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Women in English literature
Women in English literature
Introduction to feminist literary criticism
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As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain and the Green Knight five centuries later. The confines of structure, in which the poems are written, parallel the confines of society that these two women inhabit. Beowulf presents a more restricted society for women; the actual passage itself is set up to reinforce the ideology that women’s power alone is ineffective. Before Wealhtheow begins her speech, the poet introduces her, “Then Wealhtheow pronounced in the presence of the company” (Beowulf l 1215). This device is used not only to introduce her to the reader, but also to reinforce her presence as the Queen. Instead of just inviting her to speak, it ironically undermines her authority and magnifies the need of intervention on someone else’s part. This frames Wealhtheow’s power as ineffective, because she needs someone else to command attention for her to speak, and is not able to command that attention on her own. Even after the end of her speech, the poet feels the need to follow up with a few lines of his own by saying, “... ... middle of paper ... ...ight. The centuries that have elapsed between the two poems indicate that the power of women has increased in direct proportion to the later centuries. Though both these women have power, and each one of them practices it in her own right in accordance to the time period that each inhabits, the perception of their power is nowhere near that of their husbands. Where does that leave these women in their own societies? Though it may seem that both Wealhtheow and the Lady are in their husbands shadow, both considerably contribute to the control of the society in which they are part of the ruling class. Works Cited Anonymous. Sir Gawain and the Green Knight. The Norton Anthology of English Literature Sixth Edition. Volume 1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993. Heaney, Seamus, trans. Beowulf. New York: W.W. Norton & Company, 2000.
Since the dawn of man and women, the issue of gender role has existed. Throughout history the norms of each gender have shifted. The two texts of Beowulf and We Have Always Lived in the Castle, both support a single sex, but are on opposite sides of the spectrum. Beowulf, written in around 800 AD represents the time of men superiority over women, who were the dominant figures in society and their families. On the other hand, We Have Always Lived in the Castle, depicts the contrary, the time of the 1960’s where women’s power grew stronger in contrast to men. In each test the power of each gender is perceived as threatening to the opposite sex, to keep in place, the supremacy of their own gender.
The author creates Wealhtheow to embody the role of a traditional Anglo-Saxon woman, and he presents this role as the only appropriate one for Wealhtheow to fulfill. She serves as a peacekeeper in the ever-tumultuous Heorot meadhall. When the author first introduces Wealhtheow to his audience, she immediately falls into her role as peaceful greeter and cocktail waitress. The author writes, "Then Wealhtheow came forth / folk-queen of the Danes daughter of Helmingas / and Hrothgar's bedmate. She hailed all of them / spo...
The women in Beowulf are barely discussed and seem to exist solely for the use of the men. They are weak and portray none of the legendary qualities that the men display. Wealhtheow, the Queen of Danes and Hrothgar's wife, is the only female character in the epic that talks. In a speech to her husband, we are able to see that she is a strong woman, who is able to speak her mind. She tells the king that it is good that he adopted Beowulf, but reminds him that he already has two sons. However, her speech is made while she carries the drinking goblet to all of the men in the room, "Wealhtheow came in,/ Hrothgar's queen, observing the courtesies./ Adorned in her gold, she graciously handed the cup first to Hrothgar, their homeland's guardian,/ urging him to drink deep and enjoy it because he was dear to them" (612-618). When she is given the opportunity to talk, she only praises the men and plays a role defined by their society.
Sir Gawain and the Green Knight in The Norton Anthology of English Literature, Sixth Edition, Volume One. General Ed. M.H. Abrams. New York: Norton, 1993.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
Anglo-Saxon women are objects who are gifts to generate a fragile peace. Bloody combat between men attempting to earn fame embodies the Anglo-Saxon era. But does history include women? No, in fact, most women in the epic poem Beowulf are unworthy of even a name. Men trap women as objects; those who rebel become infamous monsters in society’s eyes. Because Anglo-Saxon men view women as objects, they are unable to control any aspect of their lives--no matter if she is royalty or the lowest of all mothers.
Sir Gawain and the Green Knight in The Norton Anthology of English Literature, Sixth Edition, Volume One. General Ed. M.H. Abrams. New York: Norton, 1993.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
Beowulf is an epic tale written over twelve hundred years ago. In the poem, several different female characters are introduced, and each woman possesses detailed and unique characteristics. The women in Beowulf are portrayed as strong individuals, each of whom has a specific role within the poem. Some women are cast as the cup-bearers and gracious hostesses of the mead halls, such as Wealhtheow and Hygd, while others, Grendel's mother, fulfill the role of a monstrous uninvited guest. The woman's role of the time period, author's attitude, and societal expectations for women are evidenced throughout the poem.
Sir Gawain and the Green Knight. The Norton Anthology of English Literature. Seventh Edition. Volume 1. New York: 2000.
Robert Harris states, “It is time that we all see gender as a spectrum instead of two sets of opposing ideals. We should stop defining each other by what we are not, and start defining ourselves by who we are.” Throughout history, men and women have been given certain standards on how they should act and behave on a day to day basis. However, in the epic Beowulf, there are many examples of gender roles exposed through certain jobs, activities and everyday task. Beowulf features numerous gender roles which can date back to the Anglo-Saxon society in the Dark Ages justifying that men and women are dissimilar as well as unequal.
“A queen should weave peace” describes that exclusively women in “Beowulf” must serve as mediators. Wealhtheow takes on this mediation in an almost sacred way. She enters the hall, “observing the courtesies / Adorned in her gold, she graciously saluted / the men in the hall, then handed the cup”, by “handing the cup”, she is confirming specifically male alliances by offering gifts. Similarly in “Sir Gawain and the Green Knight” the reader is illustrated the image of the ideal woman almost immediately through Guenevere, who is restricted to her role as a symbol of peace and an object to be stared at in contemplation by males. The author describes Guenevere in a similar way to Wealhtheow, “The goodly queen gay in the midst/ on a dais well-decked and duly arrayed / with costly silk curtains…all broidered and bordered with the best gems” illustrates the perfectly confined woman of the Middle Ages, she is very well-kept, clean, and highly decorous – relegated to an object by any standard – yet seems to accept such a role happily. As a result, at no point is she a contentious character with any form of development, rather she is relegated to an ornament. Thus, the confined or restricted woman reflected in the Middle Ages is well-liked, respectable and peaceful, causing no conflict throughout the story in the eyes of these authors
The poem Beowulf has been written from a male point of view and has a dominant sense of masculinity in its form. It has male principal characters and a heavy influence of male-centric themes like violence, valour and prowess. However, a re-evaluation of women’s roles in Beowulf indicates that they have contributed significantly to its narrative (Beowulf). The women in Beowulf play social roles like that of a peace weaver and a hostess including that of a mother which cannot be fulfilled by men. Queen Wealhtheow plays a successful peace weaver, by actively encouraging people and offering treasure to her heroes. On the other hand, Queen Hildeburh is presented in a different contrast to Wealhtheow as she fails to successfully portray this role
Women roles have changed drastically in the last 50 to 80 years, women no longer have to completely conform to society’s gender roles and now enjoy the idea of being individuals. Along with the evolution of women roles in society, women presence and acceptance have drastically grown in modern literature. In early literature it was common to see women roles as simply caretakers, wives or as background; women roles and ideas were nearly non-existent and was rather seen than heard. The belief that women were more involved in the raising of children and taking care of the household was a great theme in many early literatures; women did not get much credit for being apart of the frontier and expansion of many of the nations success until much later.
It is essential for this to be studied moving forward because Beowulf is a timeless piece of literature; high school and college students alike spend lots of time learning and analyzing the composition. Once you put on a feminist lens and realize the poem is hugely unfair to its female representation, it takes on a whole new meaning and interpretation. Looking at Beowulf this way gives it a lot more depth than it initially had and goes to reinforce that antifeminist themes have existed since the beginning of