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1st and 2nd Mvts. Symphonie Fantastique by Berlioz In 1845, Berlioz composed the 1st and 2nd mvts. of the Symphonie Fantastique. These movements have gone down in history as some of the greatest examples of music featuring passion and beauty. Berlioz was a French composer whom was a “principle force” in the beginning of the Romantic Era in the 19th century (Funk and Wagnalls). Surprisingly, Berlioz was not originally studying music. He first started out becoming educated in medicine in Paris, France (Funk and Wagnalls). Later in his life, he foreshadowed the use of the Symphonic Poem (Funk and Wagnalls). The first movement of Symphonie Fantastique is also known as "Rêveries – Passions." As I listened to this piece of music, I had the …show more content…
This desolation does not last too long though. As if the song was bi-polar so to speak, the sadness is interrupted by times of joy and happiness. The second movement of Symphonie Fantastique is also known as “Un Ball” which translates to “a party.” The party brings loud confusion and commotion torment to the writer, but he also enjoys natural beauty and tranquility of the environment. There are two harps that are prominent within this piece. Later in this movement, a waltz theme is played during this movement. Overall, Symphonie Fantastique is a beloved piece of music by both critics and your average listeners. The way that Berlioz was able to portray the emotions of deep sadness and intense happiness within the same piece of music was incredible. I personally felt this music to be somewhat of an amusement park ride as it contains so many high points and low points. Berlioz had to have felt relief from writing this as he released what he was feeling. As I was writing, researching, and listening to this music, I kept thinking to how the music reminds me of someone with manic depression as I have learned in Psychology 101 and 200. At first, this thought was pushed to the side. I made a quick search to find out if he was manic, though. The results were not shocking to me as he is apparently known to have had this disorder. The way his music had such drastic highs and lows portrays this
In summation, Berlioz had a profound affect in showing the public the capabilities of emotion being represented in music, and his Symphonie fantastique was a turning point in his career as his first full-scale masterpiece. He expressed more intense emotion than had been done before through programmatic elements, the idée fixe, new combinations of instruments, as well as instruments not previously used in symphonic settings. He also employed tested techniques in new ways to achieve the individual expressionistic tendencies represented in the changes in society. The positive reception by his contemporary society as well as subsequent generations certainly qualifies this work to be included as a masterpiece.
The author compares Berlioz, a man of music to Cooper, a man of anatomy and surgery, to show that it is the desire for knowledge of interest that drove them to the peak of success in their respective fields. The author cites what William Hazlitt, an opponent of the romantic age said about the anatomist ’s that he likes to see the objects related to their subject as it create new thoughts in the student's minds that ultimately overcomes the pain but he dislikes the prospect of the corpse that presents to ordinary
I was impressed by the range of the pieces that were performed as they were from 18th century classical symphony arrangements to contemporary techno pieces. However, the pieces that moved me most were Mozart’s Molto Allegro, Oaken Sky by Chris Rogerson and Beethoven’s Symphony No. 5. In hindsight, I am surprised that the two pieces from the Classical Era had such an impact on me. Perhaps, “classical” pieces were what I expected to hear at a Symphony. Oaken Sky evoked the most imagery for me and the conductor’s introduction of the piece was perhaps partly responsible for my ability to go from the earth to the sky in my mind’s eye. Oaken Sky was definitely a pleasant surprise and very pleasing to all of my senses. I was fully engaged in body, mind and soul with Rogerson’s composition. Cielito Lindo was interesting and the soloist really enhanced the piece with a stellar performance. Warehouse Medicine caused an incongruent stirring in me; perhaps I was not prepared for electronics to be added to the symphony. Ravel’s composition, Le Tombeau de Couperin, was a moving piece, but did not engage my senses, only my intellect. This work essentially left me feeling confused and although I appreciated the description of the dedication of the work by the composer, this was my least favorite piece. The “CPCC” soloist, Juan Caljero’s, rendition of Cileito Lindo was mesmerizing. Charlotte
In this essay I will be comparing the life of two valuable musicians of the entertainment industry, Brad Nowell and Kurt Cobain. Bradley James Nowell was born to Nancy and James Nowell on February 22, 1968. The family resided in Long Beach California. Growing up, Brad was a bright and intelligent boy, but disliked school. In fact, he hated it so much that he would have his younger sister do his homework for him. His parents had concluded that it was just a lack of attention toward one subject at a time. At the age of nine, Brad was diagnosed with Attention Deficit Disorder and was prescribed Ritalin to gain control over it. Kurt Donald Cobain was also diagnosed with Attention Deficit Hyperactivity Disorder and was prescribed Ritalin. Kurt was born to Donald and Wendy Cobain on February 20, 1967 in Seattle, Washington. Kurt was also a smart boy with high hopes but also with a dislike towards school. Kurt's parents went through a divorce when he was six years old. His mother had taken him and moved a few towns away from Seattle. He had a hard time dealing with the divorce, going back and forth between parents and aunts and uncles. Kurt eventually started becoming rebellious, unlike Brad, who actually enjoyed the time spent with each parent alone after their divorce. When Brad was eleven, his father took him on a trip to the Virgin Islands where Brad was exposed to the reggae culture of music. This is where most of his influences were developed. He began to teach himself to play the guitar and practice reggae and punk-rock music all day everyday, which had later made him famous. Kurt, on the other hand, had come upon his influences in a different way. Growing up near Seattle, the Pacific Northwest had more of a hardcore punk-rock scene. He started smoking marijuana and taking other drugs like LSD and pain killers. He, like Brad, had begun teaching himself chords on the guitar and creating local bands across Seattle. Kurt had also spend a lot of time reading at the local library to gain more information that he knew he wouldn't learn in school. For instance, he would read books on society and cultures around the states, which influenced many of his songs he had written that had led to his fame.
It is also the piece that had enough of an effect to make the evil man go away, in the film, Fantasia. My strongest reaction to this piece, is the warm and chilled feeling I get hearing it. The idea of developing “chilled” bones from music is amazing. I arrived at this certain place, by truly diving into the song. I really listened to it, and could hear the seriousness in the singer’s voice. I could hear and understand the passion that the musicians felt when they pressed the piano’s keyboards. The singing, along with the instruments complimenting, is astonishing. I caught myself listening to this piece during the interview, and I could imagine even an evil monster falling in love with this tune enough to turn good. I felt the drama and power in the singing, and the seriousness in the playing of the
what he became and did not let anything get in the way of becoming a musician. In this
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
“We’re just musically and rhythmically retarded. We play so hard that we can’t tune our guitars fast enough. People can relate to that.” Kurt Cobain’s thoughts on why his band, Nirvana was such a massive success in an unexpected way. A heroin shooting, guitar strumming musician who sang the barely audible lyrics which spoke so loudly for the angst ridden youth of America had such an important influence on our culture that over twenty years later, the details around his suicide are still heatedly debated. The impact that Cobain had on the world was intense at the time and can still be found today; the music he wrote for Nirvana had influence on the music industry, his unintended voice to angst-ridden society and even the fashion industry cashed in on his style.
Hector Berlioz's Symphonie Fantastique. Hector Berlioz wrote the Symphonie fantastique at the age of 27. He based the program on his own impassioned life and transferred his memoirs into his best- known program symphony. The story is about a sick, depressed young artist, while in his despair poisons himself with opium.
Then, with a punchy five-note line the sax player began his solo. After that phrase he stopped and waited-allowing a few bars to roll by as he felt the rhythm and absorbed the harmonies the piano player offered in response to his line. With his head bent down as if in prayer, he countered with a longer, smoother second phrase that elaborated on the first one but then confidently let his last unresolved note bang out over the audience. I felt my legs moving under me and my head bobbing slightly, and my jaw began to open and shut tightly as if to sing the next phrase. As the solo progressed, I felt I had to hold my breath, waiting for each of the horn player's thoughts to finish before I could take a full breath. The phrases began to get faster and closer together until he was rapidly firing notes out of his horn, and there was increasingly less space to breathe. The notes came in clusters and bursts of creative energy. His ideas seemed to flow from deep within the realms of the unconscious until he seemed no longer to be in control of his thoughts.
We began learning a piece in class called " In Remembrance," an anonymous requiem with music by Eleanor Daley. "In Remembrance" felt different to sing than our usual pieces. The harmonies were beautiful, and with the mixture of the lyrics, I found myself getting chills while I sang it. Still I shook it off: it never left class with me.
Jean Baptiste Lully made significant contributions to French music. His initial compositions “ballets de cour” didn’t deviate from the Italian forms. (Straughan (a)) They were merely collections of dances and burlesque scenes. (Gregory) “A step in Lully’s progression from ballet to opera was the increased role of music in his ballets.
A considerable philosophical current that shaped baroque music is the interest in Renaissance ideas that spawned from ancient Greece and Rome. Ancient Greeks and Romans considered music to be an instrument of communication that could easily stimulate any emotion in its listeners. Therefore, musicians became progressively knowledgeable of the power one’s composition could have on its audiences’ emotions. Because of this, one of the primary goals of baroque art and music was to provoke emotion in the listener, which is closely connected to the “doctrine of affections”. This doctrine, derived from ancient theories of rhetoric and oratory, was the theory that a single piece of art or a single movement of music should express one single emotion.
Roughly from 1815 to 1910, this period of time is called the romantic period. At this period, all arts are transforming from classic arts by having greater emphasis on the qualities of remoteness and strangeness in essence. The influence of romanticism in music particularly, has shown that romantic composers value the freedom of expression, movement, passion, and endless pursuit of the unattainable fantasy and imagination. The composers of the romantic period are in search of new subject matters, more emotional and are more expressive of their feelings as they are not bounded by structural rules in classical music where order, equilibrium, control and perfection are deemed important (Dorak, 2000).