The first skateboards were made in the 1950’s being used as an exciting activity to take part in when the waves were down. From then and now the sport has changed tremendously, thanks to a group of young skaters from a slum area of Venice Beach or Dog-town, as the locals called it, known as the z-boys in the 1970’s. Even though skateboarding was already known and invented, the z-boys are the ones who made skating famous and took it to new heights in popularity. But how did they do this? The Z-boys made this sport what it is today, and played a very important part in the history and evolution of skateboard style and quality.
During the 1950’s when skateboarding first got it’s legs it was a very popular activity to take part in during vacations to ocean side tourist attractions, or as an activity after surfing. Yet, by 1965, skateboarding had diminished in popularity completely, therefore almost every skateboard manufacturer went out of business. . During this time the only people who even wanted to skateboard were surfers who needed something to ride to practice their surfing while the waves were flat. Due to the fact that there were no skateboards being made or sold, those who wanted to skate had to take it upon them-selves to manufacture their own boards. Using any kind of scrap they could find to build a usable board out of, such as metal scrap pieces or old planks. These determined surfers had to unscrew the trucks and wheels off of roller skates and attach them to the bottom of their boards. And because these kids were from very poor families for the most part, and next to non had jobs of their own, they had to resort to taking the trucks and wheels off the roller skates secretly in the stores. Although.., the clay wheels th...
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..., for better most would say. But that is part of the culture that the Z-boys had created, that being who cares what other people think. At the end looking back, the Z-boys were nothing but a group of troublesome friends looking for the next big wave, who changed the world.
“Children took the ruins of the 20th century and made art out of it” (Skip Angblom) .
Works Cited
Cave, Steve. The True of Dog-town and the Zephyr Team. About.28 February, 2014. Web.
Peralta, Stacy. Stecyk, Craig. Dog-town and Z-boys. Documentary. 3 January, 2001. 28 February, 2014. Movie.
Stecyk, C.R. Friedman, Glen. Dogtown: Legend of the Z-boys. Book. 2002. 28 February, 2014.book.
Fan based. Zboys.net. 1997. 28 February, 2014. Web.
Owen, Tony. The Evolution of Skateboarding: A History from Sidewalk Surfing to Superstardom. Skateboardingmagazine. March 5, 2013. 28 February, 2014. Web.
The twentieth century has witnessed many transformations in the ways we produce and respond to works of art. It has seen the rise of altogether new media, approaches, and a wealth of new interpretative frameworks. The emergence of manufactured goods, modernism, and a ubiquitous mass culture contribute to the upheaval, in the 1960’s and 70’s, of established art practices and approaches. Pop Art emerges as an important response to, extension of, or parody of what Clement Greenberg called “Ersatz culture” and “kitsch”, which, to paraphrase Greenberg, represent the omnipresent abominations of commercial and replicated art (Greenberg 9). This essay will observe and discuss the interaction of Canadian pop culture, art, and identity in Joyce Wieland’s “O Canada (Animation)”, and will underline how works of Pop Art serve to elevate kitsch into “a new state of aesthetic dignity” (Eco 228).
Scooters kids will not wait and roll whenever they want. I’ve had times where kids decide to roll as they see I’m going and it causes an accident or me jumping out of the way. This is just another example of kids causing accidents by being focused on themselves. This just proves they are very dangerous to be at the skatepark.
Many know Tony Hawk as one of the best skateboarders in the world. He has made many accomplishments in his life. He h...
Boyz N the Hood was a film created to convey an anti-gang message as well as to provide societal members an in-depth look at life in “the hood” so he or she can expand their culturally awareness of identifying societal issues (Stevenson, 1991). Upon the debut of “Boyz N the Hood” violence erupted at theaters across the nation, resulting in multiple shows pulling the film from scheduled showings to alleviate future violent behaviors (Stevenson, 1991). The film profoundly illustrates the realty of the events revealed within the storyline that frequently occur on a daily basis within every impoverish community; however, is overlooked by the individuals who are not directly involved and or affected (Leon-Guerrero, 2016) Children of lower socioeconomic status often are raised in ghetto neighborhoods where they often witness, crime, violence, gang activity, abuse, and drugs (Leon-Guerrero, 2016). Ghetto communities envelop tumultuous cycles of violence and substance abuse creating a pervasive occurrence within the residents of the community. This is prevalent in lower developed communities that unfortunately many children and the youth populace indirectly inherit and sadly conform to, as there are no other means to an end for them (Leon-Guerrero,
In this notable Ted Talk video "Do schools kill creativity?", Sir Ken Robinson discusses how public education systems demolish creativity because they believe it is essential to the academic growth and success of students. Robinson created a broad arrange of arguments to persuade the viewers to take action on this highly ignored issue, and he primarily focuses on how important creativity is. There are classes within schools that help utilize creativity, but they are not taken seriously by adults in society. Therefore, the value of creative knowledge decreases. Robinson uses an unusual combination of pathos and ethos to make an enjoyable dispute for implementing an education system that nurtures rather than eats away at creativity.
As skateboarding evolved, it was once something kids do in their free time, later became a prospering sport. This started many new changes to our local cities. “No skateboarding” signs are being posted places that skateboarders would go to practice. Architects are finding new ways to redesign structures like benches and handrails in the city, in order to lower the abundance of skateboarder in an area. All these changes have resulted in a good amount of money spent redoing everything to prevent skateboarding, but nothing is being done to give skateboarders a safe place to skate. For young teens whose only transportation is a skateboard, they can only travel so far, and skateparks are not close enough. To eliminate the amount of skateboarders in heavily populated areas, I propose that cities invest more money into building skateparks so skateboarders have a safe place to practice the sport.
"Black Athletes in 20th Century United States." Black Athletes in 20th Century United States. N.p., n.d. Web. 13 Dec. 2013.
One Shaun turned seven, he had the ability to enter his first snowboarding contest. To no surprise he had won, he was then given a wild card in the nation 12-and-under championships where he finished 11th. Anyone who had challenged with Shaun in anything knew that he was meant to compete. Shaun's fame started to rise when Tony Hawk befriended him and started mentoring him at the age of nine. A few years later Shaun was invited to participate in MTV's Sports & Music Festival. He got to join the Tony Hawk Gigantic Skate park ...
Skateboarding was originally from the idea of surfing. But when the waves were gone, they still wanted to go surfing so they decided to put wheels on their boards. And the ones who were brave enough
Skates used to be more like skis. Players glided on the ice rather than actually skated. Artifacts also show the use of animal bones as skate blades as well. Currently, steal blades are used. There is a small arc groove on the blade that provides the friction needed to counteract the slipperiness of the ice (Haché 37). The boot of the skate is hard enough to protect the foot from puck impact but also flexible enough “to allow the calf muscle to push forward and to ease knee bending when the player crouches” (Haché 35).
Like any other sport, ice-skating is obliged to creative people who bring something new to it. These people are known to everyone as the inventors of particular jumps, splits, spins. They are given credit for their work and, sometimes, the skating moves they invented carry their names. For instance, the Lutz jump was invented by Alois Lutz before World War II; the Walley jump was attributed to Bruce Mapes who performed with the Ice Follies in the 1930s. With Mabel Fairbanks that was never the case. The spins she invented never have been officially admitted to be exclusively her creation.
All moderately sized towns should have a skatepark for three main reasons: it will make the town look like a nice place to live, the kids in the town won’t be getting into trouble for skating around town, and it is a lot safer than skating in the streets. In countless cities around the world, well-built skateparks have also been proven to be valuable community assets with tremendous benefits. Instead of viewing skateboarding as a negative problem that needs to be solved, these forward-thinking communities have found ways to embrace these sports while showcasing their artistic and acrobatic spirit(“The Benefits”).
Kleiner, Fred S. Gardner’s Art through the Ages: The Western Perspective. Vol 2.13th ed. Boston: Wadsworth/ Cengage Learning, 2010.
When you first skateboard, you need a skateboard that you are comfortable to ride or stand on helmet as well.
“Every child is an artist”. The problem is how to remain an artist once he grows up.” -Pablo Picasso. This quote is pretty straightforward. It says how all children are artists and how they grow older are not artists anymore.