“It’s gotta be the shoes” - Mars Blackmon These six words in many ways defined the late 1980s and 1990s, encapsulating the rise of hip-hop, NIKE, Michael Jordan, and the racial-class narratives embedded in each of them. The problem of such ethos are highlighted in a music video from Seattle’s very own Macklemore and Ryan Lewis. The thought-provoking song “Wings” is an excellent introduction to Marx’s theory of commodity fetishism. Commodity fetishism is the process of attributing phantom “magic-like” qualities to an object, whereby the human labour required to make that object is lost once the object is associated with a monetary value for exchange. In a capitalist system, once an object emerges as a commodity that has been assigned …show more content…
This video can also be used to teach and distinguish among Marx's notions of use-value and exchange-value, as well as his concept of surplus-value, which is the surplus or profit earned by the capitalist, above and beyond the use-value (labour power) required to produce the …show more content…
In proving this old proverb, Karl Marx explained some key features of capitalism that remain relevant today. Towards the end of the first chapter of Das Kapital, after having established the validity of the labour theory of value, Marx presents a section on the Fetishism of Commodities. A commodity looks simple enough, says the pro-capitalist economist. Most such economists say a commodity is any object with a use value that somebody wants and is willing to pay for, and its monetary value is determined by supply and demand. Nothing drives such a common sense economist more to distraction than reading Karl Marx who says a commodity is “a very queer thing, abounding in metaphysical subtleties and theological niceties.” What did Marx mean? Economics is a science, a mathematical science, what has it got to do with metaphysics and theology? Take a wooden table, says Marx. It is just wood that human labor has turned into a table and taken to market. Wood + Labor = Table. Where is the mystery? When it gets to the market, the table finds itself in the company of the stool and the chair. All three have use values, are made of the same wood and may be in equal supply and equal demand, yet each has its own different
Under the oppression of the bourgeoisie, the proletariats, who composed the mass majority, only owned one resource—their labor. However, the bourgeoisie could not continue to exist without the instruments of production. Since the common worker lived only so long as they could find work, and could only work so long as their labor increases capital, they continued to be oppressed by the bourgeoisie, who controlled the capitalist society by exploiting the labor provided by the proletariats. People sell their laboring-power to a buyer, not to satisfy the per...
As hip hop culture became prevalent in pop culture, so did black culture. Hip hop stems from black struggle. Their vernacular, songs, and spiritual ways were different from what whites were used to. Their different lifestyle of “living on the edge” was intriguing yet inaccessible for the whites living among them. Thus, this initiated America’s fascination with the culture. It became about what people assume and perceive about black people rather than what they actually are. In essence, an essential to cool is being on the outside, looking in. In the media and celebrities today,
Marx’s idea of the estrangement of man from the product of his labor described the suffering of countless hours or work by the laborer, contributing to the production of a product that he could not afford with the wages he made. He helped to produce a product that only those wealthier than he could afford. As the society around him became more object-oriented, he became increasingly more alienated. In the lager, one factor that distanced the laborer from his product was that he no longer worked for a wage, but for survival. In a description of his fellow worker, Levi wrote, “He seems to think that his present situation is like outside, where it is honest and logical to work, as well as being of advantage, because according to what everyone says, the more one works the more one earns and eats.” Levi pitied his fellow worker for his naivety, as the Lager was not a place of labor for prosperity, but strictly a place of labor by force. One worked in order to live, focusing more on the uncertainty of their next meal, day, or even breath than the product of their l...
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Marx states that the bourgeoisie not only took advantage of the proletariat through a horrible ratio of wages to labor, but also through other atrocities; he claims that it was common pract...
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
In his Manifesto of the Communist Party Karl Marx created a radical theory revolving not around the man made institution of government itself, but around the ever present guiding vice of man that is materialism and the economic classes that stemmed from it. By unfolding the relat...
However, the advancements that he listed as enriching the human experience are merely a product of progression, which can occur in any economic system, not just capitalism. Goldberg then went on to discuss capitalism’s creation of “intangible capital” and the value it brings (Goldberg, 12). However, the capitalist elite control the means of distributing this “intangible capital”, and often access to “natural capital” as well. The inequity of this system is what results in the powerlessness of those in poverty, who find themselves unable to challenge those in power. Marx perhaps best envisioned this in his concept of a class struggle between the proletariat (working class) and bourgeoisie (owners of the means of production), and proposed socialism as an alternative economic
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Communism, socialism, and capitalism are the three basic forms of economical systems, each evident in the world. Although Karl Marx is portrayed as the father of communism, Marx is able to provide a substantial amount of information about the capitalistic world. In his work, “Capital (1867)”, Marx discusses the nature of commodities, wages, and the relationship between a worker and the capitalist economic system. As a result, Marx portrays workers as human beings who have been exploited in order to maximize production and profit in a capitalistic society. Although Karl Marx wrote “Capital (1867)” over a century ago, Marx’s arguments concerning the various uses of human labor, commodities, and values, have remained relevant in the United States
When Karl Marx first penned his shaping works on communism, he assumed that the relationship between workers and capital would always be opposing. While most rejected his overall theories, they did not argue with the basic idea that the interests of workers would always be at odds with those of owners. This is one of Marx's only theories that has proven to be true. As a consequence, over the years, that thought has guided the marketplace in terms of deciding wages, working conditions and other worker centered benefits.
Commodity fetishism is a term first coined by Karl Marx in his 1867 economic treatise, Das Kapital. It takes two words, one with a historically economic bent and another with a historically religious bent, and combines them to form a critical term describing post-industrial revolution, capitalist economies. Specifically, this term was used to describe the application of special powers or ideas to products that carried no such inherent value.
the will to labour. For Marx this all leads to the emergence of private property, the enemy
Marx’s critique of capitalism was written more than a hundred and fifty years ago; however, its value and insight are still extremely relevant to the twenty-first century. In order for us to maintain mixed-market capitalism, ensuring ethics in businesses and stability in growth, all of us need to read and understand Marx’s critique.
Marx also goes on to explain that if workers start to earn more money and gain more wealth then he becomes poorer in values and the more his production increases in power and range of materialistic substances. One of Marx’s sayings to support this theory was “The worker becomes the worker”. an ever cheaper commodity, the more commodities he creates”. Karl Marx was largely ignored by his scholars during his lifetime. However, his theories and ideologies came to surface after his death.