A Two Tale Comparison Thinking back to our childhood, we all remember hearing many kinds of fairy tales. Some of them inspired us others confused us, and most of them taught us valuable lessons. Through out centuries tales and stories have been used as a valuable tool to pass on our culture to new generations. There is a strong belief that these fairy tales mirror and influence society. All cultures interpret tales in their own unique way. They add and subtract various aspects of the tale to fit the needs of their particular society. The same tale in the United States is different from the tale told in Asia. A good example of tale evolution can be seen in one of the most famous tales ever told which is “Cinderella”. As a professor of women’s history Karol Kelley points out in her essay Pretty Woman: A Modern Cinderella “There are some 700 versions of Cinderella”.This fairy tale as many others has been changing for many years, and in recent years Cinderella has come under some criticism for its depiction of women’s roles in society. In present day society, where political correctness and equality are at the top of the priority list, by reading essays such as the one by Karol Kelley we find that this might not have been the case in earlier days. Fairy tales such as Cinderella have been found guilty of possessing subliminal socialization traits. Classifying genders as inferior and molding young girls into the female that society expects them to be. In Charles Perrault’s version, which is considered the most common, Cinderella is seen as passive, limited, dependent and inferior. As critics argue, these traits can hinder a child’s self esteem. Karol Kelley states that the “expectations and the promises of the Cinderella story are psychologically harmful to women.” (p648). The fact that Cinderella is a limited character may give the girl an impression that she should be happy with what she has and not have any or aspirations in her life. That is, until her Prince comes to rescue her. Since these comments were made, the Cinderella story has been modified and changed. In order to see how gender roles have changed in fairy tales from the old to the new, let’s compare the classic version of Cinderella by Charles Perrault to a recent version which is a movie that was released in 1998 called “Ever After”which was directed by Andy Tennant.
India is located in the south of the Asian continent bordering the Arabian Sea and the Bay of Bengal. The country’s territory is measured at nearly 3.3 million square kilometres extending from the snow-capped Himalayan Mountains in the north to tropical forests in the South. India’s neighbouring countries are, to the northwest Afghanistan and Pakistan; to the north China, Bhutan and Nepal; and to the east Burma and Bangladesh. The latitude and longitude of India is 21.0000 degrees North and 78.0000 degrees East. India’s size is 3,287,590 kilometers squared and its distance from Australia is a vast 7,809 kilometers.
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
Over centuries of children have been enjoying the classic fairy tales of the Grimm Brothers and Charles Perrault. The fanciful plots and the vivid details allow children to be entranced by characters and adventures that can only be found in these stories. One of the most beloved fairy tales, which both the Perrault and the Grimms have their own separate versions of, is Cinderella. Cinderella is able to show how both versions are able to feed off the same plots while personifying the century and social economic situation in which they have lived.
Throughout many fairytales, Cinderella more evidently, there is the stigma of male roles and female roles. The man is the prince, the knight in shining armor, the strong protector and able provider, and the woman is the princess. Dainty and innocent, weak and capable only of looking pretty, fostering children and maintaining appearances of house and home. These roles of placement have been around long before fairy tales, and they’ll be around long after fairy tales, but the inclusion of these roles through characters in fairy tales does nothing but enforce the idea that this is the way things are meant to be, and women who do not assume these roles are wrong and unworthy. In her article, Orenstein refers to Cinderella as “the patriarchal oppression of all women”, and she is exactly right (Orenstein “What’s wrong with Cinderella?”). The impression left of these gender stereotypes travels off the pages of the fairy tale and into the real world when studies show that there is a “23% decline in girls’ participation in sports and other rigorous activity … has been linked to their sense that athletics is unfeminine” (Orenstein “What’s wrong with Cinderella?”). The blatant disregard for equality in these stories can be summed up with a term Orenstein coined, “relentless resegregation of childhood”, which ultimately defines what it means to be a boy or a girl in the terms of set behaviors and life duties (Orenstein “What’s wrong with Cinderella?”). Whether it be Cinderella or any other princess, the fairy tale business makes it a point to create a place for women with their stories, and unfortunately that “place” is demeaning and still practiced
Anthropological study can explain how the characters’ values and learning of rules are dramatically affected by their cultural background. In the story, after Cinderella’s mother died, she ‘remained pious and good’ (Grimm, 1812). She visited her grave every day and wept, showing her sense of responsibility and unwillingness to neglect loved ones. She also demonstrated a sense of respect for her family, complying to become a maid without arguing. Also, knowing their financial position, she only asked for a twig when her father went to the fair. Through these personality traits, it is evident that she has been raised with enforced rules and good values. Cinderella’s step sisters, on the other hand, were mean and unkind. They were ‘beautiful, with fair faces, but evil dark hands’ (Grimm, 1812). They laughed at the way Cinderella was dressed, and deliberately threw peas into the ashes to give her an additional chore. They were also very greedy and asked their stepfather to buy them jewels and dresses when he went to the fair. Through the step sisters’ behaviour, it is evident that they have been raised with the wrong rules and values, showing disrespec...
For an Example Mr. Morrison stood up to the guy that he was working for on the railroad and he knew that something bad could happen but, he did anyways. And I think this courageous act relates to what Lynda when she was arguing with the sheriff Jim Clark about the cell being to small and she had the courage to take the broom that the sheriff gives her to clean up barf. And smashes the window and yells “HELP! HELP US, ANYONE, PLEASE! Even though she knew that she could get in trouble she still did it. And when she did do that the sheriff was furious. And I think that the Logan Family and their friends where courageous when they did a peaceful protest because the Logans got threatened by Harlan Granger because the Logan’s were encouraging people to not shop at the Wallace store but, in Vicksburg. And I think this act relates to when the marchers nervously stand there ground even though sheriff Clark told them to turn around. And Sheriff and his group charges at the group and stops there peaceful protest to be able to vote without having to pass a impossible
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
Morrison himself has done many courageous things like how he lost his job by fighting two white men who started the fight and practically destroying them and him getting blamed for the fight. Another way he showed courage is when he beat up the Wallaces . This is courage because of the way that he was trying to defend papa, he was beating up the wallaces by using himself rather than use his shotgun, and when he crushed the Wallaces he helped papa into the house and helped make his leg better. This was courageous because during the great depression Blacks were being treated very horribly by whites and were killed very often because of the things that they did to stand up for themselves, also they were segregated which made them even more worse than whites, and because of Jim crow laws blacks had a lot less rights and a hella lot more worse punishments all because they were black One more way he showed courage is when he stood up to the Wallaces when he didn’t have his shotgun and Kaleb Wallace had his gun which he was pointing his gun at him, but Kaleb got intimidated by Mr. Morrison and couldn’t shoot, then Mr. Morrison walked up to his car and looked around for a minute, walked back and we left. These are all signs of courage by Mr.Morrison who is by far one of the most courageous people in Roll of Thunder, Hear My
In the poem “Cinderella”, Anne Sexton illustrates the unrealistic expectations that fairy tales put into the minds of young women. The story of “Cinderella” has many versions in both print and film. Millions of dollars are generated annually with romance novels and romantic comedies commonly dubbed chick flicks. All versions share a similar story, a young lady meets a man and her life is then happy, fruitful, carefree and complete. These images are nothing more than fairy tales but they set expectations on young women that are unattainable. The poem was written in 1971, there was a growing awareness of women’s liberation and feminism at the time but, sadly, in 2016, I feel that the majority of women are still aiming for the fairy tale
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
Today, adults reading Charles Perrault’s Cinderella realize similarities and differences between Cinderella and a modern western woman. Adults recognize that Cinderella in Perrault’s fairy tale has undesirable qualities for a modern western woman, today. Cinderella is affectionate, goodwill, forgiving, and loyal. On the other hand, Cinderella is not independent, outspoken, confident, and strong. Cinderella has low self esteem and is incapable of solving problems. Inferiority, dependence and passiveness are characteristics that represent Cinderella do not characterize a modern western woman.
Since the time fairytales first started, women were always the princess and the main character of every tale. Little girls fantasize about being a princess from the fairy tales their parents read to them. But in reality, how women are portrayed in the fairy tales by Charles Perrault, the Brothers Grimm, and Hans Christian Anderson, is utterly disgusting. In fairy tales, women who are passive, powerless, naïve, and who would do anything for men are beautiful and become the princess at the end, but women who seek power are ugly and evil. The role of women in society are present in fairytales as well, women do the cleaning, take care of the children, and cook, while men go out into the world to earn a living.
Fairytales, the short stories that most children heard as they went to bed, are actually folktales from previous decades. The fairytales today are primarily adaptations of older versions recreated by Disney— the pioneers of this generation. With that said, the modern versions consistently display good triumphing over evil, a prince charming that constantly came to the rescue, and a happily ever after ending. However, the original folktale version didn’t always come with fortunate events, but often were more violent and gruesome. With the fairytale Cinderella, Disney maintains a similar theme as its Grimm version; however, the conflicts, events, and characters that support this idea are rather different.
How did we get here? In 1697, French writer Charles Perrault updated an age-old fairy tale about a young woman named Cinderella to appeal to his contemporaries, French nobility and bourgeoisie. So many of the early versions of the tale boasted a very resourceful young woman who played an active role in her destiny. Perrault, however wrote his Cinderella as a well-mannered, docile, selfless women who would fit seamlessly with the ideal 17th century upper-class society. Historically, fairy tales have reflected the values of society in which they were written or revised mirroring its preoccupations, obsessions, ambitions, and shortcomings. What do these updates say about our culture’s view of women and marriage?
Some fairy tales are so iconic that they withstand the passing of time. One of those fairy tales is that of Cinderella. The rags to riches story that gives even the lowliest of paupers, hope that they may one day climb the social ladder. While the core message of the story has transcended time, over the years it has been adapted to address a variety of audiences. One of those renditions is Perrault’s Cinderella where the traditional idea of gender is conveyed and therefore associated with good/evil. This idea is challenged by a fellow 1600’s French author, L’heriter de Villandon’s, who’s version of Cinderella brings about a female protagonist who is also the heroine.