that people rode these skateboards in a fashion that made it look so natural and easy. I started small, learning how to ollie off and up curbs and what not, but slowly started setting goals for myself and found myself jumping off of stair sets by the time I had finally gotten comfortable with the board. In this paper, I will be outlining the amount of cultural impact that the skateboarding scene has had throughout the world ever since it was invented. Many people seem to think that it is just a certain “punk” brand of teenagers who feel the need to scoot around on wheels, but in many ways, skateboarding has broken into the mainstream through forms of fashion, music, art, and even film making. For example, clothing brands such as Quicksilver, Volcom, Supreme, Diamond Supply Company, Vans, and Nike SB have risen to the forefront of streetwear and casual attire and many …show more content…
My overall goal for this project is to educate my peers on the fact that skateboarding and street culture go hand in hand, as well as gain a way to delve deeper into the history of skateboarding through both my mentor, Shawn Thompson, and through sources such as Thrasher Magazine, Skateboard Magazine, and
Diversi, M. (2006). Street Kids In Nikes: In Search Of Humanization Through The Culture Of Consumption. Cultural Studies <=> Critical Methodologies, 6(3), 370-390.
The first skateboards were made in the 1950’s being used as an exciting activity to take part in when the waves were down. From then and now the sport has changed tremendously, thanks to a group of young skaters from a slum area of Venice Beach or Dog-town, as the locals called it, known as the z-boys in the 1970’s. Even though skateboarding was already known and invented, the z-boys are the ones who made skating famous and took it to new heights in popularity. But how did they do this? The Z-boys made this sport what it is today, and played a very important part in the history and evolution of skateboard style and quality.
The second article, “Commercialization of the Rap Music Youth Subculture” by M. Elizabeth Blair, expresses the point of the use of rap music to sell a product even though advertisers know nothing of the subculture....
Skateboarding was the new way and most fun way of transportation in the 1960’s. One of the reasons that I think this is because of the history of skateboarding and what the idea of skateboarding came from. I also think that skateboarding was the most fun way of transportation in the 1960’s because that was when the first major advancement to the skateboard happened. And last but not least is that the ollie was invented in the 1960’s. And by the way did you know that the brilliant idea of skateboarding is actually from the idea of surfing.
As hip hop culture became prevalent in pop culture, so did black culture. Hip hop stems from black struggle. Their vernacular, songs, and spiritual ways were different from what whites were used to. Their different lifestyle of “living on the edge” was intriguing yet inaccessible for the whites living among them. Thus, this initiated America’s fascination with the culture. It became about what people assume and perceive about black people rather than what they actually are. In essence, an essential to cool is being on the outside, looking in. In the media and celebrities today,
All moderately sized towns should have a skatepark for three main reasons: it will make the town look like a nice place to live, the kids in the town won’t be getting into trouble for skating around town, and it is a lot safer than skating in the streets. In countless cities around the world, well-built skateparks have also been proven to be valuable community assets with tremendous benefits. Instead of viewing skateboarding as a negative problem that needs to be solved, these forward-thinking communities have found ways to embrace these sports while showcasing their artistic and acrobatic spirit(“The Benefits”).
Since the beginning of hip hop culture, its music, its style of art, and style of dance has had a major effect on the world and it has increased. ...
Hip hop originated in the ghetto areas of New York during the 1970’s and is a mixture of DJ, MC, B boy and Beat boxing. In his studies of defining hip hop, Jeffries concluded that these mixtures of art forms do not define hip hop but rather that Hip hop itself is a culture of these elements. “Hip-hop is like a culture, it’s a voice for black people to be heard. Our own style, our own music” (Jeffries. 2011; 28). Jefferies identifies hip hop as a social movement, which stems from the concept of ‘collective identity’ (Jefferries.2011; 27). This can be defined as “an individual’s cognitive, moral and emotional connection with a broader community” (Polletta and Jasper. 2001; 84). Which relate to Smitherman’s views that hip hop is a celebration of black culture uniting these individual to form a collective community. (Smitherman. 1997; 20) .These Theorists generally accept that hip hop is culture and it’s the production of its creators and the individuals who consu...
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
As skateboarding evolved, it was once something kids do in their free time, later became a prospering sport. This started many new changes to our local cities. “No skateboarding” signs are being posted places that skateboarders would go to practice. Architects are finding new ways to redesign structures like benches and handrails in the city, in order to lower the abundance of skateboarder in an area. All these changes have resulted in a good amount of money spent redoing everything to prevent skateboarding, but nothing is being done to give skateboarders a safe place to skate. For young teens whose only transportation is a skateboard, they can only travel so far, and skateparks are not close enough. To eliminate the amount of skateboarders in heavily populated areas, I propose that cities invest more money into building skateparks so skateboarders have a safe place to practice the sport.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
Hip hop is a subculture and global movement that started in the South Bronx, New York City during the late 1970s. In a post-civil rights era, where deindustrialization dominated, where racism and discrimination still existed, hip hop gave discriminated youths a chance to voice their opinions, and address their struggles in America. It created jobs for African-Americans and has forever transformed America’s politics and culture. Since then, it has only spread worldwide. The culture of hip hop has made its way to other countries such as Germany, South Korea, Australia, Africa, etc., becoming a global phenomenon. The issue, however, is that hip hop is often misunderstood, and seen only as the stereotypes society and mainstream hip hop perpetuates.
A Single Youth Culture Youth culture and youth subcultures have been a subject of research since the early 1930s. It is most certainly true today that there is not one singular youth culture but a variety of different youth subcultures. The 90's can not be described as the same as the 60's or 70's or even the 80's. There are many reasons put forward by sociologists for this such as there are more styles available today, media influences us more and there is a higher disposable income per household to spend on fashions. This paper will explore the reasons behind the existence of youth cultures in previous years and why the same format has not occured in the 1990's.
These six words in many ways defined the late 1980s and 1990s, encapsulating the rise of hip-hop, NIKE, Michael Jordan, and the racial-class narratives embedded in each of them. The problem of such ethos are highlighted in a music video from Seattle’s very own Macklemore and Ryan Lewis.
Adolescents like to have a place they can call their own. In the fifties, teenagers hung out at the malt shop, sipping cherry cokes and rockin' with Elvis. Today, in small town USA, they're jam skating while listening to the favorite group of the month. I was amazed to find a microcosm of life blooming on a 70 x 160-foot cement slab known as a roller skating rink.