“Sir Gawain and the Green Knight”, an anonymously written 14th century poem, describes the tale of a stranger who visits King Arthur’s court at a feast. He issues a challenge with any representative to hit him with his own axe, only if the challenger returns to him within precisely one year of the original blow. The anonymous poet uses 101 varying alliterative verse stanzas that conclude with a rhymed "bob.” This is organised within four fits which imbues every word with profound significance and creates nuanced interpretations of the poem. Within lines 842-874, it challenges the traditional social construct of masculinity and femininity prevalent within a mediaeval context and the poem’s entirety. Although Gawain is portrayed in a feminine …show more content…
“Gawain gazed at the lord who greeted him so gracefully” (842), the stanza contains alliterative components of “g.” The vocabulary use implies that Gawain views Bertilak with a great form of admiration followed by Gawain’s description of Bertilak as “the great one who governed that grand estate” (843). Gawain deems Bertilak as someone deserving of a moniker like “the Great," akin to that of strong historical figures with achievements such as ushering in cultural changes, military conquests, and war. The terms “governed” and “grand” reinforce this imagery of masculine strength further by depicting Bertilak as someone who is powerful and authoritative, traits that are associated with masculinity, most especially in the context of a mediaeval …show more content…
These descriptions offer the colour imagery of red which evokes connotations of power, glory, and war, all traits that resemble strength in the form of masculinity. He is also described as “powerful and large” (844) and “solid in build” (846). It is clear that other than the descriptions used previously for Bertilak’s strength, he is literally strong in the physical sense. Within lines 850-852, the syntax used in “insisting a servant be assigned to assist Gawain” (851) and “... many were willing to wait on his word” (852) draws attention to the alliterative components of the oral sounds of “s” and “w” enhancing the poetry’s rhythm, the repetition of these sounds creates a form of unity emphasising the imagery presenting Bertilak as the pinnacle of masculinity, someone of equal standing to God. The use of words such as “servant” and “willing to wait on his word” indicates the servants’ high degree of respect towards Bertilak, especially when the poet uses “his word” to represent great importance to Bertilak’s
All throughout the poem titled Sir Gawain and the Green Knight it simply seems as if it is full of male power and masculinity. Sir Gawain, a knight from King Arthur’s court who steps up and agrees to take the blow from the Green Knight’s axe when he interrupts the holiday feast. The obvious male power of King Arthur, the power and masculinity of the Green Knight to come in and demand that one knight must receive a blow from his axe, and masculinity of Sir Gawain to step up and not only agree to take the blow but to cut off the Green Knight’s head first. The male power and masculinity shining through all three of these male characters mentioned is very prominent. We later meet Lord Bertilak who also shows male power and masculinity through his
Lady Bertilak’s deceptive seduction of Gawain demonstrates this truth and illuminates her motive in seducing Gawain as her flirtatious behavior that “urged him so near the limit” (1771) is clearly an attempt to reacquaint Gawain with his natural feelings. In Camelot, men and women are so civilized that their emotions appear false and manufactured. By seducing Gawain with spontaneity and passion, Lady Bertilak strips Gawain of this control over primal urges. While Gawain attempts to resist these urges that contradict his courtly ways, his submission to kiss lady Bertilak and eventually accept her chastity belt reveals that he has submitted to his natural feelings. With such an orderly and distinguished knight proving vulnerable to his emotion and temptation the author imposes the idea that perfection in terms of morality and way of life is unattainable as feelings cannot be controlled. Lady Bertilak further clarifies the intent of her relationship with Gawain by shaming him for “refusing to love a lady”(1779-1780). This shame is clearly unwarranted as Lady Bertilak is breaching moral statues herself by being unfaithful to her husband; however, the claim does succeed in connecting her seduction of Gawain to the ideas of empathy and genuine affection, revealing the statement as selfish manipulation motivated by the lady’s desire to expose Gawain’s most natural emotions. By
When the Green Knight arrives at Camelot, he challenges Arthur’s court, mocking the knights for being afraid of mere words, and suggesting that words and appearances hold too much power with them. Although the Green Knight basically tricks Gawain, by not telling him about his supernatural capabilities before asking him to agree to his terms, Gawain refuses to withdraw of their agreement. He stands by his commitments, even though it means putting his own life in jeopardy. The poem habitually restates Sir Gawain’s deep fears and apprehensions, but Gawain desires to maintain his own individual integrity at all costs which allows him to master his fears in his quest to seek the Green Chapel. After Gawain arrives at Bertilak’s castle, it is quite obvious that h...
Anonymous. Sir Gawain and the Green Knight. The Norton Anthology of English Literature Sixth Edition. Volume 1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.
In the opening lines of Sir Gawain and the Green Knight, the Gawain-poet predicates the numerous dualities—which lead the reader through questions of moral seriousness—that exist in the poem. The opening historical recounting, according to Richard Hamilton Green, reminds the reader that “the greatness of the past is marred by reminders of failure” (179). The paradox of triumph and greatness arising out of failure foreshadows Sir Gawain following the same pattern of fate as his predecessors. While the completion of Gawain’s quest reaffirms the historical paradox of greatness, his journey to renown is fraught with situations and symbols that develop the poem’s main concern of moral seriousness. The Gawain-poet skillfully reveals his theme by leading Gawain on a journey in which nothing is what it seems. Sir Gawain and the reader are confronted with several contrasts of characters’ actions and intentions, symbolic meanings, and Christian and secular virtues. Mainly by showing the difference between actions and attitudes while inside in a social situation and outside in a more wild, untamed environment, these contrasts help to emphasize the importance of unbending faith and loyalty.
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
In a the story, Sir Gawain and the Green Knight, Sir Gawain is faced with many challenges. Many of the challenges have to do with him trying to maintain his chivalry. Part of him maintaining his chivalry is to stay loyal; he should not give in to Lady Bertilak, who is constantly pursuing him, but should also listen to what she tells him to do. During Gawain 's stay at Bertilak’s castle, Lord Bertilak suggests they play a game in which they will have to exchange the winnings they gained that day. In the end, the story tells us that Lady Bertilak had been following the instructions her husband had given her to try to trick Gawain into not staying true to his word during the game they played. However, Lady Bertilak did many unnecessary and sexual
The Arthurian legends of Iwein and Gawain and the Green Knight are two examples of the medieval initiation story: a tale in which a character, usually in puberty or young adulthood, leaves home to seek adventures and, in the process, maturity. Through the course of their adventures, including a meeting with the man of the wilderness, temptations at the hands of women, and a permanent physical or mental wounding, the character grows from adolescent awkwardness and foolishness to the full potential knightly honor. While both Arthurian legends fit this format, the depth of character development, specifically in terms of relationships, is vastly different. Whereas Gawain and the Green Knight does little more with relationships than demonstrate the evils of female temptations, Iwein effectively explores the formation, destruction, and resurrection of numerous male and female relationships.
“Sir Gawain and the Green knight” is a romantic Middle English poem written in the fourteenth century by an unknown author. This poem is a fairy-tale like story that gives its readers a glimpse into the social class system of Medieval England. This literary work opens with the famous King Arthur, a local bishop, and King Arthur’s knights enjoying a royal feast at Camelot during the Christmas season. This poem provides an accurate depiction of the feudal system of the middle ages. Within this tale are individuals representing the “pyramid of power” that symbolizes the social class system of Medieval England. This top of the pyramid group consists of royalty, clergy and noble knights.
Individuals in Sir Gawain and the Green Knight. Sir Gawain is, undoubtably, the most varied of the Arthurian characters: from his first minor appearance as Gwalchmei in the Welsh tales to his usually side-line participation in the modern retelling of the tales, no other character has gone from such exalted heights (being regarded as a paragon of virtue) to such dismal depths (being reduced to a borderline rapist, murderer, and uncouth bore), as he. This degree of metamorphosis in character, however, has allowed for a staggering number of different approaches and studies in Gawain. The greatest part of these studies have involved the middle-English text Sir Gawain and the Green Knight.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
Sir Gawain and the Green Knight. Trans. Brian Stone. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 222-77. Print.
Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be discussed in this paper; the pentangle, the colour green, the Green Knight, the exchange of winnings game, the axe and the scar. This paper argues the significance of the use of symbolism as a literary device in the poem Sir Gawain and the Green Knight.
Gawain's travels in Sir Gawain and the Green Knight suggest a world in which home--i.e., Camelot--is "normal," while away--the opposing castle of Hautdesert where Gawain perforce spends his Christmas vacation--is "other," characterized by unfamiliarity, dislocation, perversity. And in fact the atmosphere at Hautdesert appears somewhat peculiar, with various challenges to "normal" sexual identity, and with permutations of physical intimacy, or at least the suggestion of such intimacy, that are, to say the least, surprising. The typical journey of medieval romance juxtaposes a "real" world where things and people behave according to expectation with a "magical" world in which the usual rules are suspended. According to this paradigm, we might expect that this poem would place Hautdesert outside the bounds of tradition, separated by its difference from the expectations that govern Camelot and the remainder of the Arthurian world.
Sir Gawain and The Green Knight has prompted scholars to examine and diversely interpret the medieval narrative. One of the underlying questions that has been proposed embodies the analysis of the relationship between Christian and Pagan ideals and how knightly chivalry is influenced by religion during the Arthurian Romance period. It is no mistake that the two varied religious ideals are intertwined throughout the poem due to the nature of classical antiquity. Amidst the overlap between superstitious rituals and Orthodox- Christian beliefs it is clear that Sir Gawain has a sense of personal integrity guided by a moral compass.