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Sita sings the blues analysis on modern
Impacts of divorce in family and societies
Impacts of divorce in family and societies
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Recommended: Sita sings the blues analysis on modern
In Sita Sings The Blues The director shows the ancient myth of Valmiki’s Ramayana through the lens of Sita. The audience is able to see Sitas’ rejection and how it affects her. The story also ties in a modern-day story of a woman being rejected by her spouse. The film switches back between a modern-day relationship in San Francisco and the ancient myth. By doing this it makes the myth more relatable to modern day people.
In the very begging of the film we see a young couple in San Francisco participating in their daily activities. They seem to be very in love with each other. While sitting on the couch interacting in daily activities the husband casually tells the wife that he was offered a position in India for 6 months. We see how it breaks her heart to not be with him in his journey as she says goodbye.
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When Rama is sent away we see how this affects Shiva. Shiva is heartbroken and wants to be with her husband. He tells her that it is a task that he must do alone because it will be very dangerous. He then leaves with no argument. This compares to the modern-day couple being separated because of career related obligations.
Both the woman in San Francisco and Shiva are affected by their loneliness and the unwillingness of their lovers. The men in these women’s life are not willing to fight for them. While their circumstances differ, they are hurt because of the same reason. These women only want their husband’s presence in their life.
Soon after this struggle that Siva incurs with her husband leaving, she is kidnapped by Ravana. Ravana kidnaps her to punish Rama for killing the beast in the forest. She is later pushed to develop a love for him, but expresses her loyalty to Rama. When Rama returns he does not believe that she was true to him and does not accept
She confronts him about the way he’s treated her.
to the house, and sits down at the table, she realizes he isn't living the life she would assumed he
Women’s Escape into Misery Women’s need for male support and their husband’s constant degradation of them was a recurring theme in the book House on Mango Street. Many of Esperanza’s stories were about women’s dreams of marrying, the perfect husband and having the perfect family and home. Sally, Rafaela, and Minerva are women who gave me the impression of [damsel’s in distress].CLICHÉ, it’s ok though. It’s relevant They wished for a man to sweep them of their feet and rescue them from their present misery. These characters are inspiring and strong but they are unable to escape the repression of the surrounding environment. *Cisneros presents a rigid world in which they lived in, and left them no other hope but to get married. Esperanza, however, is a very tough girl who knows what she wants. She will keep dreaming and striving until she gets it. She says, "I am too strong for her [Mango Street] to keep me here" (110). Esperanza learned from all of these women that she was not going to be tied down. She said, "I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain" (88). **Especially after seeing that Sally was suffering so much. Sally’s father is making her want to leave home by beating her. Sally "said her mother rubs lard on the places were it hurts" (93). There is not enough lard in the world to be able to cure the pain within Sally’s heart. Sally, "met a marshmallow salesman at a school bazaar" (101). Pretty soon " sally got married, she has her house now, her pillowcases and her plates" (101). Her marriage seems to free her from her father, but in reality she has now stepped into a world of misery. This was supposed to help her heal; " she says she is in love, but I think she did it to escape." (101). Unlike the other women Sally has no escape, no poetry, not even papaya coconut juice, not to mention, " he does not let her look out the window" (102). That is why "she sits at home because she is afraid to go outside without his permission."(102). Rafaela’s situation also involves imprisonment in her own home. Cisneros introduced us to Rafaela, a young beautiful girl whose expectations from marriage were to obtain a sweet home to live in. Instead...
rational and sinless life. As the play goes on she chooses to keep her virtue by
Finally, even though, for a long time, the roles of woman in a relationship have been established to be what I already explained, we see that these two protagonists broke that conception and established new ways of behaving in them. One did it by having an affair with another man and expressing freely her sexuality and the other by breaking free from the prison her marriage represented and discovering her true self. The idea that unites the both is that, in their own way, they defied many beliefs and started a new way of thinking and a new perception of life, love and relationships.
Love and affection is an indispensable part of human life. In different culture love may appear differently. In the poem “My god my lotus” lovers responded to each other differently than in the poem “Fishhawk”. Likewise, the presentation of female sexuality, gender disparity and presentation of love were shown inversely in these two poems. Some may argue that love in the past was not as same as love in present. However, we can still find some lovers who are staying with their partners just to maintain the relationship. We may also find some lovers having relationship only because of self-interest. However, a love relationship should always be out of self-interest and must be based on mutual interest. A love usually obtains its perfectness when it develops from both partners equally and with same affection.
In the short story “The Cheater’s Guide to Love” by Junot Diaz, the author pinpoints on the Yunior’s life as a writer and college professor who is also struggling with his romantic relationships. The short story is filled with his experiences of using women for his beneficial needs and how it negatively affects him. It focuses on Yunior’s downfall through life after the destruction of his relationship with his fiance. The diction includes the narrator’s hateful consideration of women and a paradox of his own endeavors which prevent him from pursuing a meaningful relationship, but he grows to realize that he treats women awfully and his ex did the right thing by leaving him due to his untruthfulness.
...ing her life, he is able to control something and finally rid himself of some of his torments.
Love is a concept that has puzzled humanity for centuries. This attachment of one human being to another, not seen as intensely in other organisms, is something people just cannot wrap their heads around easily. So, in an effort to understand, people write their thoughts down. Stories of love, theories of love, memories of love; they all help us come closer to better knowing this emotional bond. One writer in particular, Sei Shōnagon, explains two types of lovers in her essay "A Lover’s Departure": the good and the bad.
The film also depicted such images and song displaying both the devotion that Sita herself had to Rama and the respect that she instilled in their twin sons, even after she was banished to the forest by her husband and it downplayed why Rama was deserving of such admiration (Sita Sings the Blues). This was contrary to the evidence provided in the book The Ramayana, in which Rama’s virtuous, just and forgiving nature were the focal points of nearly all the story lines and his moral and just being is the exact reason for his greatness. The amusing, but very Western-modern film attempted to explain the significance of honor to Rama with a song that simply claimed “Rama’s good… Rama’ just… Rama does what Rama must….” but then depicted Rama as untrusting, suspecting and “mean” (Sita Sings the Blues). In fact, the film had a tendency of depicting Rama a bit unfairly since the element of dharma, which is all-encompassing goodness and virtue which Rama epitomized was completely absent in the film, whereas in the book The Ramayana the concept of dharma was woven deeply throughout
The film “Sita Sings the Blues” and “Ramayana the Epic” are two versions of the Ramayana but were portrayed in different ways. “Sita Sings the Blues” was presented by Nina Paley based on Valmiki 's version of the Ramayana and she showed the side that many people don 't know and fail to accept about the Ramayana, Sitas side of the story. She doesn 't portray Rama to be the ideal husband although he goes through the trouble of saving Sita. In the film “Sita Sings the Blues” Nina Paley did not show Lakshmana throughout the whole journey of Rama leaving Ayodhya and trying to finding Sita. Also, Rama himself ends up killing Ravana which was different in the film “Ramayana the Epic.” In the film “Ramayana the Epic,” Rama was portrayed as the ideal
...s the rest of her life to herself. She may once again weep for him, but ultimately her freedom overshadows this.
... He saves her from harm and delivers her to the shore where he is verbally attacked by her quite worthless guardian. As he attempts to flee, he is shot in the chest and when he eventually recovers his pity and love for humans is absent to his impulses. This is an extremely moving scene because it shows the passage of his soul from good to evil for the final time.
This story is a great representation of how relationships have changed over the years. Weather its the female dominance or the relationships are given up. Shoba and Shukumar are great examples of this phenomenon. This couple can be related to a typical American relationship. Jhumpa Lahiri does a good job of detailing this failure of a relationship and explains how this couple breaks apart.
...herefore found pleasure and contentment within each other because of the pain that they both shared. Therefore this proves that in a country such as India, where social status and prosperity are crucial, it is evident that love takes preference over all, despite the norms of India, love will always be a priority. Therefore we see that not only did Ammu and Velutha break the ‘Love Laws’ , but so did Estha and Rahel break the ‘Love Laws’ when sleeping with each other.