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Role of woman characters in the merchant of venice
Role of woman characters in the merchant of venice
Role of woman characters in the merchant of venice
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The Character of Portia in Merchant of Venice
In his Merchant of Venice, Shakespeare wants the reader to admire Portia, arguably the most powerful character in the play. However, it is easy to mistake the word ‘admiration’ to mean simply a liking of someone’s positive virtues. Rather, we should like Portia because of those things that make her a multi-faceted character. Though she can appear to be an “unlessoned girl,” she is also conniving, manipulative, and powerful. Three examples that effectively show her prowess and as a result win our admiration of her occur during the casket, the trial, and the ring scenes.
One reason why Shakespeare wants us to appreciate Portia is because of the respect that radiates from her during the casket scene. Respect is clearly shown when she follows the prescription of her father’s will, which stipulates that she is to be wed to whoever can successfully figure out the riddle of the caskets and pick the one that has her likeness in it:
I may neither choose who I would nor refuse
who I dislike, so is the will of a living daughter curbed
by the will of a dead father. (I.2.22-24)
Portia realizes that she has little to say in the matter, and nowhere does she hint at not following her father’s wishes and marrying whomever she wants. Portia’s faith to her father is steadfast as she goes through the ritual of entertaining potential suitor over and over again. However, that is not to say that Portia is fond of her predicament, because clearly she is not. When Morocco fails to pick the correct casket and leaves in a distraught manner, she is relieved and exclaims: “A gentle riddance” (II.7.78).
Portia must also be admired for her unwavering love and support of her Bassanio. Whi...
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...tely frees Antonio (and perhaps even Bassanio) and at the same time obliterates Shylock.
Therefore, Portia is a character whom Shakespeare means to be highly admired. She possesses qualities that make her the adoration of some and the envy of others. She is highly skilled at whatever task she undertakes; yet she retains an aura of compassion and a strong sense of commitment. She puts herself on the line for the sake of her Bassanio. On the other hand, when she is crossed - or better yet when something she is endeared to is threatened - she is prepared to unleash a havoc to make things better again.
Works Cited
Shakespeare, William. The Merchant of Venice. 1967. Ed. W. Moelwyn Merchant. The New Penguin Shakespeare. London: Penguin Books, 1996.
- - -. Othello. 1968. Ed. Kenneth Muir. The New Penguin Shakespeare. London: Penguin Books, 1996.
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Greasers are the lowest of society and deserve whatever they get for being a Greaser nor do they deserve any chance to escape the vicious cycle of poverty and judgement and become anything but a Greaser. None of these beliefs are true, but society believes them to be true. Though it is true that many Greasers give up and conform to society’s expectations, who can blame them? In a society that will never accept them, why should they bother? However, Darrel Curtis, a Greaser, refuses to believe in his inherent “lack of worth” as a Greaser, unlike many of his friends and family. He is equal to or better than most Socs, and people can see it, yet few believe it and even fewer choose to make any note of it. The few people who take note of it, his family and a very select few, note that had he been born under slightly different circumstances such as not being born poor and had his parents not die, he could have been a Soc, gone to college and succeeded at life. Darry should have had a future regardless of his lack of socioeconomic status because of his considerable intelligence, hardwork and
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Thousands of children are kidnapped each year. However, one of the most famous kidnappings was the Lindbergh Kidnapping in 1932. The kidnapping was called, “The Crime of the Century”. After much hard work, detectives were able to find the kidnapper, Bruno Hauptmann. Evidence of ransom notes, possession of ransom money, and access to tools make Bruno Hauptmann guilty in the Lindbergh Kidnapping.
Shakespeare, William. The Norton Shakespear. Othello. Dir. Grenblatt, Cohen, Howard, and Eisaman Maus. (second ed.) New York. 2008.
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She does not spew out all the reasons why she loves Othello or say that she is unavoidably attracted to him as she could have. Instead, she picks a practical reason –
This is a must have personal trait because therapists that are very knowledgeable are trusted by their patients, which makes the patients more comfortable about the therapy process. If a therapist sets up a whole intervention that is does not treat the certain injury they would be considered not that knowledgeable because they did not set up a correct intervention to produce the best results for the patient. All physical therapist should be well knowledgeable and educated with all of the education a person must go through to become a physical therapist. To become a physical therapist, a student must got to school and get his or her Doctorate in Physical Therapy. So if a student is receiving a Doctorate then he or she must be able to perform correct interventions and be able to correctly assign specific patients to the right Physical Therapist Assistants that would be able to have the most impact on that
We see how she is manipulated by men through her father, who though dead, still manages to control who she marries from his will. He states in his will that from three different caskets the suitors will have to chose, in each of which will contain either a letter to the suitor or a picture of Portia. In one of the three caskets, either the lead, silver or gold casket, there will be a picture of Portia the suitor picking the casket containing the picture will be the suitor who will get to marry Portia. ‘I may neither choose who I would, nor refuse who I dislike, so is the will of living daughter curbed by the will of a dead father’ this shows that Portia would rather have a say as to who she gets to choose rather than being told who she has to marry. She overcomes that after two suitors who she wishes not to marry choose the wrong casket letting her know which casket contains her picture, so that when Bassanio becomes a suitor and she falls for him she is able to hint to him which casket to choose:
It develops the character of Portia as being someone madly in love with another person. It is clear to me that she is in love with Bassiano. She talks about how she could teach Bassiano how to choose right, but she can’t because of her father’s will. To me, she is really sick. It advances the plot so that the love Portia has for Bassiano, and the love that Bassiano has for Portia, can be more looked at.
Bassanio was so grateful towards Balthazar that he was able to place Balthazar of above importance to Portia his wife. Portia then compares Bassanio giving up her beloved ring to if she were to give her body to the doctor as a parallel. Prior to the men being made aware of Portia and Nerissa’s disguises, they explain their reasoning’s as a necessity. Once Bassanio and Gratiano know the truth, they apologize with fear as they now know the power these two women posses. Gratiano ends the play by stating “I’ll fear no other thing so sore as keeping safe Nerissa’s ring” (V, I, 324-325). Gender roles are now reversed as the play concludes which shows that gender itself is a social construct and is not
We forget easier pleasures, but not those so difficult that they also comprehended severe pain. He says that “we remember the Don and Sancho, always, because they give us a difficult pleasure, in which much pain is mixed, and we love them, always, because Cervantes puts our love for them to the test.” They educate one another in reality, and in all the orders of reality. "I know who I am, and who I may be, if I choose," is the Don's
But since nurse responsibility is to promote human well-being through nursing process and self-transcendence is one good of nursing process. This Theory has expand from mental health to well-being and now used in several areas including practice, education, and research. And it applicable to all kinds of patient .self-transcendence theory has been proven to solve all kinds patients problem regardless of their ages.
Shakespeare highlights three of Portia’s suitors, the Prince of Morocco, the Prince of Arragon and Bassanio. He does this to heighten dramatic tension, as these three men are the most important candidates to win Portia’s hand in marriage. They reveal the contents of the three caskets and their different characters as exposed as being proud, vain and humble. They also emphasise the racial prejudices of Venice a place where many races clash. Their attitudes towards the caskets and their choices indicate what their character is like. This essay will compare and contrast the three suitors and will explore how Shakespeare influences the audience’s attitudes towards the three men.
In the word heroism, you clearly can see the word hero, but what does heroism really mean? Heroism is defined in the Merriam-Webster dictionary as a noun and is either 1. heroic conduct as exhibited in fulfilling a high purpose or attaining a noble end or 2. The qualities of a hero. Even though the message is clear of what heroism is in the definition, do we know what it is really? In the eyes of some, a hero is one who doesn't accept failure, but one that tries with enthusiasm repeatedly every time one falls in order to achieve or hope to reach sight of their dreams. The wise pacifist, Mahatma Gandhi, once quoted,”Heroes are made in the hours of defeat. Success is, therefore, well described as a series of glorious defeats.”. This quotation