Once in ancient China when you could walk up stairs to visit the gods, a baby, Shen Yun, was born. She was perfect, some would say in every way, glossy black hair, big round eyes, tender and gentle, and as smooth as silk. She wore a purple kimono adorned with stars and galaxies. Everyone loved her for her innocence and beauty, but she was most known for her kindness. She grew to be a kind and helpful little girl. She was unique in a way that she could control the growth of the earth and can move the stars. Since she was so special her parents wanted to keep her safe, so they told her “You cannot go down to the mortal world.” they said, “but mommy, daddy, I want to help the mortals,” Shen Yun complained. Her parents thought and thought and decided she can …show more content…
The stranger tried to grab Shen Yun and give her the last bit of ice cream that held the forever part of the spell, but was too late. Shen Yun’s soul was turned into the constellation of a horse. The stranger was found with Shen Yun’s motionless body by her parents, then was sent to a younger wizard named Mic Kong. There the stranger was cursed to walk the earth as a mortal till the end of her time. As for Shen Yun, the stars were happy to see her next to them and told her many stories which Shen Yun enjoyed, but soon Shen Yun wanted to go home. The stars, who would do anything for her, positioned themselves to send a message to the same powerful wizard who created the potion. Seeing what the stranger had done to the innocent child, he created an antidote and freed Shen Yun from the stars. Shen Yun though free was still a soul, so she traveled to the temple where she found her parents crying over her body. Shen Yun immediately ran to her body and returned her soul and woke breathing. Joyed to see her parents she gave them a big hug and told them what happened and said she will never talk to strangers again. Shen Yun lived happily with her family since
Most outcasts of history had a particular, exclusive life; full of struggles against the society ever since birth and grew up with a heart made out of steel from the harsh criticism they have endured. They differ from the community within their beginning to their end, and many of their stories end up becoming legends and gaps of the past that nobody will be able to reincarnate. China’s first and last female emperor, Wu Zetian, was one of these exclusives. Ever since birth, her history of tactics to the people around her; in order to ascend the throne, juxtaposed towards society’s attitudes of women at the time; through her breakdown of gender stereotypes and quick knowledge, and offered a new perspective to the world of just how cruel and beautiful women can be. She successfully destructed all accumulated views of women in the Tang Dynasty, and created her future in the way she wanted it – on top of every man in her country. She was an outcast – somebody who juxtaposed against the demands of her. She was history.
There may been times when people have been treated unfairly, just because of their appearance or their social life.
It's 1996,and we're in Shanghai,China.Anguish and rage is in the air.Why?Because 1996 is when Chairman Mao launched the Cultural Revolution,when intelligence became a crime and a wealthy family background invited persecution' or worse.Ji-Li Jiang is 12-years-old.An outstanding student and leader in her school,she had everything a young girl could want:brains,ability,the admiration of her peers and a shining future in Chairman Mao's New China.Her life was perfect,but with the occurence of the Cultural Revolution,Ji-Li's world begins to crumble.She had an unfortunate situation,her family fell under one o...
Traditional Chinese culture has a very strict set of rules which need to be followed. Only if one follows the rules, will they fit into the Chinese society. This is depicted in the book The Jade Peony by Wayson Choy and Iron Road directed by David Wu. The Jade Peony portrays a story about three Chinese-Canadian siblings living in Vancouver’s Chinatown: Jook-Liang, Jung-Sum, and Sek-Lung. Each child experiences different complications depending on their age and gender. Their Grandmother, Poh Poh, teaches them to balance their Chinese culture along with Canadian culture. Moreover, Iron Road portrays a story about a strong-willed 19 year old girl, Little Tiger, who presents herself as a boy in order to survive as an orphan in the male-dominated
From the beginning of Wang Lung’s marriage to O-lan, she saved him time, money, and effort without complaint. She offered wisdom when asked and was smart in the ways of the world. During the famine, when the family went south in search of food, O-lan taught her children how to beg for food, “dug the small green weeds, dandelions, and shepherds purse that thrust up feeble new leaves”(p. 128). She raised her children prudently. She knew how to bind her daughter’s feet, and she gave them a better childhood than she had had. O-lan knew that the land was the only consistent thing in her life, so she willingly helped Wang Lung as he bought more and more land. O-lan knew her place in the family was as a wife and mother. As a wife, she fe...
Daily life was influenced in both Ancient India and China because of religion and philosophies. Their well being, their beliefs, and their caste system were affected by religion and philosophies.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
Ai Weiwei was born during the Cultural Revolution in China of 1950s, he inherited a lot of his political knowledge from his father who was a poet called Ai Quig. Ai Quig was then later exiled with his family to re-education camps on the out reaches of a desert in 1958 for questioning government authority. After the Cultural Revolution, Chinese citizens were allowed to travel outside their borders again in 1970s. As a young man, the place that Ai Weiwei dreamed about going to was New York. He went to New York and was exposed to its western influences, its liberty and freedom of expression (Springford, 2011).Using photography Weiwei recorded and documented everything that inspired him. Weiwei visited galleries and art museums that exposed him to the world of conceptual art, becoming influenced by Andy Warhol and Marcel Duchamp. Ai Weiwei admired the ways of artists who could simply proclaim what was art and what wasn’t art, how Duchamp questioned art and when something gets to be art (Springford, 2011).Ai Weiwei came back to China in 1993 to take care of his sick father, and found himself drawn to his responsibility as an artist, to take the task of re-awakening his country through his art and to expose his thoughts on the corrupt and controlling nature of China’s government (Philipson,2012). Ai Weiwei has always been an outspoken artist. In the course of his art making, Weiwei has used a form of activism in his art, with political ideologies that exist because of the Chinese government. He also uses a sense of memory and the countrys past and history. Most of his art involves the public and their outlook of the government. Weiwei requests engagement from the public as a show of protest in his artworks (Harris & Zucker, 2009). When...
The Han dynasty: The Han dynasty was one of the longest of China’s major dynasties. In terms of power and prestige, the Han dynasty is the East rivaled it’s almost contemporary Roman Empire in the West, it lasted a span of four centuries and was considered a golden age in Chinese history, especially in arts, politics, and technology.
A: Some religious practices and customs that are mentioned are: ceremonies held for the seven goddesses who protected virginal maidens, which, in Mrs. Chen’s (back then, Lai Fong) case, was the last time she prayed with her mother; wearing a golden amulet that was “opened … to the light” by monks of the Shaolin Temple to ward off evil; and bowing in respect to the student who helped her. She also blamed her past life for her misfortune and gave to the beggar because she believed that the gods viewed compassion kindly. Her actions and perspective of things shows us the way she was brought up. She grew up in China as an only child surrounded by religious beliefs. She acted with conviction and did what she thought was right, despite the hesitation or self-consciousness. Having grown up in a completely different culture with different values, Mrs. Chen shows us, through her flashbacks, what her life was like before. She lives with a di...
Qin Shi Huangdi, the first emperor of China, demonstrated classic chinese morals, by showing exemplary leadership, establishing a proficient government, and testifying to religious ideology, as illustrated on the Daodejing, the Analects, and The Art to War.
In America, it is believed that you have the opportunity to become anything you would like to be. For immigrants it is believed that “you can be best anything” (553). It is the same for the mother in this story. She believes that her daughter, Jing-mei, can be anything she wishes, even a prodigy. Though this idea of Jing-mei becoming a prodigy sounds far fetched, the mother is determined to turn her daughter into something, or someone who will make the family proud.
Men and women in early China were separated by the idea of the Yin and Yang cosmic forces. These forces are complementary to each other. However they are hierarchical. Consequently, they lead to oppression. With the aspect
The Great Proletarian Cultural Revolution, beginning as a campaign targeted at removing Chairman Mao Zedong's political opponents, was a time when practically every aspect of Chinese society was in pandemonium. From 1966 through 1969, Mao encouraged revolutionary committees, including the red guards, to take power from the Chinese Communist party authorities of the state. The Red Guards, the majority being young adults, rose up against their teachers, parents, and neighbors. Following Mao and his ideas, The Red Guard's main goal was to eliminate all remnants of the old culture in China. They were the 'frontline implementers' who produced havoc, used bloody force, punished supposed 'counter revolutionists', and overthrew government officials, all in order to support their 'beloved leader'.
This essay gives an overview of early civilization in China and the different periods within this era. Also, it includes political and cultural pursuits of the people within this time period and the struggles of the Asian peoples and their religious beliefs and community uniqueness and differences.