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Importance of being in a choir group
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I absolutely hated Wednesdays. The section leader says it’s the one day we have to fix our problems as a section and perfect our parts; I say it’s his opportunity to scream in our faces and declare his ownership over the solos before the rest of us know about their existence. The rest of them say that he’s only the way he is because his mortal enemy joined “his” section this year. I don’t know who or what to believe. All the information hit me in the face the day after I was notified of the sudden opening to join the group. ______________________________________________________________________________ I had auditioned like all the other new members did every year and played all twelve major scales two octaves and sight-read music that would be performed later by everyone who made the cut. A week later, when the list of the members for this year’s group was released, the list implied that I did not pass the audition. Of course I inquired to know exactly why I did not pass, and I didn’t like what I heard. I was told by the director himself that I was one of the best incoming members that auditioned; however, he had to shrink the section down to fifteen to compensate for the decrease in the number of returning members. I smiled and nodded like I was taught to do for so many years and simply carried on with the next five weeks of my life as if nothing happened. Then, I got a call saying that a spot in the section had opened when one of the members quit and was asked to join because I was on the waiting list. I agreed to join and the lady on the other line told me when the next rehearsal was. Then I met the section for the first time. I was stared at with curiosity by the instrumentalists that had been with each other since the firs... ... middle of paper ... ...d you play?” “Tenor sax. I’m also a section of one, so if you see a sax player with a bigger instrument than the rest you know why.” I nodded and started playing through the song. I needed to be as familiar with it as Changmin might’ve been to appease my section. “Who are you and why are you in Changmin’s spot?” I looked up at the almost perfect looking guy staring down at me. I wondered if all members were required to look like models in order to get in. “Jaejoong, this is Ryeowook. He’s Changmin’s replacement,” Heechul explained. Jaejoong gave the other flautist a dirty look and walked to his seat in the center of the row. I felt like I meant nothing to the section, like my presence did nothing to compensate for their loss. “Don’t worry about him. He hates me, so he’ll act like that whenever I’m around. I’m sure if you talk to him yourself he’ll be much nicer.
“It’s not very common we play in places like this with people sitting down,” Rodrigo Sanchez mentioned immediately after the short intermission. “You’re so fucking civilized.”
Prior to the concert I had been somewhat familiar with all three bands' music. I
“I think that he doesn’t deserve you”. He stared back at me with those eyes that will stick with you way after the conversation is over. “Well I wish I just became a movie star with all the money, and the fame,
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
What thoughts and feelings did you have as a result of the music performance experience?
The band played together in such harmony and joy, and they exchanged looks as if they're talking to each other and understood by looks. As it turns out the guest go the nigh George Gazone was the professor who taught the band members music. Garzone Played the Saxophone like no other, he’s solos were magical it was fascinating watching him and the admiration his student have for him. The music sounded beautiful, yet seems the band are not well prepared for the evening. There was a lot of improvisation and as if every band member wanted to show off his skills which was really good. Improvisation is an element of jazz I was looking for, also, there were a lot of call and response between the band members different ones at each piece they played.
It was apparent that Rosenblum was familiar with the Sanctuary’s community because as soon as he entered, he began talking to each of the audience members he recognized. Though I had never witnessed one of his performances, he also said a simple greeting to me as he walked past. Davis followed suit when she entered the Sanctuary. She sat down with Rosenblum in one of the pews to catch up with the current events of audience member’s lives. This pre-show element made the experience even more welcoming, relaxing, and friendly. Once it was time for the concert to begin, the director of the Sanctuary introduced each performer. Once Davis and Rosenblum were settled, Davis explained how the concert was going to be a calm and fun night. She chatted with the audience talking about her preparation for the night and how excited she was to be visiting the Sanctuary with Rosenblum. Throughout the concert, Davis would tell little stories or continue speaking to the audience in between pieces. This incorporated the audience into the concert and created a friendly relationship between performers and audience. Finally, Rosenblum and Davis made decisions on what pieces they would play in the moment. After each ended, they would ask what the other felt like performing next. Most often they chose their favorites or had specific pieces in mind. Occasionally, Rosenblum would simply begin playing a piece,
“You know these type of perps always screw up. Karma will get to him, " she says, trying to cheer him up.
I figured he’d have the concert during ROAR. Yes. We would be playing in the Tiger Den, exposed to the lunch room, crowded, eye level with everyone and lit up with that ugly fluorescent light. I wanted it to be in the auditorium. Reserved and all the attention on the band and on a separate day. ROAR was all about introducing every club, sport, and organization, whatever to the upcoming freshmen; which was why I was mad. While the band was playing everyone else would be obnoxious, loud, and gushing over typical things, like football players. I understand why Mr. Christy held it here, though; to get recognition. I found out early my freshman that the school only recognized any student as a human being with talent if you played a sport, are a cheerleader, or are in chorus. I can play three different instruments very fluently and yet I was considered “meh.” Jerks. However the real reason I was ticked was because of what was planned later. Three seniors, including Fisher Wilson, Jonica Brown and myself had a surprise for Mr. Christy at the end of the concert. We would play “songs My Mother Taught Me.” Of course Jonica would change the lyrics “my mother” to “Mr.
“I hate you! How could you do this? I never want to speak to you again!” Ben exclaimed.
The season shuffled along with surprising ease. By this time we had learned all of the show and were weeding it out to make it perfect. While fulfilling the amount of work needed to create a spectacular performance, we had a little fun in Fort Collins at the CSU Band Day. Along with the CSU Marching Band, our band learned their marching songs and sets and performed a show for a crowd of over 15,000 people!
As I entered the building, I observed everything that was going on around me. The show started at approximately 8 p.m., and ended at around midnight which included a 15 minute intermission. There were two acts
We turned into that room, and I saw a bunch of kids older than me sitting in seats warming up. I took an empty seat next to girl that looked like she was in 8th grade (I was going into 6th). She smiled at me, and I started unpacking my cello case. I took out my bow and instrument and kind of awkwardly set up, because everyone in the room seemed older, taller, and better than me. At least I recognized my friend Cami and the teacher, Mr. Briar, who was one of the two Saline Area Schools orchestra teachers in Saline.
Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.