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Fairy tales affecting children self image
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As a little girl growing up, there is that dream to be a princess and have a life of a fairytale. Although, fairy tales teach these young girls that they need a man, or should depend on a man. In the story Shrek, Fiona is locked away in a castle far away on a mountain guarded by a dragon and lava. She is stuck there until a “prince” comes to save her. However, Fiona expected to have a knight come and save her, but instead it was Shrek, a green ogre who lives in a swamp. Fiona and Shrek fall in love. The moral of this story is that Fiona spent half of her life waiting for a man to come and save her and when one did it was not what she expected him to be like. She had hoped for a nice looking knight and got a green ogre. When Fiona meets the prince that she was planned to marry she thought that she was going to like him more than Shrek, but it turned out she loved Shrek and thought the prince was miserable.This story tells us two things. One, that girls should depend on men to save them and two, that who you think is right for you may turn out to be the wrong person. I agree with one of these two concepts and that is that
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The more you are on their social media, texting, or looking at old pictures is going make you think about them more. That is what they want too, they want you to be thinking about them. The less interaction you have with each other, the faster you will get over them. This may seem impossible at first, but everything takes time. Like, a small tree when it is first planted. It is planted to grow for either shade, fruit or even flowers. It takes years for this tree to grow and may seem almost useless at first, but with sun and rain in a couple of years that tree will be grown. Nothing in life is easy and not every situation comes with instructions as growing a tree would. Life is about learning lessons and finding yourself. A break up can teach you how to be a better
In William Shakespeare’s play, The Tragedy of Romeo and Juliet, Tybalt is from the house of Capulet and cousin to Juliet. Tybalt is young, macho, aggressive, impatient, high-tempered, cocky, and a skilled swordsman. Based on the humors, Tybalt could be considered choleric. He is introduced as an antagonist in the play because he causes a fair share of conflict. Tybalts’s death can be narrowed down to three reasons, his immaturity, Romeo, and his pride and honor.
As Shrek runs in and screams “I object!” the whole town stops and stares. Lord Farquaad himself stares down Shrek. This is the part in the Resurrection where the hero must face the villain, Lord Farquaad, before returning to the ordinary world. This is Shrek’s final battle, the one last obstacle he has to face before returning home. As Lord Farquaad calls his men in, the sun goes down, and Fiona turns into her ogre form. Farquaad is disgusted at her new appearance, so he has both of them captured. At first, it appears shrek and Fiona cannot escape, but Shrek whistles and calls in donkey- riding a dragon. The sight of the dragon causes chaos and everyone leaves, including the guards. That leaves Shrek and Fiona alone in the building, so they kissed and Fiona’s curse was lifted. Her curse could only be lifted by her true love’s kiss, which was Shrek. After kissing, though, they realized Fiona’s true is not human- its ogre. Shrek returned home with ogre Fiona, married and finally happy. This is the next stage in the Hero’s Journey, Return with the Elixir. In Shrek, the elixir is Fiona. The elixir is the reward the hero returns with, a reward that changes him for the better. And Princess Fiona does change Shrek for the better. After living with her and marrying her, shrek learns to love not just others, but himself. Before, Shrek felt people judged him before they even knew him, so he thought it was better not to know them. But Fiona helped him see the good, that it doesn’t take someone to be beautiful to have a happy
Relationships are complicated, not every relationship will last, and this seems to be the most apparent with romantic relationships, as these types of relationships two partners will often come together and open up to each other and become very close. Every relationship needs effective communication, and this is evident in the film, The Breakup; starring Jennifer Aniston and Vince Vaughn. This film ties in with Interpersonal Communications very well as it portrays its message of poor communication very well. Models of Relational Dynamics, couples conflict styles, crazymakers, and conflict in relational systems are some of the topics that the film perfectly depicts.
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
We’ve all seen the Disney movies and have fallen in love with the idea of being a princess, and having you true love carry me off into the sunset. “And isn't that, at it's core, what the princess fantasy is about for all of us? "Princess" is how we tell little girls that they are special, precious. "Princess" is the wish that we could protect them from pain, that they would never know sorrow, that they will live happily ever after ensconces in lace and innocence.” (129). Orenstein explains here that the word “princess” simply tells these girls that they will never experience pain. Have you ever seen a Disney princess experience pain? Only over their true love of course, which they always get in the end, telling girls they will get what they want. This sends a negative message to little girls that they have to have true love and they always should get what they want. But in reality, disappointment is everywhere we go and there's no pain without
In Disney classics, if characters like the Beast can be misconstrued by Belle, everyday people could commit a similar crime. Beauty and the Beast was more than a story about love, it was a story about misjudgement. In a way, I have my own version, except mine did not end in a happily ever after.
The original Disney fairytales portray their princesses as beautiful, elegant, and very ladylike. Although this is portrayed in most fairytales, it is not a qualifying factor to determine if a film is a fairytale or not. In the movie Shrek, Princess Fiona starts out as a very stereotypical girl, but as the movie progresses, she becomes more comfortable and starts to break these stereotypes. For example when Shrek, Fiona, and Donkey are walking back through the woods Fion...
In beauty and the beast we have for the first time a female character that is different and “ Belle likes herself and trust her own judgment” (Henks, Umble and Smith 1996, p. 237), and refuse what was planned for her. Belle was the first character not to fall in love from the first sight and occupies almost 80 percent of the movie. She has a better control on her life and choose her own destiny and she was powerful enough to save her father’s and the beast’s lives. And this relation represents a power-with the male character. The problem was that at the end, Belle ended up being one typical princess and being again the perfect girl that live with her prince happily ever
The directors have been able to convey the binary of appearance and reality. Fiona was first disappointed by Shrek’s appearance. However, as Fiona develops a relationship with Shrek, she realises that there’s more to Shrek than what meets the eyes. The scene in the movie where Fiona is revealed to Donkey as another appearance is the major focus. On a spell, Fiona takes appearance of an ogre after sunset. Fiona is ashamed of her unattractive appearance, determined to marry Lord Farquaad in order to break the spell. Nevertheless, when Shrek sees Fiona’s ogre side, he is not disappointed and rather gets the courage to confess his love to Princess Fiona. Fiona’s wish comes true; True love’s first kiss, and takes love’s true form, the ogre. Non diegetic romantic music is used to show Shrek and Fiona’s connection. A mise en scène is created,
Thinking back to our childhood, we all remember hearing many kinds of fairy tales. Some of them inspired us others confused us, and most of them taught us valuable lessons. Through out centuries tales and stories have been used as a valuable tool to pass on our culture to new generations. There is a strong belief that these fairy tales mirror and influence society. All cultures interpret tales in their own unique way. They add and subtract various aspects of the tale to fit the needs of their particular society. The same tale in the United States is different from the tale told in Asia. A good example of tale evolution can be seen in one of the most famous tales ever told which is “Cinderella”. As a professor of women’s history Karol Kelley points out in her essay Pretty Woman: A Modern Cinderella “There are some 700 versions of Cinderella”.This fairy tale as many others has been changing for many years, and in recent years Cinderella has come under some criticism for its depiction of women’s roles in society.
People that grow up watching the classic Disney Princess movies, which give us false hope that every simple quiet girl will end up marrying a prince. The Beauty and the Beast being one of those movies, teaching us that if you fall in love with a hairy like creature he will turn into Mr. McDreamy. The bubbly Disney version of the Beauty and the Beast usually does not allow scholars to find a deeper meaning. Believe it or not, Disney did not create this classic tale. In fact, Charles Perrault wrote a darker version of it almost three centuries before. Perrault’s twisted feminist version has hidden messages and meanings still puzzling scholars today. Some say that at the end of every fairy tale he would put a rhyme that would be a hidden message to little girls. The messages presented caution about not trusting strangers or to stay true to who you are. Unlike Disney’s anti- feminist version, often characterizing girls as the damsel’s in distress, Perrault’s gives girls the look of independence. He shows young girls that they do not always need a prince charming by giving Beauty the decision that could change her life.
...depicts human love as a product of maturity, whereas Disney depicts it as a cause of maturity” (Trites 4). This fundamental change of maturity in Disney’s version is where the problem rests, teaching audiences that seeking a mate is the path to maturity and independence for women, when in reality love is complicated and ever changing. The “disneyfication” of The Little Mermaid perpetuates negative aspects of American cultural ideals, losing the moral integrity and lessons intended to be taught from the original fairytale.
Over the years, Disney has presented many movies to their audience—most having a Princess as the protagonist. These movies became a babysitter for most parents in the early stages of their child’s life. Most people found these movies as relatively harmless. The obvious assumption about the Disney Princesses is that they only desire true love since almost every movie ends in romance. Parents just viewed these movies as romantic movies on a child’s level. However, these movies were not solely intended for an audience of an age that can be counted on both hands. They were intended to speak to “an intelligent and active audience” (Sumera 40). However, there are many people who disagree with the ways of the Disney Princess movies. The disagreements lie within the portrayal of women gender roles in these movies. It is argued that Disney portrays women as a being nurturing individuals without any control over their identity. The women are unable to think for themselves, because they are uneducated, and they are quick to fall in love with the first man that pays them any attention. However, this is not completely true. The people that are against the portrayal of women in the Disney movies are failing to recognize the underlying concepts in these movies. For example, Belle, in Beauty and the Beast, was well educated, Mulan went to war despite the consequences, and Merida, in Brave, stood up to her mother in refusal to marry. The Disney Princesses desired intelligence, bravery, strength, and independence—not true love’s kiss.
Personality is a branch of scientific discipline that studies temperament and its variation among people. It is a dynamic and a set of characteristics possessed by their atmosphere, cognitions, emotions, motivations and behaviours in various things. Personality conjointly refers to the pattern of thoughts, feelings, social adjustments and behaviour consistently exhibited over time that powerfully influences one’s exceptions, self-perceptions, values and attitudes. It also predicts human reactions to different folks, problems and stress.
In many fairy tales, there is always a damsel in distress that is beautiful and the male character always falls in love with her. In Rapunzel the short story, Rapunzel is put into a tower and lives there most of her young life by her ‘mother’ before her prince comes to recuse her. The difference between Tangled and Rapunzel the short story is that, Rapunzel is the princess and her prince is actually a thief, which ends up falling in love with her. Tangled illustrates how a naïve and beautiful heroine, evil mother figure, and a shallow egotistical hero can make a fairy tale story end with love and marriage.