Thesis “Lullaby” follows the systematic destruction of Native American culture and society on a smaller scale, depicting how the influences of outsiders led to the ruination of a single family. Jimmie — Dominance through War: Before the story even fully starts, we learn that the first son, Jimmie, dies in combat. “A man in a khaki uniform trimmed in gold gave them a yellow piece of paper and told them Jimmie was dead” (440). It should be noted that almost immediately after this information is revealed, Jimmie’s father, Chato, is revealed to speak English, almost as if this is a consequence of the war (440). Ayah seems to take this rather strangely, as she doesn’t grieve for the loss of her son, but rather, for what could have been were he …show more content…
not lost. “She didn’t cry then, but she hurt inside with anger. And she mourned him as the years passed … She mourned Jimmie because he would have worked for his father then” (440). This reflects Native American society, as well, as the onset of an American war brought about a sense of grieving for not only what was, but what could have been. Danny and Ella — Assimilation: The other children, Danny and Ella, are the two characters we see who fall victim to any sort of direct law. In fact, a form of law enforcement is what takes them away from their childhood home to become assimilated. “The doctors came … and they brought a BIA policeman with them. They told Chato they had her signature and that was all they needed. Except for the kids” (442). Essentially, this mirrors the idea of the law and its effect on Native American society. Not only is this all but blunt with the mention of the Bureau of Indian Affairs (BIA), but this is specifically mentioned when we see the children after they have been assimilated. “The last time they came was in early June, and Ella stared at her the way the men in the bar were now staring [with fear] … When [Danny] tried to answer her, he could not seem to remember and he spoke English words with the Navajo” (444). Both children, because of their interactions with the United States government, have lost their sense of culture and identity. Not to mention this being a rather explicit example of stealing something from a Native American community by way of deceit. Chato — Relocation and Disempowerment: Chato himself seems to be the most blatant example of this extended metaphor. To support his family, Chato works for a white rancher—making home on land that nobody truly sees as his. This gives the white landowner all of the power in their relationship, eventually forcing Chato into poverty. “Chato … broke his leg, and the white rancher told them he wouldn’t pay Chato until he could work again” (440). And once Chato outlived his usefulness, the white landowner decided to relocate him to make way for new workers. “[The] white rancher told Chato he was too old to work for him anymore, and Chato and his old woman should be out of the shack by the next afternoon” (442-443). Essentially, the rancher not only displaced Chato, as was the case with the Native American population at large, but also disempowered him completely by refusing to pay him—and eventually firing him. The story notes rather gloomily that even though Chato tried to integrate well into a dominantly white society, it was not an issue that his attempts to integrate alone would rectify. “All of Chato’s fine-sounding English talk didn’t change things” (443). Ayah and the Death of Culture: If we see each of these family members as aspects of Native American culture, Ayah must be the relatively untouched Native American.
She attempts to maintain her culture, being afraid of learning much more about white culture apart from knowing how to sign her name (442). All around her, Ayah realizes that the culture—in the form of her family—is rapidly disappearing. And just like Native American culture, none of these examples in her family are truly dying, at least in her eyes, but rather that they are all in a very obvious state of disrepair. Ayah skirts around Jimmie’s death, for instance, stating, “It wasn’t like Jimmie died. He just never came back” (440). When it comes to her twins, she simply acknowledges that they are gone and beyond repair, saying, ““It was worse than if they had died” (442). Even her husband, Chato, does not truly die inside of the text. However, it is strongly hinted that he will die. “Ayah knew that with the wine [Chato] would sleep. He would not feel it” (446). With her culture dying all around her, it is fitting that the tale ends with Ayah singing a song she realizes she has never rehearsed before, not even to her own children. This, in a sense, is her admitting the fall of her culture. Nevertheless, she sings to Chato anyway. The song she sings is a song of healing—and this ancestral song falls upon dying …show more content…
ears. Discussion Questions: 1.
“Lullaby” has some elements of non-linear storytelling. This is somewhat common in Native American writing, as it tends to emulate a more oral storytelling style. Sometimes the story can break off to explain something in better detail, or change to another scene entirely that does not seem related until much later. What are some examples of this in “Lullaby”? 2. Silko is for borrowing from many different genres, platforms, and mediums to present her inside of her work and better express her creativity. What aspects of this story are influenced by this tendency of hers? 3. A key feature of the story is that it gives away the fates of the family before they’re introduced at all. Jimmie, the first son, is almost immediately revealed as deceased. Additionally, Danny and Ella are introduced as the children the white doctors took away. Why would Silko take this approach? What does it do for the story and those characters? 4. The only people in the story whose fates are not revealed beforehand are Ayah, the mother, and Chato, the father. The ending does end on an ominous tone, however, and their fates are hinted subtly, but not absolutely. What do you think happened to the couple at the end? What hints in the narrative make you think that
way? 5. Jimmie, the first son, is largely remembered by his mother Ayah through his blanket that he sent home. What does this blanket seem to mean for Ayah? On a deeper level, what do you think this blanket represents? 6. The protagonist and narrator for “Lullaby” has some characteristics of an unreliable narrator—a trait that occurs frequently in any form of oral storytelling. After her children are taken, she depicts the father as being rather distant and uncaring—but she, herself, admits to being angry with him, hinting that the narrative might be skewed. Do you think the father is truly as cold and unemotional about the loss of his children as the story depicts him to be? Why or why not? 7. This short story was written during the Civil Rights movement. In what way, if any, do you think this impacts the story? 8. Silko studied a case in law school that involved a mentally handicapped black man receiving an execution sentence for strangling a white librarian. Despite having no understanding of his crimes, this sentence was upheld by the Supreme Court, and Silko’s reaction to the case study was to leave the world of law altogether, calling the justice system “barbaric.” In what ways does the “barbaric” legal system of the United States appear in “Lullaby”? Does Silko’s disillusion with American “justice” influence the narrative as a whole?
Trauma, abuse, displacement, and feelings of alienation have, and is still plaguing the Aboriginal community. Author Eden Robinson and playwright Constance Lindsay Skinner address the displacement, mistreatment, and abuse the indigenous population has faced, and still faces, in Monkey Beach and Birthright. Both Eden Robinson's novel Monkey Beach, and playwright Constance Lindsay Skinner's Birthright deals with characters who are struggling with trauma and haunted with scars from the past. The authors detail these events and bring the reader into the “shoes” of the characters through characterization, imagery, dialogue, and through revealing intimate memories of the characters. These literary techniques enable the reader to see the parallel between the cyclical, ambiguous state of nature, and the ambiguity in humans and how there is a perpetuating, intergenerational cycle of violence caused by abuse and the mistreatment of the Aboriginal.
In this poem, there is a young woman and her loving mother discussing their heritage through their matrilineal side. The poem itself begins with what she will inherit from each family member starting with her mother. After discussing what she will inherit from each of her family members, the final lines of the poem reflect back to her mother in which she gave her advice on constantly moving and never having a home to call hers. For example, the woman describes how her father will give her “his brown eyes” (Line 7) and how her mother advised her to eat raw deer (Line 40). Perhaps the reader is suggesting that she is the only survivor of a tragedy and it is her heritage that keeps her going to keep safe. In the first two lines of the poem, she explains how the young woman will be taking the lines of her mother’s (Lines 1-2). This demonstrates further that she is physically worried about her features and emotionally worried about taking on the lineage of her heritage. Later, she remembered the years of when her mother baked the most wonderful food and did not want to forget the “smell of baking bread [that warmed] fined hairs in my nostrils” (Lines 3-4). Perhaps the young woman implies that she is restrained through her heritage to effectively move forward and become who she would like to be. When reading this poem, Native American heritage is an apparent theme through the lifestyle examples, the fact lineage is passed through woman, and problems Native Americans had faced while trying to be conquested by Americans. Overall, this poem portrays a confined, young woman trying to overcome her current obstacles in life by accepting her heritage and pursuing through her
The story Navajo Lessons conveys the theme that “It is important to learn and appreciate your heritage.” This story is about a girl, Celine, and her brother that visit her grandmother on the Navajo reservation in Arizona. Celine arrives at a place in the middle of nowhere at her grandmother’s house and is not excited because she had better plans for the summer. Her family is encouraging her to deal with it and make something good out of it. Over time, Celine learns that this trip was worth it because she realized that it is important to learn and appreciate your heritage. Celine learned this in many ways, one of them being that she wanted to learn and listen to the stories that her grandmother was telling.
As Mother’s Day approaches, writer Penny Rudge salutes “Matriarchs [who] come in different guises but are instantly recognizable: forceful women, some well-intentioned, others less so, but all exerting an unstoppable authority over their clan” (Penny Rudge), thereby revealing the immense presence of women in the American family unit. A powerful example of a mother’s influence is illustrated in Native American society whereby women are called upon to confront daily problems associated with reservation life. The instinct for survival occurs almost at birth resulting in the development of women who transcend a culture predicated on gender bias. In Love Medicine, a twentieth century novel about two families who reside on the Indian reservation, Louise Erdrich tells the story of Marie Lazarre and Lulu Lamartine, two female characters quite different in nature, who are connected by their love and lust for Nector Kashpaw, head of the Chippewa tribe. Marie is a member of a family shunned by the residents of the reservation, and copes with the problems that arise as a result of a “childhood, / the antithesis of a Norman Rockwell-style Anglo-American idyll”(Susan Castillo), prompting her to search for stability and adopt a life of piety. Marie marries Nector Kashpaw, a one-time love interest of Lulu Lamartine, who relies on her sexual prowess to persevere, resulting in many liaisons with tribal council members that lead to the birth of her sons. Although each female character possibly hates and resents the other, Erdrich avoids the inevitable storyline by focusing on the different attributes of these characters, who unite and form a force that evidences the significance of survival, and the power of the feminine bond in Native Americ...
Presumably, complications start to revolve around the protagonist family. Additionally, readers learn that Rachel mother Nella left her biological father for another man who is abusive and arrogant. After,
Change is one of the tallest hurdles we all must face growing up. We all must watch our relatives die or grow old, our pets do the same, change school or employment, and take responsibility for our own lives one way or another. Change is what shapes our personalities, it molds us as we journey through life, for some people, change is what breaks us. Watching everything you once knew as your reality wither away into nothing but memory and photographs is tough, and the most difficult part is continuing on with your life. In the novel Ceremony, author Leslie Silko explores how change impacted the entirety of Native American people, and the continual battle to keep up with an evolving world while still holding onto their past. Through Silko’s
Louise Erdrich’s short story “American horse” is a literary piece written by an author whose works emphasize the American experience for a multitude of different people from a plethora of various ethnic backgrounds. While Erdrich utilizes a full arsenal of literary elements to better convey this particular story to the reader, perhaps the two most prominent are theme and point of view. At first glance this story seems to portray the struggle of a mother who has her son ripped from her arms by government authorities; however, if the reader simply steps back to analyze the larger picture, the theme becomes clear. It is important to understand the backgrounds of both the protagonist and antagonists when analyzing theme of this short story. Albetrine, who is the short story’s protagonist, is a Native American woman who characterizes her son Buddy as “the best thing that has ever happened to me”. The antagonist, are westerners who work on behalf of the United States Government. Given this dynamic, the stage is set for a clash between the two forces. The struggle between these two can be viewed as a microcosm for what has occurred throughout history between Native Americans and Caucasians. With all this in mind, the reader can see that the theme of this piece is the battle of Native Americans to maintain their culture and way of life as their homeland is invaded by Caucasians. In addition to the theme, Erdrich’s usage of the third person limited point of view helps the reader understand the short story from several different perspectives while allowing the story to maintain the ambiguity and mysteriousness that was felt by many Natives Americans as they endured similar struggles. These two literary elements help set an underlying atmos...
As a result, both films represent Natives Americans under the point of view of non-Native directors. Despite the fact that they made use of the fabricated stereotypes in their illustrations of the indigenous people, their portrayal was revolutionary in its own times. Each of the films add in their own way a new approach to the representation of indigenous people, their stories unfold partly unlike. These differences make one look at the indigenous not only as one dimensional beings but as multifaceted beings, as Dunbar say, “they are just like us.” This is finally a sense of fairness and respect by the non-native populations to the Native Indians.
Just like other Indian kids on reservation, Crow Dog’s childhood was poor in everyway; didn’t have enough food, clothes, education, and parents’ love. She was kidnapped to boarding school where Indian children are imp...
Lullaby, by Leslie Marmon Silko, is a story about and old, Navajo woman that is reflecting on some of the saddest events in her life. Lullaby shows how the white people have damaged the Native American life style, culture and traditions. Loss and symbolism are two major themes in this story.
In wrapping up the analysis of Silko’s paper the reader is left with a bitter taste. Although Silko points out an important issue, she seems to be too overdramatic when telling of personal experience. Silko leaves the reader too skeptical of what she has to say. The reader has a hard time believing what they read. Silko finds refuge through her writing, but does not handle the subject with as much care as it is due. Silko’s evidence to not justify her accusations, and that hurts the credibility of the work.
Although their love has endured through many years, it has come to an end in the story. All throughout the story the couple is reminiscing about their life and while they are there are some odd details that are strewn throughout.
Set against the backdrop of post-WWII reservation life, the struggles of the Laguna Pueblo culture to maintain its identity while adjusting to the realities of modern day life are even more pronounced in Ceremony. Silko uses a wide range of characters in order to give a voice to as many representatives of her tribe as possible. The main character, Tayo, is the person with whom the reader is more than likely to relate. The story opens with him reliving various phases of his life in flashbacks, and through them, the reader shares his inability to discern reality from delusion, past from present and right from wrong. His days are clouded by his post-war sickness, guilt for being the one to survive while his cousin Rocky is slain, and his inability to cope neither with life on the reservation or in the outside world. He is one of several representations of the beginnings of the Laguna Pueblo youth interacting with modern American culture.
In American Indian Stories, University of Nebraska Press Lincoln and London edition, the author, Zitkala-Sa, tries to tell stories that depicted life growing up on a reservation. Her stories showed how Native Americans reacted to the white man’s ways of running the land and changing the life of Indians. “Zitkala-Sa was one of the early Indian writers to record tribal legends and tales from oral tradition” (back cover) is a great way to show that the author’s stories were based upon actual events in her life as a Dakota Sioux Indian. This essay will describe and analyze Native American life as described by Zitkala-Sa’s American Indian Stories, it will relate to Native Americans and their interactions with American societies, it will discuss the major themes of the book and why the author wrote it, it will describe Native American society, its values and its beliefs and how they changed and it will show how Native Americans views other non-Natives.
Native American children were physically and sexually abused at a school they were forced to attend after being stripped from their homes in America’s attempt to eliminate Native peoples culture. Many children were caught running away, and many children never understood what home really meant. Poet Louise Erdich is part Native American and wrote the poem “Indian Boarding School: The Runaways” to uncover the issues of self-identity and home by letting a student who suffered in these schools speak. The poem follows Native American kids that were forced to attend Indian boarding schools in the 19th and 20th centuries. By using imagery, allusion, and symbolism in “Indian Boarding School: The Runaways”, Louise Erdrich displays how repulsive Indian