The Character of Shylock in Merchant of Venice
Few characters created by Shakespeare embodies pure evil like the character of Shylock in The Merchant of Venice. Shylock is a usurer and a malevolent, blood-thirsty old man consumed with plotting the downfall of his enemies. He is a malignant, vengeful character, consumed with venomous malice1; a picture of callous, unmitigated villainy, deaf to every appeal of humanity2. Shylock is the antagonist opposite the naive, essentially good Antonio, the protagonist; who must defend himself against the "devil" Shylock. The evil he represents is one of the reasons Shakespeare chose to characterize Shylock as a Jew, as Jews of his time were seen as the children of the Devil, the crucifiers of Christ and stubborn rejecters of God's wisdom and Christianity.
However, when Shakespeare created Shylock, he did not insert him in as a purely flat character, consumed only with the villainy of his plot. One of the great talents that Shakespeare possessed, remarks Shakespeare analyst Harrold R. Walley, was his ability to make each key character act like a real, rational person. Walley said of all of Shakespeare's characters, hero or villain, that "Their conduct is always presented as logical and justifiable from their point of view3." To maintain the literary integrity of the play, "Shakespeare is under the necessity of making clear why a man like Shylock should be wrought to such a pitch of vindictive hatred as to contemplate murder4." His evil must have some profound motivation, and that motivation is the evil done to him. Shylock is not an ogre, letting lose harm and disaster without reason. He was wronged first; the fact that his revenge far outweighs that initial evil is what makes him a villain. Beneath Shylock' villainy, the concept of evil for evil runs as a significant theme through the play.
In order to understand the concept of evil for evil, one must examine the initial evil, aimed at Shylock, through Shylock's own eyes. Some may see the discrimination aimed at Shylock as justified, as he is a malicious usurer; certainly the Venetians thought so. However, the discrimination took its toll on Shylock, until he began to hate all Christians. Shylock saw himself as an outsider, alienated by his society. The evil he saw done to him took three major forms: hatred from Antonio, discrimination from Christian Venetians, and the marriage to a Christian of his daughter Jessica.
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Flannery O'Connor was a Southern writer especially noted for 32 incisive short stories before a tragic death at the age of 39.
Wells Fargo, the American banking giant based in San Francisco, was the subject of a scandal in 2016 based on company-wide ethical problems. Wells Fargo’s unethical behavior and complete breakdown of ethical practices caused many people to suffer both within and outside of the company. Consumers were not properly informed about the types and the number of products being purchased on their behalf and were unfairly used to boost the value of the company, while employees were pushed to their moral limits to meet unrealistic sales goals.
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In the story, the prisoners are often dehumanized by how they are treated while they wait for their hanging. The beginning of the story starts with the narrator describing what the prisoner cells looked like with it in poor condition:
Albert Einstein is looked at as one of the most magnificent scientific thinkers throughout history. His theories on the nature and dimensions of time and space immensely changed the way people thought of the physical world and established many of the major fundamental foundations for a tremendous amount of the our scientific discoveries and inventions in the 21st century.
At the end of The Merchant of Venice, Shylock has been both a victim and a villain. He is a victim of his religion, and a victim of his greed and overwhelming need for revenge. Shylock is definitely the most villainous character in the play, and only a few elements can show him as a victim overall, even then, his victimisation only seems to be a consequence of his own actions. His daughter running away, because of her treatment, and apparent lack of love. The taking of his assets, because he would show no mercy towards Antonio. The final conclusion must be that Shylock is unreasonable, spiteful, heinous, greedy - and a villain.
The biggest role of blood in the play was becoming a stigma of guilt for characters including Macbeth and Lady Macbeth. This was first evident when Macbeth had just killed King Duncan. He enters with a bloody dagger in his hand
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Shakespeare introduces to us a character who is evil according to the moral judgement of the moment. He does not respect the social values and norms. For him social taboos such as incest and crimes such as murder cease to be wrong once they become instruments of power. He is Satan incarnated, cunning, greedy and destructive. He has no respect for those who observe social, norms, family ethics and political loyalty.
Shakespeare's use of timeless themes make his works relevant to the modern reader. His two plays "The Merchant of Venice" and "Othello" deal with the seeking of revenge and forbidden love. In "The Merchant of Venice," Shylock, the main character, is a Jew who loans money and charges interest. Shylock has an enemy named Antonio who also loans money to people, but without interest. Iago is a character in "Othello" who has been passed over for a position as Othello's right hand man. He feels that he deserves the position not the person who received it, Cassio. Both of these characters want revenge from the people whom they perceive as having done them wrong and will stop at nothing to have their way. In other words, Shylock and Iago are similar in that they want revenge. However, there are also many differences in each character that demonstrate that they are in many ways polar opposites.
Shylock Deserves Sympathy Shylock is indeed a complex character and has the dimension of pain-he has suffered, still suffers and is one of a people who have suffered over centuries. However, to what extent should Shylock suffer and does he deserve our sympathy or hostility. Although anti-Semitism is totally unacceptable today, it was quite normal in Shakespeare's time. However, as he has done with other villains, Shakespeare actually plays around with his audience's preconceptions and makes Shylock an interesting, complex and sometimes likable character.
Shylock is a wealthy Jew who invests money into shipments and trades. When Shylock’s enemy, Antonio, requests a loan of 3000 ducats, “Shylock adopts this Christian model of "kind" lending in his bond with Antonio as a means for lawful revenge.” Shylock’s agreement is that if the ducats are not returned, Antonio must repay his loan in human flesh. This is a way for Shylock to either make money or kill a Christian, either will satisfy him. Lee describes Shylock’s feelings towards Christians, “Indeed, although Shylock will neither "eat," "drink," nor "pray" with the Christians, he is willing to "buy" and "sell" with them.” This is where Shakespeare first introduces the devil inside Shylock. Had Antonio been a Jew, there would not have been a payment of flesh. Shylock’s hatred propels the story from start to finish. His hatred causes him to lose his daughter, drives Portia to use her money and wit to save Antonio, and why he ends up losing
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In every great play, there must be a villain to assist in forming the base of the plot. Without a villain, no story or play will be successful or interesting. Shakespeare is well known for his use of different types of villains in his plays. “What constitutes a villain? -- You could probably write a whole thesis on that one. I'm going to adopt a rather loose working definition - villains are people who do bad stuff.” (Dooley) Dooley’s description of villains is a very accurate summary of the description of villains. They are, essentially, people who do things that are seen as morally wrong by readers. Many of the villains in Shakespeare’s plays come across as almost sociopathic. In Shakespeare’s plays Othello, Midsummer Night’s Dream, and Hamlet, the villains are Iago, Oberon, and Claudius, respectively.