The Great Skater
Like any other sport, ice-skating is obliged to creative people who bring something new to it. These people are known to everyone as the inventors of particular jumps, splits, spins. They are given credit for their work and, sometimes, the skating moves they invented carry their names. For instance, the Lutz jump was invented by Alois Lutz before World War II; the Walley jump was attributed to Bruce Mapes who performed with the Ice Follies in the 1930s. With Mabel Fairbanks that was never the case. The spins she invented never have been officially admitted to be exclusively her creation.
For me, it was a profound experience to be coached by her, as I was learning not only the art of skating, but also many things that one can learn from a wise person. I treasure her advice very much.
Mabel Fairbanks was a brilliant and a hard working skater. The only problem she experienced over and over was the unwillingness of the skating world to admit that she was deeply talented. It was the second quarter of the 20th century, and she was not allowed to perform the major skating movements--the elements she found the most fun to perform. She was black, she was too good, and the other girls in the show wouldn't look as skillful having Mabel performing next to them. In fact, Sonja Heini once refused to allow Mabel to join Sonja's popular skating troupe because Mabel was too gifted.
Mabel was restricted in her skating to the simple elements. But, Mabel wouldn't be Mabel if she didn't extricate herself from the restrictions. How? The solution was ingenious: "If they don't let me skate the conventional way, I'll invent something of my own. This way, nobody and nothing can prevent me from skating to my full abilities."
Necessity turned out to be the mother of invention. In a short period of time, Mabel, the first black superstar skater in the history of the United States, came up with the new variations of basic spin. They were so gorgeous! She was the star of the shows at British West Indies with the famous Ice Follies, and in Mexico with the Ice Capades. The only sad thing is that the spins she invented have never been called anything more than just spin's variations. If it were for me, I'd call them Fairbanks spins.
... to the United States, which made her really proud. Her rough teaching method actually left a positive impact on my life because I build a good habit of learning and using English, and also I feel so fortunate that I can get all of these supervision, criticism, encourage, and care from her.
At eleven years old, she was discovered by Gus Edwards and performed in a dinner show called the Vaudeville Kiddie Revue. In her teenage years she could often be found dancing in clubs. Then, she started auditioning for Broadway shows. The reason she started tap dancing was because the fact that every audition she went to, she was asked to tap dance. So, she enrolled in the Jack Donahue School in New York. After her first class, she didn’t want to come back because she felt so behind. Jack called her and told her to come back, so she did. By her seventh lesson, she was finally getting good.
Ballet is one of the world's oldest and newest forms of dance. One man that created new audiences for ballet and mastered the dance to its fullest was none other than George Balanchine. He brought the standard ballet to levels no one has ever seen before. In the world of dance, there have been many wonderful and talented choreographers but Balanchine's work affected the dance world so much that he was a legend long before his death. Not only was he legendary worldwide but also his influenced American Ballet. George Balanchine's unique style of dance created the "American style" of Ballet.
The first skateboards were made in the 1950’s being used as an exciting activity to take part in when the waves were down. From then and now the sport has changed tremendously, thanks to a group of young skaters from a slum area of Venice Beach or Dog-town, as the locals called it, known as the z-boys in the 1970’s. Even though skateboarding was already known and invented, the z-boys are the ones who made skating famous and took it to new heights in popularity. But how did they do this? The Z-boys made this sport what it is today, and played a very important part in the history and evolution of skateboard style and quality.
The fine art of modern dance is like many other fields in that it is based on the actions and deeds of those who were pioneers in the field. These pioneers helped to mold modern dance into what it is today. Of the many people who are partially responsible for this accomplishment is Isadora Duncan. Duncan, often referred to as the “mother of modern dance,” inspired many other dancers to the extent that the art of dance would not be the same today without her many contributions.
Anna Avalon was very talented. Not only had she been part of a circus and known how to use a trapeze, but she was able to rescue her daughter from a house that was on fire, by using her talent and her expertise to lunge toward the roof of the house and hang upside down by her feet attached to the gutter. By doing this she was able to crawl in through the window and save her daughter.
In summary, Radelet & Borg (2000) draw three general observations from the data. First, there have been significant changes in the arguments made for and against the death penalty in the United States. While the case of cost is admittedly not as clear as the other areas, retribution has become the only real justification for capital punishment. Second, countries around the world have been, and continue to be, declining in their usage of the death penalty. Last, social science scholars are being listened to. More research is being published on key issues, and changes are being implemented, albeit seemingly slowly, in accordance with research conducted by criminologists.
Radelet, Michael L., and Traci L. Lacock. "Do Executions Lower Homicide Rates?: The Views of Leading Criminologists." Journal of Criminal Law & Criminology 99.2 (2009): 489-508. Academic Search Premier. EBSCO. Web. 28 Feb. 2011.
Does the death penalty really deter crime? The death lobby wants you to believe the answer to that question is "yes." But, in fact, it is a resounding "NO." Consider this…the US is the only Western nation that still allows the death penalty, and we also have on the highest crime rates. During the 1980's, death penalty states averaged an annual rate of 7.5 criminal homicides per 100,000, while abolition states averaged a rate of 7.4 per 1000,000. That means murder was actually MORE common in states that use the death penalty. Also consider this…. in a nationwide survey of police chiefs and sheriffs, capital punishment was ranked LAST as a way of reducing violent crime. Only twenty-six percent thought that the death penalty significantly reduces the number of homicides. The theor...
Finally the writer hasty generalizes the editorial in the second to last paragraph. “What people mainly want is some assurance of personal control and dignity, freedom from pain and faith that their last wishes will be honored” (Death, Dignity).
Since 1976 there have been 1,434 executions in the United States, and additionally of those executions since 1973, 156 of those on death row were exonerated (Facts About the Death Penalty, 2016). In 2012 the National Research Council released a report titled Deterrence and the Death Penalty, citing that studies claiming there was a correlation with the death penalty and lower homicide rates. However this is not true, the death penalty has no effect on crime especially homicide rates. Additionally it is negligent of policy makers to rely on such reasoning in determining the continued validity of the death penalty for a wide variety of capital crimes.
The death penalty has been backed by statistical analysis that has provided arguments for and against the sentencing based off deterrence methods. People against the death penalty have documented states that do not have the death penalty and have shown a decrease in murder rate. David Cooper’s statistical article provides information for non-death penalty states showing lower murder rates by stating, “When comparisons are made between states with the death penalty and states without, the majority of death penalty states show murder rates higher than non-death penalty states. The average of murder rates per 100,000 population in 1999 among death penalty states was 5.5, whereas the average of murder rates among non-death penalty states was only 3.6,” (Cooper, p.1). The statistics have shown that the death penalty ha...
To start off, Emily in the short story I Stand Here Ironing learns to grow from her hardships and struggles. Although she has had a rough life growing up she didn’t let that stop her from doing what she loved. Emily has a gift for comedy and performance so her mother encouraged her to participate in the school amateur show. Emily thought it was a good idea to try it out and she ended up winning first prize at the show. Everyone loved her performances and, “She began to be asked to perform at other high schools, even colleges, than at city and statewide fairs” (Olsen 6). Emily had a special talent and she didn’t let her troubles stop her from pursuing her passion.
During the early 20th century, dance underwent a major revolution. Previously, dance, specifically ballet, was very rigid and structured. With the turn of the century though, many choreographers began experimenting with techniques and styles that transcended the traditional norms of dance at the time such as the legendary Merce Cunningham. Known for works such as Variations and Nearly Ninety, Merce Cunningham left his impact on the modern dance world with his use of chance operations, his collaboration with various artist and musicians, and later in his life, technology. An apprentice of Martha Graham, Merce went on to teach famous dancers, such as Paul Taylor, who would go on to leave their own footprint in the history of dance.
Recent crime figures from abolitionist countries fail to show that abolition has harmful effects. In Canada, the homicide rate per 100,000 population fell from a peak of 3.09 in 1975, the year before the abolition of the death penalty for murder, to 2.41 in 1980, and since then it has declined further. In 1999, 23 years after abolition, the homicide rate was 1.76 per 100,000 population, 43 per cent lower than in 1975. The total number of homicides reported in the country fell in 1999 for the third straight year.(Hood 253)