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How is creon a tragic character
How is creon a tragic character
Creon as a tragic hero
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In order to be a tragic hero in a story, a character must have the specific traits and/or play the specific roles. Most importantly, as the name implies, there must be tragedy. Tragedy is an event or events that cause great suffering, destruction, or distress. Tragedy can root from a serious accident, a heinous crime, a fateful calamity, or a natural disaster. Tragedy can even occur with multiple characters.
King Creon was both respected and feared by most. He believed that every action that he has done is better than any other man. He then describes his own philosophy on how some men are inferior to him. Even other characters, like The Guard, holds him in an especially high in esteem. Although this is a selfish statement, he was very noble and ruled as a great king. Having a noble stature is especially one trait of a tragic hero.
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The climax and main plot of the entire play is the predicament Creon and Antigone.
In short, they had very conflicting views, about law, order, justice, and even the Greek gods’ power. Antigone knew that she would not win against king Creon and accepts her death punishment. As Creon sends Antigone to be punished, Harmon arrives. He asks king Creon, “Why are sentencing my bride to their death?” Creon arrogantly responds and selfishly tells him to simply find another woman to marry. Creon’s arrogance is what creates his downfall, a trait befitting that of a tragic hero.
Although he had tipped the dominoes that would fall on himself, the consequences that soon followed were devastating and, quite frankly, he did not exactly deserve them. Firstly, the story introduces information about Eteocles and Polyneices’ deaths.
Antigone goes against Creon’s decree that Polyneices should not be given a proper burial; she is sentenced to death as a result. Haemon and Eurydice commit suicide due to grief. All because of one decision, Creon had lost five relative in such a short amount of
time. In order to be a tragic hero in a story, a character must have the specific traits and/or play the specific roles. Creon serves as a good example of what a tragic hero. He was of a noble stature, he brought down an act of injustice, his arrogance becomes his tragic weakness, he creates his own downfall by his own choice, and experiences misfortune that was not entirely deserved. However, an additional trait is that he experiences redemption by the end of the story. As he held Haemon’s corpse in his arms, he states that he had made cruel mistakes that brought death to others and that it was solely his fault.
In the play, Antigone, Antigone’s brothers, Eteocles and Polynices, killed each other over the throne of Thebes. Eteocles took the rightful throne to King after his father ran away in shame because he killed his own father and married his mother. As soon as Eteocles took the throne, he banished his brother, Polynices, so that he did not have to share the throne. Polynices went to create an army with the Argos Kings and mad Thebans. During the battle, Polynices and Eteocles fight to death and both of them die. Polynices is to rot to death and be eaten by the wild dogs and animals, while Eteocles gets the proper burial for he was the rightful king. In Martin Luther King Jr.’s...
The character Antigone has been in conflict against Creon ever since he became the king of Thebes. Antigone would never let Creon's law about burying the body of Polyneices override her moral beliefs and her beliefs in the gods. “Zeus did not announce those laws to me, And justice
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
Creon starts off being reasonable and understanding with the power he holds. For example, when Oedipus accuses him of trying to steal his crown, he said " If you discover I laid any plot together with the seen kill me, I say not only by your vote but my own." (Sophocles 136). This shows his understanding. Creon is comfortable with his power, people always greet Creon with respect, which demonstrates his power amongst the general population, for example, Creon said, “Now every man 's my pleasure; every man greets me." (Sophocles 136). Illustrates his relationship with the people of Thebes. Moreover, Creon is shown to be valuable towards the citizens of Thebes, when he said " I 'll go, you have not known me, but they have, and they have known my innocence." (Sophocles 140). This shows the trust citizens have towards Creon. Creon shows that he does not care for ruling Thebes, he states to Oedipus that "Now those who are your suiters fawn me, - success for them depends upon my favour. Why should I let all this go to win that?"(Sophocles 136). Creon eventually discovers that power is all he wants, leading towards King Oedipus ' exile. An example, is Creon said " Do not seek to be master in everything, for the things you mastered did not follow you throughout your life." (Sophocles 176), which explains that he manipulates with an intent that people mistake for honesty. Furthermore, this shows the end
Creon has become King of Thebes by default, as a result of Oedipus' fate as previously predicted by the Oracle at Delphi: Oedipus murders his father and unknowingly marries his mother. Jocaste, his mother and wife and Creon's sister, commits suicide upon learning the truth. Between Oedipus' two sons, Creon sides with Etocles in his claim for Oedipus' throne and exiles Polyneices. Polyneices, in exile, raises an army against Thebes, attempting to seize the throne for himself. The two brothers fight and slay one another. Etocles is awarded an honorable burial by Creon for bravely defending the city, but Polyneices is denied any burial because of his act of treason. Denial of a ritual burial was damming and nearly sacrilegious to the ancient Greeks.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
The views of Antigone and Creon are opposed, and they both possess the same stubborn belief in their own righteousness. This ultimately brings them both to their tragic fate. At first we believe that Creon acts from sincere, patriotic and unselfish motives, and that he is acting out of a sincere belief that his decision is best for the state. This is shown in the first episode (lines 163 - 331), where Creon hopes to be a wise and good ruler. Later on we learn that he is too inflexible and narrow to heed criticism or admit fault, and that this causes all the misery in his life. The same is true of Antigone. She appears to be a very compassionate individual in the prologue; however, later on we learn that she is also stubborn and unwilling to bend in her beliefs, which ultimately leads her to her tragic fate.
When Creon decided to forbid the burial of Polynices, as he believed Polynices was a traitor to Thebes, Antigone was outraged. This decision, viewed through the eyes of Creon, was just and fair; on the other hand, Antigone viewed his decision as cruel and selfish, which resulted into a major conflict between these two characters. When Antigone disobeyed his proclamation, Creon became infuriated towards this rebellious act. Those small events within the play expressed Creon as a ruler doing what he believes is right; on the other hand, Antigone’s rebellion expressed otherwise. Antigone was soon shown to cause an evil spark within Creon.
As Creon holds the limp, dead body of his son, he says, “I was responsible. My actions killed him”(Sophocles 53). Creon realizes that he is responsible for the deaths of Antigone, Haemon, and Eurydice which he expresses to the chorus in the play Antigone by Sophocles. At first Creon does not listen to anyone and goes forward with his decision to kill Antigone for burying the body of Polynices, which he did not want buried. This angers the gods and his son, Haemon. Creon is warned by several people that he must free Antigone and bury Polynices or the gods will punish him. Creon does not take the advice until it is too late, and therefore he is punished. Since Creon does not listen, he brings on his own destruction by an error in judgment.
But the conversation devolved into a heated argument. Creon stubbornly stuck by his judgements and as he left, Haemon declared he would never see his father again. Creon spared Ismene but sentenced Antigone to death. He had her buried alive, locked away in a cave in the desert with little food. Once the deed was done the blind prophet, Teiresias came to the palace with a warning for Creon. He told the king that the gods were against him and his doings. Creon stubbornly stuck by his own judgements and accused the prophet of being corrupt. Teiresias then warned him that he would be despised by Greece and that one of his own children would die because Creon would not burry Polyneices and buried Antigone alive. After the prophet left the chorus pleaded with Creon to right these wrongs. Creon was frightened and took a group of men to burry Polyneices and free Antigone. A messenger returned and announced that Haemon had taken his own life. The queen, Eruydice asked to be told everything and the messenger told her that both Haemon and Antigone had committed suicide. She then left and Creon returned carrying Haemon. Another messenger then told the king that the queen took her life, cursing him with her last breath. Creon fell into despair, knowing that it was all his fault. The
"Ah Creon! Is there no man left in the world” Tiresias Greek theatre played a large role in Greece. The citizens were supposed to learn from the mistakes made in tragedies. The citizens should have learned what not to be like as a citizen or a person. Antigone's words, actions, and ideas contrast with Creon’s character to the point of these two characters having conflicting motivations. These conflicting motivations cause the characteristics of strong, willed, and stubborn to be highlighted within Creon’s character. In the end, these conflicting motivations develop Creon as a tragic hero by being a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy, and the character interactions advance the plot and develops the theme by evaluating the importance of fate.
One of Creon’s traits that develops the play is that creon is arrogant. For example in the play Antigone, Creon said in line (324-326) “Stop now before what you're about to say enrages me completely and reveals that you're not old but your stupid too”.This shows that Creon is a tragic hero because