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Antigone as Greek tragic
Role of women in military combat roles
Role of women in military combat roles
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Creon and his power struggle with the Crown In Greek mythology, Antigone by Sophocles there were two leading characters Creon and Antigone. Creon was a king of Thebes, he was a tyrant who likes to enforce his laws on people. On the other and Antigone was the daughter and sister of Oedipus. A tragic hero is a character with noble and heroic qualities, who obligates an action and make a mistake which make him/her downfall or destruction. In Antigone Creon demonstrated as a tragic hero, he believes that he can’t ever be wrong. His stubbornness makes him fail at the end of the play. At first Sophocles explains that Creon has been a tyrannical leader. But he fails because of he do not think of how bad he dealing with conflicts until Tiresias’s
This explains that he considers as a negative character in Antigone. Sophocles demonstrate Creon present in this mythology because if there would be no one who punish Antigone for her disobedience, the story would be weird and Antigone would become a ruler. Because she would believe that she had right to bury her brother. She would do anything that makes her feels agreeable from the inside. She thinks that she is not committing any crime or disobeying any law to bury her brother. Sophocles build a perception that Antigone is also cruel. Because she is doing something that is against the law in that society. She makes her sister to support her “And now you can prove what you are: A true sister, or a traitor to your family” (Schilb 25). She forcing her sister, and asking her is she going to support her or will betray her. In addition, this explains she have the strength to face the king. However, we believe that women are not strong enough to fight or face anything. According to Jane Blair, he explains in the article the five myths about women in Combat. He considers women as a weak person, women are not able to take action on any undesirable thing. The first reason that he stated, is “Women are too emotionally fragile for combat”. The second reason, he explains, is “Women are too physically weak for the battlefield”. I agree with his second reason also, I think women are weak physically for fighting, but women strength and courage can make them get on anything. As we can identify from Antigone, she had a lot of strengths to go against Creon, but her sister was warning her. Furthermore, Blair third reason is “The presence of women causes sexual tension in training and battle” he is less positive for women here, he demonstrated that getting training front of women is hard for men, and men don’t want to show themselves weak in front of women. This makes them work hard and
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Antigone, which was written by Sophocles, is possibly the first written play that still exists today (www.imagi... 1). There is much controversy between who the 'tragic hero' is in the play. Some people say Antigone, some say Creon, others even say Heamon. I believe Creon displays all of the characteristics of a 'tragic hero'. He receives compassion through the audience, yet recognizes his weaknesses, and his downfalls from his own self-pride, stubbornness, and controlling demands. He is the true protagonist.
In Antigone, especially with the feminist movement now holding the title character, as prototypical downtrodden woman, the king Creon is often villified. While accepting the fact that Creon has misogynist tendencies, the gender issues can cause the pure argument of validity of actions, to fall by the wayside. So supposing for a moment, that Antigone's rebellion had been undertaken by a male, would Creon's choices have been different. Did he choose such harsh punishment and intractable course because Antigone was a woman ? As I read him, this is not the case. He has made a value judgement as to who is traitor and who is worthy. He has made a secondary judgement as to the rights of traitors, and the need of the people to know the consequences of traitorous acts. While one may disagree, with the value judgements he has made, as king he is well within his rights, indeed his obligation, to rule according to what he believes best at the time. Outcomes are not always the best vantage point from which to judge a man. Creon did not have the advantage the reader has of seeing final outcomes, indeed we must remember these outcomes were contrived by Sophocles, to illustrate his point of view. Is it not conceivable that in real life, these outcomes are far from assured, indeed a bit preposterous ? So then to summarize, Creon simply made his best decision, and that decision was with in his right to rule as the recognized sovereign.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
A tragic hero has many definitions but Creons characteristics fit each single one. He displayed a fatal flaw that drove him mad near the end but also understood that his predicament was caused by him alone. Antigone cannot be the tragic hero because although she possesses several flaws, she experiences no true illumination. She does not met the required the traits for the tragic hero. Creon wanted to protect the state above personal cost, a task that was achieved in a way. Creon is the tragic hero in Sophocles Antigone because he can’t accept a diminished view of himself; he endures great suffering and is enlightened in the end.
In the book Antigone, Creon and Antigone can be considered as the tragic heroes of the play. Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly. Creon is the king of Thebes. He is also Antigone's uncle. Creon became king after a fight between Eteocles and Polyneices. One may see Creon as a harsh and controlling ruler, but he is not good nor bad because he shows signs of both like when he wanted to give Eteocles a proper burial . Creon is the tragic hero of the Antigone, because of his dominance in society, high rank, tragic flaw; and self-pride.
A person once said, “The Antigone [is] one of the most sublime and in every respect most excellent works of art of all time” (Hegel). The play Antigone [is] written in the 6th century by the writer Sophocles (Willocks). Sophocles is a play writer and he made tragedies more complex. A tragedy always ends in defeat or death, has a hero who is confronted by hostile forces and has a tragic hero who has to make a choice difficult moral choice. The main character is usually the tragic heroine. A tragic hero is a person who has a dramatic change in fortune, morally good, heroic in stature or social position, true to life and consistent (Willocks). Creon is the king and he believes whatever he said should be obeyed. He did not listen to the Greek
Do they fly around in capes? Are they capable of leaping tall buildings in a single bound? Maybe they have super powers obtained after a nuclear accident? Or just maybe they’re normal people who do extraordinary things? There are many types of heros in society, some with happy endings and some have tragic endings. A tragic hero is a literary character who makes a judgment error that inevitably leads to his/her own destruction. In reading Antigone by Sophocles there is one hero that is truly tragic in nature, Creon.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
Creon in the play Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy. Creon highlighted as the tragic figure, initially created decisions he thought were for the welfare and well-being of Thebes. However, Antigone, who rebelled against Creon’s decisions, caused Creon’s rage to cloud his rational way of thinking.
A subject of debate in Sophocles’ play Antigone is which character complies with the characteristics of a tragic hero. The qualities that constitute a tragic hero are, in no particular order, having a high social position, not being overly good or bad, isolation, being tenacious in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Creon possesses some of these qualities but, does not completely fulfill them all. Antigone does, however, conform to the persona of a tragic hero.
Antigone, the protagonist of the play, has what is seemingly the most powerful female role. From the very beginning of the plot she foreshadows her demise but expresses it through her stubbornness and inability to realize the great power of man. It is possible that she was aware of Creon’s capabilities as a leader, but nonetheless, she fights back by going t...
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
Antigone could also be referred to as a tragedy sub-genre. Tragedy "recounts casually related series of events in the life of a person of significance, culminating in an unhappy catastrophe, the whole treated with dignity and seriousness" (554). Antigone is one of Sophocles' many famous tragedies. It is centered around the tragic outcome that may take place in the occurrence of being prideful. Sophocles portrays that pride can result in tragedy and in disaster. In the story, Creon is prideful as his position of King and he ultimately brings his city to ruins. "Tragedy" played a major role in the story.
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s