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Portia as a dynamic character in the Merchant of Venice
Portia as a dynamic character in the Merchant of Venice
Portia as a dynamic character in the Merchant of Venice
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Shylock in The Merchant of Venice by William Shakespeare
William Shakespeare's The Merchant of Venice contains an array of interesting and complex characters. From the alternately generous and grasping Antonio to the alternately love stricken and exploitative Bassanio to the vulnerable and manipulative Portia, this play has an abundance of multi-layered personalities.
However, one of the most intriguing characters is also the most oft-vilified and minimized in the work. This character, Shylock, is certainly just as compelling as any of the aforementioned—if not more so, because he acts as the catalyst for the majority of the interesting sections of the play (i.e. The flesh pact, the court scene etcetera). It is certainly undemanding to simply label Shylock a stereotypical stock character: the greedy, vindictive and bloodthirsty villain. Surely, there are more than enough instances available to label him as such (1.3.38-49, 3.1.59-62), 3.1.372-375). However, there also exists another possible, yet neglected, description of Shylock's character: the aggrieved, marginalized and putupon minority. As the text repeatedly reminds us, Shylock is Jew; moreover, a Jew in a predominantly Christian Venice. He is an individual that is consistently attacked at every opportunity by supposedly goodly Christian characters (1.3.103-105, 108-110, 2.8.15-17). It is to be expected that someone living in those peculiar circumstances would lash out when the chance eventually arises—in this case, Antonio is the target of the wrath. So, to those who would argue that Shylock is a mean-spirited, unforgiving and avaricious character, I would respond: of course he is. But he can also be seen as a distressed, violated and desperate ...
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...ts to the inherent contradictions in the practices of Christians: that they prize their “humility”--that is, until they have a chance to revenge themselves on a Jew that has wronged them. These words have the color of a man well acquainted with the unfairness and unbalance of the system; that a Christian can pursue retribution against a Jew without consequence but when a Jew does exactly the same, he or she is further demonized. He then concludes that he will follow and then exceed the precedents set by his Christian counterparts by seeking revenge: “The villainy you teach me I will execute, and it shall go hard but I will better the instruction” (66-67). Here, it is visible that Shylock has finally recognized his chance for a didactic display of revenge against his tormentors; he will finally show them how it feels to be powerless, to be fearful...to be victims.
Since middle school, I have believed that all of Shakespeare’s works, similar to A Mid Summer Night’s Dream, were plays that one would read to hear a happy, entertaining story; but, it was not until this year, after reading The Merchant of Venice, that I recognized the darker, more sinister, side of Shakespeare’s plays. The Merchant of Venice supports the Jewish, anti-Semitic stereotype as the wicked character of Shylock is developed. Many individuals fear that it is improper to teach and discuss The Merchant of Venice in high school classrooms because of the negative way it presents Jews; however, I believe that it is important to read this controversial play in high schools because it enables students to learn anti-Semitic history and because reading Shakespeare’s works, due to their complexity, expands the literary mind of those who read it.
Throughout William Shakespeare’s play, The Merchant of Venice, there is a strong theme of prejudice. Portia has to deal with prejudice against her sex, the Prince of Morocco has to deal with prejudice against his race but the character that is most discriminated against is Shylock. He is hated for being a Jew and a money-lender, but Shakespeare has not made Shylock a character easy to sympathise with. He appears to be mean and cruel and it seems as though he loves money above all things. However during the play there are moments when Shakespeare gives Shylock speeches which show his humanity. In these moments, the audience is made to feel sorry for Shylock. Shakespeare has created a character that the audience’s feelings will change for by the minute.
At the end of The Merchant of Venice, Shylock has been both a victim and a villain. He is a victim of his religion, and a victim of his greed and overwhelming need for revenge. Shylock is definitely the most villainous character in the play, and only a few elements can show him as a victim overall, even then, his victimisation only seems to be a consequence of his own actions. His daughter running away, because of her treatment, and apparent lack of love. The taking of his assets, because he would show no mercy towards Antonio. The final conclusion must be that Shylock is unreasonable, spiteful, heinous, greedy - and a villain.
Shylock confronts Antonio for spitting on his gabardine, calling him a ‘dog’, and scolding him in the Rialto about his moneys. Antonio replies with, "I am like to call thee so again, To spet on thee again, to spurn thee, too"(1.3.140-141). Antonio does not deny his actions and instead of apologizing he says he will do them again. He does not hold back his feelings for Shylock and in a broad sense his feelings toward Jews. In the second act, Launcelot is debating whether or not he should seek a new employer. His problem is that he works for Shylock, who is Jewish. Launcelot thinks to himself, "Certainly the Jew is the very devil incarnation" (2.2.24). Eventually, he decides to run away from Shylock rather than continue working for a Jew. He then presents the argument, "I am a Jew if I serve the Jew any longer" (2.2.104) to his father. Before accepting the new job, Antonio discusses the matter with his father and reminds himself that Bassanio is much poorer than Shylock, but that he would much rather work for a Christian than a Jew. Lorenzo harshly insults Shylock when he tells Jessica that if her father ever makes it to heaven, it is only because Jessica converted to Christianity and that is portrayed through the line, "If e’er the Jew her father come to heaven, It will be for his gentle daughter’s sake" (2.4.36-7). Lorenzo describes Jessica using the word gentle. The word gentle in Shakespeare’s time can also be pronounced gentile which means against Judaism. In this quote and later on in the play through the line, "Our house is hell, and the, a merry devil"(2.3.2-3), Shakespeare is informing the reader that Jessica dislikes her father and that the house she has lived in with him is hell.
Discrimination is a resounding theme in The Merchant of Venice (Meyers). All of the characters are affected by inequality. This inequity is evidenced clearly in Shylock, the Jewish usurer. He is treated with scorn and derision by all the characters. Shylock’s misfortunes stem not from poor attributes or even a poor background; it stems from the fact he is Jewish, and what is more, he is impenitent of that distinction. If he had been more daunted by Christian influence, he might have been forgiven, as Jessica is subjectively exonerated. He is not contrite and it is believed that his appalling birth cannot be absolved (Bonnell).
The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.
...killful writer rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members - regardless of cultural and ethnic backgrounds, race, life styles, and belief – they will be one step closer to living in a civil society.
Shylock has the reader's sympathy. Still, their desire for revenge ruins them in the end. Works Cited Shakespeare, William. The. The Merchant of Venice. 1967.
In looking at Shylock, the sixteenth-century audience would deduce all view except the greedy, selfish, manipulating, Jew. In accordance with the normative view, Jews were believed to be out of tune with the universe. This is re-enforce in act 2 scene 5 lines 27-30 when Shylock is comment...
In order to understand the concept of evil for evil, one must examine the initial evil, aimed at Shylock, through Shylock's own eyes. Some may see the discrimination aimed at Shylock as justified, as he is a malicious usurer; certainly the Venetians thought so. However, the discrimination took its toll on Shylock, until he began to hate all Christians. Shylock saw himself as an outsider, alienated by his society. The evil he saw done to him took three major forms: hatred from Antonio, discrimination from Christian Venetians, and the marriage to a Christian of his daughter Jessica.
We are left with the impression that Shylock is highly intelligent and extremely good at his job using all the information he has at his disposal. disposal before agreeing to loan money. He is true to his religion. faith in spite of all the racist abuse he has received. Perhaps Because of this abuse, he is bitter and anxious to avenge himself for past wrongs, real or imagined.
It is difficult to say if Shylock is a complete villain or a victim, as his character is complex and ambiguous. However, it is difficult to view Shylock as anything other than a devious, bloodthirsty and heartless villain in the majority of the play. There are a few points in the story where he can be viewed as victimised, as most Jews were at that time, but Shakespeare has purposely portrayed Shylock as a stereotypical Jew, greedy, and obsessed with money. Shylock has been written to be very inflated and exaggerated. Even when Shylock makes his first appearance in the play, his first words are “Three thousand ducats,” Act 1, Scene 3.
Being a Jew in Christian dominated Venice, Shylock is persecuted by society. He is the victim of popular Christian prejudice, which scorns his religion and restricts his means of employment. He is left with no choice but to be a moneylender and earn his money from collecting interest. To the Christians, collecting interest was against their teaching. This is one of the reasons for the Christians hatred.
Shylock is a wealthy Jew who invests money into shipments and trades. When Shylock’s enemy, Antonio, requests a loan of 3000 ducats, “Shylock adopts this Christian model of "kind" lending in his bond with Antonio as a means for lawful revenge.” Shylock’s agreement is that if the ducats are not returned, Antonio must repay his loan in human flesh. This is a way for Shylock to either make money or kill a Christian, either will satisfy him. Lee describes Shylock’s feelings towards Christians, “Indeed, although Shylock will neither "eat," "drink," nor "pray" with the Christians, he is willing to "buy" and "sell" with them.” This is where Shakespeare first introduces the devil inside Shylock. Had Antonio been a Jew, there would not have been a payment of flesh. Shylock’s hatred propels the story from start to finish. His hatred causes him to lose his daughter, drives Portia to use her money and wit to save Antonio, and why he ends up losing
The first theme is that religious intolerance and prejudice play destructive roles in the book. Even to this day, there is racism and prejudice in schools about race and religion. Antonio, as a true Christian, has often condemned moneylenders. He knows that since the early twelfth century, Christians are forbidden by the Church to lend money for profit. Shylock, as a Jew, does not consider his money-lending and overwhelming interest to be a sin in any manner. In fact, he considers his earnings through money lending as the gift of God. He appeals to and quotes the Scriptures in defense of his profession. Shylock and the other Jewish moneylenders are essential to the prosperity of the merchant community, but they are also outcasts as human beings and as Jews. Shylock often shows his dislike to the Christians; “I hate him for he is a Christian”, (Act I, Sc. III, L. 38). The Christians ridicule and hate the Jewish moneylende...